Arriving at the quaint Mercury Theater—a century-old nickelodeon turned comfy neighborhood cabaret—for Priscilla Queen of the Desert, the excitement of the other theatergoers coming and going, outside near the Music Box Theater and inside the Mercury’s cabaret room sipping their drinks, hinted at the show I was about to see. And what a show…

The Mercury’s cast and crew, led by director and choreographer Christopher Chase Carter, have gone all out in their production of the musical based on Stephan Elliott’s 1994 hit movie. The colorful posters outside, the flashing disco ball cocktail cups one can get filled with the cabaret bar’s signature punch, and the audience’s bright attire only hinted at the lights and dazzle onstage.

From the moment the first actor steps onstage, it’s a spectacle. Costume designer Bob Kuhn’s dressed a cast of all body types in the flashiest drag costumes and the dustiest duds from the Outback (and even a wrestling singlet or two, which made me LOL) as Tick/Mitzi, Adam/Felicia, and Bernadette waltz across Australia in Priscilla, their bus. What a feat to costume such a varied cast and make every member stand out, and stand onstage as confidently as the three leads.

Said leads are all wonderful. Josh Houghton’s Tick is a paradox of towering cool and nervous angst, professional and polished onstage as Mitzi and the story’s protagonist who brings the others along on his own adventure. Shaun White plays the beautiful young Adam/Felicia, whose exuberance and humor keep the trip interesting. And legendary Chicago cabaret performer Honey West is perfect as Bernadette, her talent and mere presence lending the performance gravitas.

But the rest of the cast proves the leads’ equal. Darren Patin’s Miss Understanding starts off the show right, and Patin continues throughout in a killer ensemble featuring Ayana Strutz, John Cardone, Michael Kingston, Brittany Parker, Marcus Jackson, and Matthew Weidenbener. The show’s divas—Lydia Burke, Jessica Brooke Seals, and Heather J. Beck—sizzle in Kuhn’s outfits and stun with their vocals, under Eugene Dizon’s musical direction. But perhaps the vocals that most astounded me came from Gabriel Solis, a young actor making his professional debut on the Mercury Theater’s stage.

And if you have not seen it yet, make your own debut through the Mercury’s doors for this spectacular production of Priscilla Queen of the Desert, playing through September 11.