Theatre in Review

Sunday, 08 July 2007 01:00

Patton Oswalt Knocks ‘Em Dead

Written by

Patton Oswalt PhotoLike that itch on your ass that you have to repeatedly scratch, Patton Oswalt kept the sold out crowd at Lakeshore Theatre laughing relentlessly from the moment Janeane Garofalo introduced him to the moment he triumphantly darted off the stage. Not a dry eye remained in the house as Patton’s one-hour plus hysterical routine delivered blow after blow – and then some. And though Patton’s clever premeditated material...

Patton Oswalt PhotoLike that itch on your ass that you have to repeatedly scratch, Patton Oswalt kept the sold out crowd at Lakeshore Theatre laughing relentlessly from the moment Janeane Garofalo introduced him to the moment he triumphantly darted off the stage. Not a dry eye remained in the house as Patton’s one-hour plus hysterical routine delivered blow after blow – and then some. And though Patton’s clever premeditated material was more than enough to keep his flock of followers rolling in the aisles, his ingenious “off-the-cuff” improv that awaited hecklers capped the evening in true Oswalt fashion.

Patton, who many might know as the character Spence Olchin on “King of Queens”, has been headlining comedy clubs since 1996, but has also taken his observational comedy to writing where he provided material for MADtv and more recently, The Comedians of Comedy. His list of TV and film credits take Patton all the way from Seinfeld episodes in 1994 to the voice of Remy, the lead character in this summer’s Disney blockbuster Ratatouille in which Garofalo co-stars along with Brian Dennehy and Peter O’Toole. Comedy Central enthusiasts can also see him in several episodes of Reno 911 as Boozehammer of Galen, Dungeon Master, or the quirky Kenny Rogers Assassin.

Armed with a transgender in the front row and seated next to her an intoxicated, and very outspoken female friend who sounded like an air raid siren with a broken speaker, Patton didn’t have to reach very far into his bag of random targets, as they provided him a steady whipping post for a good portion of the show. “A transgender from Gary, Indiana who had a sex change in 1987? Hmmm...that’s ballsy,” stated Oswalt before referring to her friend, or “Gravel puss” as he called her, by saying, “If the lead singer from AC/DC quits or dies anytime soon, not to worry – we’ve got a replacement.”

Between his improv with various audience members, Patton had the audience in stitches hitting on subjects such as Star Wars – what was George Lucas thinking when he made the prequels and Cirque Du Soleil – the gayest thing I’ve ever seen. Patton also compared George W. Bush’s planning of the war in Iraq to a coke-head talking about his/her unfinished screenplay. I thought it was about finding nuclear warheads... “It’s not about that anymore!!! It’s changed. Now it’s about establishing democracy...no, wait...”

When asked by an audience member if he would be in town for the Gay Pride Parade, he responded with, “No, I’ll be back in LA where everyday is Gay Pride Day.”

Just before he exited the stage, Patton gave a special thanks to the crowd several times stating, “You are truly a gift from heaven.” Afterwards, Patton stuck around and greeted fans (some of whom traveled from Washington D.C.) exchanging brief stories and happily taking photos with anyone who asked.

Patton can be heard on his albums “Feelin’ Kinda Patton”, “222” and his newly released “Werewolves and Lollipops” and can also been seen on his DVD “No Reason to Complain”. For more information on Patton Oswalt go to pattonoswalt.com or myspace.com/pattonoswalt.

Last modified on Thursday, 02 October 2008 19:35

 

         20 Years and counting!

Register

     

Latest Articles

  • Spaceman: Into the Quiet Terror of the Void
    Written by
    Spaceman, presented by [producingbody], touches down at The Edge Off-Broadway with a quiet, unnerving force, pulling audiences into the fragile headspace of an astronaut drifting far from home and even farther from certainty. Under Eric Slater’s beautifully calibrated direction, playwright…
  • Inside a Real ‘Fire House’ You Are Immersed in Phantasmic Lives of Firefighters
    Written by
    Set in Chicago’s oldest fire station (now Firehouse Art Studio) the immersive play "Fire House” is only loosely tethered to a realistic portrayal of what fire fighters do. What it conveys is an impressionistic vision of the experience that fire…
  • Spamalot Is Every Monty Python Fan’s Dream Come to Life
    Written by
    Spamalot rides into the Windy City courtesy of Broadway In Chicago, inviting theatergoers to join King Arthur’s quest now through May 31 at the CIBC Theatre. Fans of Monty Python and the Holy Grail - the 1975 cult classic -…
  • Raven Theatre announces the 2026-27 season
    Raven Theatre, under the director of Executive Artistic Director Jonathan Berry, announces its 44th season, to include Michael R. Jackson's Pulitzer Prize-winning musical A Strange Loop, directed by Mikael Burke in a co-production with About Face Theatre; Tennessee Williams' The Glass Menagerie, directed by Raven Executive Artistic Director Jonathan…

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.