Theatre in Review

Thursday, 12 May 2011 18:14

"Spring Awakening"; High Expectations, Medium Results Featured

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The-Cast-of-Spring-AwakeningFilled with anger, love, confusion, despair, and what makes you happy, Spring Awakening goes through all that. With music by Duncan Sheik and book and lyrics by Steven Sater, this rock musical is an adaptation of the controversial 1891 German play by Frank Wedekind. The play deals with teenagers in Germany discovering their sexuality. The original play was banned in Germany due to its portrayal of abortion, homosexuality, rape, child abuse and suicide.

First of all, one thing that bothered me going into the theatre with this show is it’s not as intimate as it is on Broadway. Spring Awakening was meant for a small theatre to add the intimacy for the audience to appreciate with this show, and the Cadillac Palace didn’t really do it. One thing I did like was that the audience can sit on both sides of the stage during the show. I thought that’s really cool, since you can see everything up close, and feel like you’re in the show. The set design was really cool and the lighting as well. The band, though, really rocked it under the music direction of Casey RT Graham.

The story is about teenagers discovering their sexuality. The character of Melchior, played by Christopher Wood, I felt was very weak. I didn’t feel he had the energy and the passion that Melchior should have. Coby Getzug, who played Moritz was phenomenal. He was actually my favorite person in the show. Moritz is confused about his feelings and doesn’t understand them, so he goes crazy, and tries to kill himself. Elizabeth Good was a great Wendla, as was Courtney Markowitz who was a nice Ilse. Other notable performances were from Devon Stone (who played Hanschen) and Daniel Plimpton (Ernst).

There were a couple things that I liked about this show having never seen it or read the story. I liked the characters, especially the relationship between Melchior and Moritz, and Melchior and Wendla. There were a couple scenes, though, that were rough to watch, like Wendla asking Melchior to beat her, both of them simulating sex on stage, and Hanschen’s onstage masturbation scene. By the events going on in this show, this is not one to bring your children to. I would recommend 17 years and up, because of the subject matter, it can be a little rough.

The love story of Melchior and Wendla is a bit odd, along with the character relationships with the adults, and the mixed emotions between the male students and the immature adolescent behavior. Though when Wendla asks her mother how babies are made, the mother hesitates and can’t tell her. Well that’s stupid to do, knowing she could get pregnant and have an abortion. The parents should have been more aware of their children’s activities and behaviors.

Spring Awakening is a great show overall. The music and lyrics are fantastic. If you think you can take the material, definitely see it. If not, then this is not the show for you. If this show was in another theatre, I think it would be a lot for enjoyable. But for what it was, it was a good show.

 

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