Theatre

Buzz Center Stage

Buzz Center Stage

Open Space Arts continues its commitment to bold, intimate theatre from around the world that celebrates queer lives and voices with SMILEY, a queer romantic comedy by Spanish playwright Guillem Clua. It became an international hit following its 2012 premiere in Barcelona, Spain. SMILEY enjoyed extended runs in Barcelona and Madrid and has been produced internationally across Europe and Latin America, with productions in Germany, Italy, Greece, Cyprus, Chile, Puerto Rico, Peru, and in Spanish language productions in New York and Miami. The Open Space Arts production will be its North American English language premiere. The two-hander queer comedy set in Barcelona revolves around the love story between two men, bartender Álex and architect Bruno, who meet because of a misdirected voicemail. Open Space Arts' SMILEY will be directed by Jack Dugan Carpenter, the former Managing and Development Director of The Plagiarists whose directorial credits include numerous productions for The Plagiarists, St. Sebastian Players, and others. SMILEY will open in Open Space Arts' hyper-intimate 25-seat theatre at 1411 W. Wilson on Friday, June 5 and play Fridays, Saturdays and Sundays through June 21.
 
SMILEY author Guillem Clua is one of Spain's most widely produced contemporary playwrights. His work has been staged internationally and translated into multiple languages. His plays, including SMILEY and THE SWALLOW, are known for their emotional intelligence, wit, and insight into the complexities of human connection. Open Space Arts' production introduces this internationally celebrated work to Chicago audiences, offering a fresh opportunity to experience one of the most engaging contemporary queer love stories to emerge from the European stage. 

Funny, fast, and disarmingly honest, SMILEY explores the thrill and risk of connection in a world shaped by screens, expectations, and the fear of being truly seen. After Alex (to be played by Seth Kobs) and Bruno (played by Aydan Lopez) meet by chance, they form an odd couple whose only commonality is that they are both men and have fallen in love. SMILEY explores how new technologies like WhatsApp and iPhones have changed our lives, while also precisely dissecting the contradictions of romantic relationships within the gay community. It's a mini encyclopedia of Barcelona's gay scene and also an homage to classic romantic comedies, from Nora Ephron to Howard Hawks. 

Understudies are Ryan Hale (Alex) and Lucas Becker (Bruno). The creative team includes stage manager Reign Drop, intimacy director Greta Zandstra, lighting designer Ellie Humphrys, sound designer Sean Smyth, scenic designer Cory Busch, and costume designer Dominique Favre.

Tickets for SMILEY are $30.00 ($25.00 for students and seniors) and are on sale now at www.openspacearts.org

SMILEY
By Guillem Clua
NORTH AMERICAN ENGLISH LANGUAGE PREMIERE
Directed by Jack Dugan Carpenter
June 5 - 21, 2026
Fridays and Saturdays at 7:30 pm, Sundays at 5:00 pm
Open Space Arts, 1411 W. Wilson Ave., Chicago
Tickets $30.00 general admission, $25.00 students and seniors. On sale now at
https://openspacearts.org/smiley and https://www.goelevent.com/OpenSpaceArts/e/SMILEY

Lake Forest's Citadel Theatre has announced its 2026-27 mainstage season, which will include two favorites and two acclaimed recent pieces that may be new to north shore audiences. The season will commence with the satirical comedy EUREKA DAY, which examines the frequently contradictory practices of a fictional, highly progressive private school located in Berkeley, California. The play, which premiered in Berkeley in 2018, deals with topical subjects like vaccinations, privilege, and communication, utilizing sharp wit, farce, and intense dialogue to create laughter  It was produced on Broadway in the 2024-25 season and won the 2025 Tony Award for Best Revival of Play. Scott Westerman, the director of such Citadel hits as MISERY, A JUKEBOX FOR THE ALGONQUIN, THE MOUSETRAP, and SEX WITH STRANGERS, will direct. EUREKA DAY will open Friday, September 11 at 7:30 pm, following a preview on September 9, and play through October 11.
 
In November and December, Citadel will be visited by Clarence the Angel and the beleaguered George Bailey when the company presents IT'S A WONDERFUL LIFE: THE LIVE RADIO PLAY, based on the perennial favorite holiday film that starred James Stewart and Donna Reed. When the film premiered in 1946, before the television era, it was a common practice for popular films to be performed as live radio plays, and IT'S WONDERFUL LIFE was performed live on THE LUX RADIO THEATRE with Stewart recreating his role as George Bailey on December 23, 1947. This radio play adaptation by playwright Joe Landry not only brings the film's beloved story to the stage, but it also recreates the magic of the heyday of radio dramas. Landry has added original pastiches of commercial jingles that run throughout the play and created characters of the radio actors who are playing the characters of the film. Jack Hickey, the former Artistic Director of Oak Park Festival Theatre, who directed Citadel's THE COTTAGE in 2024, will return to Citadel to direct. IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY will open on Friday, November 13 after previews on November 11 and 12, and play through December 13.
 
Citadel will follow IT'S A WONDERFUL LIFE with another story from the 1940's that has never faded in popularity: Tennessee Williams' THE GLASS MENAGERIEIn depression-era St. Louis, Amanda Wingfield dreams of her past as an attractive, sought-after southern belle and wants to believe her painfully shy daughter can enjoy the same sort of popularity. Amanda's adult son Tom spends his days working in a shoe warehouse and his nights at the movies, dreaming of a way to find a more exciting life. THE GLASS MENAGERIE premiered in Chicago on December 26, 1944, and was an instant sensation, establishing Williams as a major American playwright. This poetic and emotional work exploring the tension between reality and illusion, will be directed by Scott Shallenbarger, who helmed Citadel's I AND YOU and MIRACLE ON SOUTH DIVISION STREET. Citadel co-founder Ellen Phelps will take on the iconic role of Amanda Wingfield. THE GLASS MENAGERIE will open on Friday, February 12, following previews on February 10 and 11 and play through March 14.
 
