In Concert Archive

Monday, 27 October 2008 17:32

Judas Rising Shows the Importance of Tribute Bands

Written by

Judas RisingLast Friday night my craving for classic metal got the best of me to which I headed over to Nite Caps at 5007 W. Irving Park Road, a Chicago hangout that regularly delivers the sounds of crunching guitars and cavernous bass drums. To be honest, it wasn’t at all random as to why I ended up there that night. I went to see Judas Rising...

Last Friday night my craving for classic metal got the best of me to which I headed over to Nite Caps at 5007 W. Irving Park Road, a Chicago hangout that regularly delivers the sounds of crunching guitars and cavernous bass drums.

To be honest, it wasn’t at all random as to why I ended up there that night. I went to see Judas Rising, a Judas Priest tribute band based in Chicago. As a fan of Priest growing up, I felt this was my chance to relive some past memories and enjoy the energy of a roomful of people who were there for the same reason as I.
Judas Rising 
A good-sized crowd was on hand as the band kicked into “Electric Eye”, the key track, in my opinion, on the Screaming for Vengeance album. Instantly, everyone’s attention was turned to the stage thanks to Rising’s dead on rendition of the song and their in-your-face presence. Joe Martina strolled onto the stage donned in a black leather vest, dark sunglasses, biker hat and the essential metal accessories such as a chrome-studded belt and spiked wristbands. Martina certainly looked the part of legendary frontman/singer Rob Halford, but, more impressively, he was able to carry out a convincing performance by executing the difficult vocals that come along with Judas Priest.
 
Judas Rising performed a collection of songs ranging from Priest’s Sad Wings of Destiny to Painkiller. Favorites include “Victim of Changes”, “Breaking the Law”, “Jawbreaker” and “Exciter”, which really allowed Martina to test his range to the thrill of the crowd. After a thorough set, Rising was summoned back to the stage by a chanting crowd in which they played “You’ve Got Another Thing Coming” and finished the night off with “Hell Bent for Leather”.          
 
Greg LoBello and Neven Trivic shared guitar duties, splitting leads and playing harmonies just as Priest’s K.K. Downing and Glen Tipton have done for the past four decades. At times the two dabbled with the famed choreography that had Tipton and Downing side by side, rocking back and forth. Rebel Radio’s Scott Davidson did a great job banging away on the drums and supplying the steady tempo, meshing nicely with bass player Rob Wilhelm.
 
There are tribute bands and then there are bands that, with good intentions, try to sound like their favorite artists. Judas Rising is a certified tribute band and they are a very good one. It’s not very often that one is able to see a band that may have been a part of their past – or present. Tribute bands open the door to such an opportunity. Playing often and nearby, bands like Judas Rising supply a demand for music fans of all generations. If done right – and Rising does it very well – a tribute band will present to its following a respectable window into the days of yesteryear for some to experience again, and for others to find for the first time.  

To find out when Judas Rising is playing next or to sample their material via audio or video, go to myspace.com/judasrisingchicago.

Last modified on Tuesday, 28 October 2008 11:01

 

         20 Years and counting!

Register

     

Latest Articles

  • Spaceman: Into the Quiet Terror of the Void
    Written by
    Spaceman, presented by [producingbody], touches down at The Edge Off-Broadway with a quiet, unnerving force, pulling audiences into the fragile headspace of an astronaut drifting far from home and even farther from certainty. Under Eric Slater’s beautifully calibrated direction, playwright…
  • Inside a Real ‘Fire House’ You Are Immersed in Phantasmic Lives of Firefighters
    Written by
    Set in Chicago’s oldest fire station (now Firehouse Art Studio) the immersive play "Fire House” is only loosely tethered to a realistic portrayal of what fire fighters do. What it conveys is an impressionistic vision of the experience that fire…
  • Spamalot Is Every Monty Python Fan’s Dream Come to Life
    Written by
    Spamalot rides into the Windy City courtesy of Broadway In Chicago, inviting theatergoers to join King Arthur’s quest now through May 31 at the CIBC Theatre. Fans of Monty Python and the Holy Grail - the 1975 cult classic -…
  • Raven Theatre announces the 2026-27 season
    Raven Theatre, under the director of Executive Artistic Director Jonathan Berry, announces its 44th season, to include Michael R. Jackson's Pulitzer Prize-winning musical A Strange Loop, directed by Mikael Burke in a co-production with About Face Theatre; Tennessee Williams' The Glass Menagerie, directed by Raven Executive Artistic Director Jonathan…

Guests Online

We have 791 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter 

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.