Theatre in Review

Thursday, 02 September 2010 17:41

Blood, Guts and B Flats - The Texas Chainsaw Musical Featured

Written by

Texas_ChainsawWalking into the tiny EP Theatre on South Halsted I was not expecting, nor could I have hoped to see as much as the mad and macabre as I was to see on September 1st. I was about to witness The Texas Chainsaw Musical. With no AC and dozens of way cooler college kids and hipsters surrounding me, I prepared for what would be, if anything, something to talk about at the water cooler tomorrow.

 

As someone unfamiliar to musicals and independent theatre, I must say I was pleasantly surprised with my first real experience. Part of the Chicago Fringe Festival, TCM was far from the performances, I’d seen in my small college town, where costumes were ill-fitting, awkward dialogue was in every scene, and an art show headiness flew right over my head. The cast and crew of Texas Chainsaw Musical created a welcomed surprise; full of tension, humor, and the amazing ability to make the audience feels compassion for one of the most notorious serial killers of all time.

 

The show kicked off with the same tense, John Larroquette narrated monologue as the 1974 original. The tension soon breaks into a rollicking musical number about how hot it is in Texas. Rather appropriate given the small, AC-less EP theatre.

 

As the story continues we meet an eclectic cast of characters about to meet their demise. Most notably Amanda Hardesty as Sally, Adam Rosowicz as her wheel chair bound brother Franklin, and Guy Schingoethe as the chainsaw wielding Leatherface himself. The cast as a whole does a great job of creating believable tension when needed and delivering perfectly timed comic relief right when the audience needs it.

 

As the musical progresses, and more and more hot, young teens meet their inevitable fate; Leatherface puts down his chainsaw and shows his compassionate side. He croons the audience in a Phantom of The Operaesque way, making us feel incredibly sorry for the monster that just hung a busty teen on a meat hook.

 

The play ends in a finale that has to be seen to believe. Imagine the whole creepy Hewitt clan, rocking out in a live band all while torturing and attempting to murder the still screaming “final girl” Sally. With Grandpa on the drums, the Hitchhiker shredding guitar, Dad/The Cook plucking bass, and ol’ Leatherface himself playing ‘lectric keys, it’s unlike any jam band you’ve ever seen. I will never be able to watch the infamous Grandpa hammer scene from the 1974 movie without thinking of a thunderous drum solo. Thanks.

 

Overall TCM was a great way to kick-start a very early Halloween celebration. With many standout moments, including Franklin’s goopy gushing kill scene, Sally’s never ending screaming, Franklin’s hilarious and heartfelt, “I Wish I wasn’t in a wheelchair number,” and a finale that was truly epic. I won’t spoil it, but the way the Hitchhiker meets his demise, may be the funniest part of the entire production.

 

Hopefully The Texas Chainsaw Musical finds another venue and audience closer to Halloween. It’s a show that has just the right amount of scares and humor to enjoy during those harvest weeks. But until then I highly recommend finding more shows out there like this. It’s a welcomed surprise to the non-stop crappy remakes and handi-cam horror flicks that flood the Cineplex’s in October. Plus it’s not every day you get sprayed with chainsaw goo.

 

www.chicagofringe.com

http://www.nmtchicago.org/

 

         20 Years and counting!

Register

     

Latest Articles

  • Spaceman: Into the Quiet Terror of the Void
    Written by
    Spaceman, presented by [producingbody], touches down at The Edge Off-Broadway with a quiet, unnerving force, pulling audiences into the fragile headspace of an astronaut drifting far from home and even farther from certainty. Under Eric Slater’s beautifully calibrated direction, playwright…
  • Inside a Real ‘Fire House’ You Are Immersed in Phantasmic Lives of Firefighters
    Written by
    Set in Chicago’s oldest fire station (now Firehouse Art Studio) the immersive play "Fire House” is only loosely tethered to a realistic portrayal of what fire fighters do. What it conveys is an impressionistic vision of the experience that fire…
  • Spamalot Is Every Monty Python Fan’s Dream Come to Life
    Written by
    Spamalot rides into the Windy City courtesy of Broadway In Chicago, inviting theatergoers to join King Arthur’s quest now through May 31 at the CIBC Theatre. Fans of Monty Python and the Holy Grail - the 1975 cult classic -…
  • Raven Theatre announces the 2026-27 season
    Raven Theatre, under the director of Executive Artistic Director Jonathan Berry, announces its 44th season, to include Michael R. Jackson's Pulitzer Prize-winning musical A Strange Loop, directed by Mikael Burke in a co-production with About Face Theatre; Tennessee Williams' The Glass Menagerie, directed by Raven Executive Artistic Director Jonathan…

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.