Displaying items by tag: Mark O’Rowe

‘Hedda Gabler’ has mystified audiences for generations, as this was certainly Ibsen’s intention when creating this endlessly fascinating character. The Artistic Home transforms the Den Theatre into 1890s Norway for their production of Irish playwright Mark O’Rowe’s 2015 adaptation of ‘Hedda Gabler’. Under Monica Payne’s direction, this contemporary-voiced retelling is diabolically humorous.

Any production of ‘Hedda Gabler’ is only as good as their Hedda. In Brookelyn Hebert, Monica Payne has a frighteningly self-assured Hedda who is insatiably fun to watch. Flanked by Todd Wocjik as Jorge Tesman and John Mossman as Judge Brack, Hebert plays both the conqueror and conquered with hot tempered fluidity.

Ibsen, like Chekhov, helped usher in a new era of modern theatre that would inspire 20th century playwrights like Arthur Miller and Eugene O’Neill. With focus on the doldrums of a waning aristocracy, Ibsen captures the everyday hopes and disappointments of his characters in scenes that feel as relevant today as when they were written.

What makes ‘Hedda Gabler’ unique is the myriads of ways a director and an actress can approach the title role. Ibsen’s play is somewhat vague so that audiences and theater makers are free to go with their own interpretation of what motivates Hedda.

In this new version by Mark O’Rowe, many of the Easter eggs Ibsen drops throughout the play are further expanded upon so that audiences have even more context for Hedda’s past and present. In Rowe’s version, Hedda is quicker to anger and more self-aware than in previous iterations. An angrier Hedda shows the brewing hostility of a woman trapped by society, which makes her downfall all the more tragic.

Time seems to fly with O’Rowe’s modern language. Instead of literary innuendo, characters are free to discuss sexuality and substance abuse with more directness. Two and a half hours can feel long for a classic melodrama, but this script has a lot of juicy scene work to keep audiences on the edge of their seat, even if they know what’s going to happen next.

Plays like ‘Hedda Gabler’ do exactly what good plays should, and that is to ask why. As mentioned before, Ibsen purposefully did not provide just one reason for Hedda’s actions, rather he planted many seeds so that nobody can really be sure, opening the door for riveting conversations.

The Artistic Home’s production of ‘Hedda Gabler’ is a good reminder of why classics should be seen every so often. Though the modernized script takes some interesting liberties, and can become a bit meandering in parts, overall Ibsen’s points are well preserved. However, it’s fairly unlikely that high society folks would speak in expletives the way they are in O’Rowe’s script. Still, this production is faithful in its interpretation of the limits of courage. In the end, despite Ibsen’s Easter eggs, this is a play about one woman’s courage to go against the grain of society.

Through March 23 at The Artistic Home at The Den. 1331 N Milwaukee Ave. 773-697-3830