Theatre in Review

Displaying items by tag: Nicola Alaimo

Opening in the town square of a small town in Spain, Don Quichotte by Jules Massenet tells the story of a somewhat delusional knight errant, his squire Sancho and their quest to retrieve the stolen necklace of Dulcinée in an effort to win her love and affection. Adventures with the bandit Tenebrun and his bandit gang ensue but Don Quichotte prevails and returns home with the necklace, only to be turned down by his love who wishes to remain unattached and independent. As the opera reaches its fifth act, Don Quichotte and Sancho return to the mountains where Don Quichotte embraces his imminent death much to the dismay of the ever-faithful Sancho. 

 

Before the start of each of the five acts, quotes from the novel are projected onto a screen covering the stage. As the music - conducted by Sir Andrew Davis – swells, creative lighting starts to bring to life the scene behind the screen. With an elaborate set designed by Ralph Funicello, we are transported from the town square to a mountain side adorned with windmills to the bandit’s lair. The creative use of projected animations, and well-constructed set pieces fill the stage with life and energy. 

 

In the main role, Ferruccio Furlanetto is a standout of the show. Capturing the eccentric character of Don Quichotte with his interestingly coifed hair and handle bar mustache, and his somewhat outdated armor all atop his trusty horse Rossinante, Furlanetto brings the role to life. For all the emotion and drama he brings to the show, his loyal squire Sancho, played by Nicola Alaimo in his Lyric Opera debut, brings the comic relief.  The pair together was a joy to watch and had great chemistry on stage throughout the performance to where the final scene will truly tug at your heartstrings. 

 

There is a large chorus for this show and amazingly the moments where only 2-3 actors shared the stage were just as powerful as when there were 20-30 people crowd the stage raising their voices together. The choreography and stage direction by August Tye was well done, with natural movement of large groups on stage that captured the feelings and emotions being portrayed in the scene whether it be the joyous celebration of the beauty Dulcinée, or Don Quichotte’s final prayer to the group of bandits. 

 

Overall, this was a great performance that tells a moving story. Although the show is 5 acts the story moves along quickly, and will keep you entertained. Sung in French, there are subtitles over the stage in English to follow along. While not over the top, the production is quite a spectacle and should be enjoyed by opera lovers and newbies alike.  Be sure to get your tickets soon as the production is only running at Lyric Opera of Chicago through December 7th. 

 

Published in Theatre in Review

 

         20 Years and counting!

Register

     

Latest Articles

  • Spaceman: Into the Quiet Terror of the Void
    Written by
    Spaceman, presented by [producingbody], touches down at The Edge Off-Broadway with a quiet, unnerving force, pulling audiences into the fragile headspace of an astronaut drifting far from home and even farther from certainty. Under Eric Slater’s beautifully calibrated direction, playwright…
  • Inside a Real ‘Fire House’ You Are Immersed in Phantasmic Lives of Firefighters
    Written by
    Set in Chicago’s oldest fire station (now Firehouse Art Studio) the immersive play "Fire House” is only loosely tethered to a realistic portrayal of what fire fighters do. What it conveys is an impressionistic vision of the experience that fire…
  • Spamalot Is Every Monty Python Fan’s Dream Come to Life
    Written by
    Spamalot rides into the Windy City courtesy of Broadway In Chicago, inviting theatergoers to join King Arthur’s quest now through May 31 at the CIBC Theatre. Fans of Monty Python and the Holy Grail - the 1975 cult classic -…
  • Raven Theatre announces the 2026-27 season
    Raven Theatre, under the director of Executive Artistic Director Jonathan Berry, announces its 44th season, to include Michael R. Jackson's Pulitzer Prize-winning musical A Strange Loop, directed by Mikael Burke in a co-production with About Face Theatre; Tennessee Williams' The Glass Menagerie, directed by Raven Executive Artistic Director Jonathan…

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.