Displaying items by tag: Iroko

I love flamenco for its sensual power and the amazing way both female and male dancers, whether solo or couples, locked in passionate embrace are able to make the human body dance with such precision and emotional fury. Is there any other dance form where the men are so manly and sexily dressed in their boots and waist coats and the women in their flowing dresses so, well, womanly?

Currently performed at North Shore Center for the Performing Arts, "Flamenco Passion" as a rich production covers the whole range of human experience; dancing for your life, dancing for your love and dancing for the death of those you've loved deeply. The group numbers are stunningly modern like the world premiere of “Iroko”, while remaining true to the art form and "Alegrias y Jaleos", which make you feel you are in the countryside of Spain witnessing a turn of the century town dancing their way through life in a wonderful celebration of spring.  

“Bolero”, the acclaimed masterwork by Dame Libby Komaiko was a true stunner! I didn't realize it myself until this performance that you haven't even heard the full potential of the music in Ravel's “Bolero" until you've seen a stage full of the greatest forty flamenco dancers in the world bring it to a smoldering and exploding catharsis. 

In the second act an onstage singer, Cajon player and two guitarists accompanied all five dances, which really showcases that flamenco is a uniquely human and difficult dance to master. More passionate than tap yet just as exacting, more sensual than ballet yet just as demanding,  

We as Chicagoans should be so proud that Dame Libby Komaiko founded Ensemble Espanol at Northeastern Illinois University in 1975, and that her worldwide acclaimed dances and company are still going strong. 

Longtime Ensemble dancer Irma Suarez Ruiz, who'll begin taking over the role of artistic director from Dame Libby in the coming year and Carmela Greco with her long mane of silver hair both blew the entire sold out audience away. The two proved that dance is the way to stay young with 2010 solo "Duende Gitana" which intermingled "Palmas" (hand-clapping), percussion, stamping and song. It really was a masterwork of everlasting love expressed with furious passion (there's that word again) between her and the live musicians. The live music accompaniment dance numbers were heartfelt, raw with almost ragged singing and mind-bogglingly complex percussion from the guitarists and Cajon player that expressed the ageless beauty of both the performers themselves and this wonderful dance form. The subject of no less than two documentaries Dame Komaiko has almost single-handedly kept the art form of Flamenco not only alive but growing and flourishing. She is modest when speaking of her success and acknowledges that in some troupes the art form has become too mechanical. 

I could see this show again and again and each time notice brilliant new details from this large and gifted cast each time. 

Highly recommended.