In Concert Archive

Sunday, 01 November 2009 22:24

Noah and the Whale at Lakeshore Theater

NATW Band Members (left to right) Charlie Fink, Matt Urby, andRarely have I run into a band that actually sounds better live than on their record, but on October 29th, 2009 English band Noah and The Whale did just that at the Lakeshore Theater alongside their opener, American musician Robert Francis...

NATW Band Members (left to right) Charlie Fink, Matt Urby, and

Rarely have I run into a band that actually sounds better live than on their record, but on October 29th, 2009 English band Noah and The Whale did just that at the Lakeshore Theater alongside their opener, American musician Robert Francis.

I went into the concert not entirely familiar with Noah and The Whale only having listened to thirty-second snippets of their latest album, The First Days of Spring, courtesy of iTunes and by then I summed them up to be another indie band who’s songs consisted of a slow earnest tune with a funeral dirge twinge to it, I’m happy to report how wrong I was. While they did have the ‘slow earnest tune’ I had expected they presented every song with the same new fresh emotion as one would if it were an entirely new song being presented to an audience for the very first time.

Opener Robert FrancisAmerican musician Robert Francis opened the show with his raspy heart felt music that gave off the slight vibe of artists like Jeff Buckley and his ability to hit higher notes than most men, the guitar of Tom Petty, and a little bit of Nick Cave and The Bad Seeds, but I cannot go without saying that while Robert Francis may have similar qualities of these great musicians he certainly has his own unique sound that holds its own power. His performance that night was excellent, but unfortunately I cannot exactly say the same for his band. The other musicians on stage along side him seemed utterly bored to be onstage like they could be somewhere else doing something much more important, other than that the entire performance was fantastic.

The stage at Lakeshore Theater contributed to the entire atmosphere of the show, it gave a feel as though a vaudevillian performance from the 1920’s was about to begin and being a sit down venue the sweaty pushy audience that is more often than not contributed to concerts was taken away and replaced with an electric buzz of excitement for Noah and The Whale to come on stage and once they came on to the stage the theater erupted in applause from a clearly dedicated audience. From then on Noah and The Whale played a variety of songs that to me were all entirely new, but to many of the people around me were familiar and obviously loved. The band did a good job of mixing it up from the melodic and heart-on-my-sleeve type songs to up-beat and fun song that still held more meaning.

As expected, once Noah and The Whale had completed their set list they left the stage for a short while only to return and begin what can only be explained as a wild rumpus of sound like that from Where The Wild Things Are. The encore was an experimental jam session that consisted of more or less every instrument the band owned and an electric toothbrush.

Overall, I think I’m in love. Noah and The Whale is a band that if you haven’t already looked into, you need to, I highly doubt you will be disappointed. Noah and The Whale provides an eclectic and diverse array of songs that anyone who has a place in their hearts for great folk-rock and indie music will thoroughly enjoy.

Last modified on Monday, 02 November 2009 15:34

 

         20 Years and counting!

Register

     

Latest Articles

  • Spaceman: Into the Quiet Terror of the Void
    Written by
    Spaceman, presented by [producingbody], touches down at The Edge Off-Broadway with a quiet, unnerving force, pulling audiences into the fragile headspace of an astronaut drifting far from home and even farther from certainty. Under Eric Slater’s beautifully calibrated direction, playwright…
  • Inside a Real ‘Fire House’ You Are Immersed in Phantasmic Lives of Firefighters
    Written by
    Set in Chicago’s oldest fire station (now Firehouse Art Studio) the immersive play "Fire House” is only loosely tethered to a realistic portrayal of what fire fighters do. What it conveys is an impressionistic vision of the experience that fire…
  • Spamalot Is Every Monty Python Fan’s Dream Come to Life
    Written by
    Spamalot rides into the Windy City courtesy of Broadway In Chicago, inviting theatergoers to join King Arthur’s quest now through May 31 at the CIBC Theatre. Fans of Monty Python and the Holy Grail - the 1975 cult classic -…
  • Raven Theatre announces the 2026-27 season
    Raven Theatre, under the director of Executive Artistic Director Jonathan Berry, announces its 44th season, to include Michael R. Jackson's Pulitzer Prize-winning musical A Strange Loop, directed by Mikael Burke in a co-production with About Face Theatre; Tennessee Williams' The Glass Menagerie, directed by Raven Executive Artistic Director Jonathan…

Guests Online

We have 981 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter 

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.