Displaying items by tag: Scott Lamberty

‘Christmas Dearest’ is wicked good fun, a hilarious if unholy marriage between Charles Dickens ‘A Christmas Carol’ and Mommie Dearest, the scathing tell-all book by moviestar Joan Crawford’s abused daughter, Christina. 

The show's creator, Hell in a Handbag Productions, is sui generis, a company whose staged shows tap the rarified sanctums of performance art, driven by our local treasure in drag, David Cerda, who penned book and lyrics and shares music credits with Scott Lamberty for 'Christmas Dearest.' This also marks the troupe's return to live shows, with a remount of a deliciously popular show. (Proof of vaccination is required to attend.)

The premise—a tyrannical Joan Crawford (David Cerda) turns Scrooge as she struggles to reignite her career with a big, splashy 1953 musical about the life of the Blessed Virgin—’Oh Mary!’ —casts Crawford in the lead role, natch. She takes liberties with the script, editing to make sure this Mother of God is not outshown by her miraculous offspring. And of course, she makes sure her millon dollar legs get plenty of exposure, even if that lout Joseph keeps tripping on them in the dance scenes.

There are morals here (it’s Christmas after all) though largely loose ones as practiced by Joan Crawford and her friends over the years. And we do get the requisite conversion to goodness after a series of Dickensian ghosts advises Crawford during a dream triggered by Chinese takeout with Johnny Walker pn the rocks. The sweep of Joan's life includes key players along the way—including a child Crawford (Maiko Terazawa) and 1920s show girl Crawford (Marissa Williams). Mark Barty ably carries the role of her daughter Christina from youngster to embittered adult.  

It's hard to say exactly what separates drag performances, parody, and gender-blind casting. But it is certain that in this show the best scenes involve women characters: Olive LaLake (Tyler Anthony Smith) who plays an actress friend from Crawford's early days; and Bette Davis (Caitlin Jackson) who delivers a pancake make-up, platinum blonde-curled version, vintage “Whatever Happened to Baby Jane,' that is a tour de force in rendering Davis's drawling mid-Atlantic stutter, complete with eyerolls and waving cigarette. The scene with the two movie star rivals includes a duet, “Two Old Broads," both catchy and engaging. Davis tells Crawford that while she is a movie star, "I am an actress." We also get this priceless interlude in which Joan appeals to Davis's better nature on the set of "What Ever Happened to Baby Jane:"

Crawford: We should work together, Betty; not tear each other apart.”

Davis: Who says we can’t work together and tear each other apart. 

Kudo’s to Smith, cast in several roles, all of them over-the-top, but not too far over  He is a formidable actor and singer. As to David Cerda, the progenitor and driving force of Hell in a Handbag Productions, he gamely navigates amongst the powerhouse cast members. While they occasionally out-sing and out-act him, they never upstage him. Highly recommended for those who prefer their Dickens loaded with glamour and divas, 'Christmas Dearest' runs through December 31 on the Ebenezer Lutheran Auditorium Stage at 1650 W. Foster in Chicago.