Closing Citadel's 2026-27 season will be ORDINARY DAYS, a musical about four young New Yorkers whose lives intersect as they search for fulfillment, happiness, love and cabs. This sung-through musical featuring 21 songs has been an international hit since it premiered in 2008 in a production at Penn State University. Over the next ten years, it was produced in London (six times), Paris, Barcelona, Sydney, Rio de Janeiro, Buenos Aires, and Wellington, New Zealand before finally making its off-Broadway premiere in 2018. It has enjoyed continued popularity around the world since then, and its ballad, "I'll Be Here" has been recorded by such artists as Audra McDonald and Liz Callaway. ORDINARY DAYS will be directed for Citadel by Christina Ramirez, who directed RUTHLESS! THE MUSICAL for Citadel Theatre in April and May 2026. ORDINARY DAYS will open to the press on Friday, April 16, following previews on April 14 and 15, and play through May 16.
 
Season subscriptions are available for the full four-show season at $140.00, or as flex passes that can be used for the patron's choice of either three shows for $115.00 or two shows for $80.00. Preview flex passes are also available for $45 (two shows), $55 (three shows), or $65 (four shows). Subscriptions and single tickets priced at $50 (plus ticketing. Fees) are now on sale at www.citadeltheatre.org
 
Citadel Theatre is in residence in the West Campus of the Lake Forest School District at 300 S. Waukegan Road, Lake Forest. Further information and ticketing is available on the company's website at www.citadeltheatre.org

A strong Chicago theatre weekend starts with choosing your flavor, and this one offers a full flight. Whether you’re in the mood for something scrappy and strange, bright and nostalgic, or mythic and mischievous, the city’s stages have you covered. Three wildly different productions are running right now, and each one makes a compelling case for your time.

Shattered Globe’s Eelpout at Theater Wit is the pick for anyone who wants a show that feels distinctly Chicago - intimate, odd, and quietly daring. It’s the kind of storefront piece that rewards audiences who like their theatre a little off-center, with sharp writing and performances that dig into the emotional grit beneath the humor. If you’re craving something unexpected and handcrafted, Eelpout is the weekend’s sleeper hit.

If your week has been long and you want pure joy, Metropolis Performing Arts Centre’s The Wedding Singer is the fizzy, feel-good option. It’s big-hearted, neon-soaked, and built for audiences who want to laugh, tap their feet, and leave humming. Metropolis knows how to deliver a crowd-pleasing musical, and this one leans all the way into its ‘80s nostalgia and goofy charm.

And for something bold, clever, and completely its own, Lifeline Theatre’s Loki - The End of the World Tour offers a mythological comedy with cosmic stakes and storefront ingenuity. It’s fast, funny, and packed with the ensemble-driven inventiveness Lifeline is known for. If you want a show that feels like nothing else onstage right now, Loki’s your ticket.

Three shows, three distinct worlds - quirky storefront storytelling, musical escapism, and mythic mayhem. Whichever direction you choose, you’re in for a memorable night out.

Promethean Theatre Ensemble has announced it will perform the Lewis Galantiere adaptation of Jean Anouilh's ANTIGONE, from May 31 through June 28 at the Den Theatre. Anouilh's play, which premiered in Nazi-occupied Paris in 1944, was itself an adaptation of the Greek play by Sophocles, believed to have been written in 441 BC. In the original myth of Antigone, the heroine defies King Creon's decree forbidding the burial of her brother. In Anouilh's adaptation, Antigone's dilemma is recast as a choice between following one's conscience and moral code versus capitulation to a totalitarian government. The play was a covert symbol of the French Resistance, with Antigone's "No" to Creon mirroring the French refusal to submit to German occupation. Galantiere's adaptation of Anouilh's text, which premiered on Broadway in 1946 replaced Anouilh's formal French with accessible prose that frequently uses American vernacular and has become the preferred version of ANTIGONE for contemporary performances. It also lightly shifted the tone to make the parallels to WWII more explicit for American audiences who hadn't lived through the occupation. This version employs relatable characters, unexpected humor, and accessible yet poetic language. 

Promethean's modern dress production, set in present times in a city very much like ours, will be directed by ensemble member Elaine Carlson, whose many roles with Promethean include Eleanor in THE LION IN WINTER, and the title roles in THE MADWOMAN OF CHAILLOT and MRS. WARREN'S PRFOESSION. ANTIGONE will be performed from May 31 – June 27 at The Den Theatre, 1331 N. Milwaukee Avenue in Chicago.  Press opening is Wednesday, June 3 at 8 pm, following previews on Sunday May 31 at 7 pm and Monday, June 1 at 8 pm. The production will play through Saturday, June 27.

Carlson says,  "the theme of Sophocles' drama – choosing what is right over what is expedient - is timeless, but Galantiere's adaptation puts it into a setting that makes it even more immediate.  Maybe this time Antigone's courage will be contagious."
 
Carlson's cast will feature Promethean Ensemble members Heather Dennis as Antigone, Artistic Director Jared Dennis as Creon, Meghann Tabor as Ismene, Joshua Servantez as Haemon, Gunner Bradley as First Guard, Brendan Hutt as Second Guard, and Christina Renee Jones as the Chorus. The cast also includes marssie Mencotti (nurse), Gavin Blayne (Third Guard/ Messenger), Anthony J. Harris (Page), and Alex George (Eurydice). Understudies are Alex George (u/s Chorus), Anna Rose Steinmeyer (Antigone), Chris Lysy (Creon), Layke Fowler (u/s Haemon), Dame Grant (u/s Guards/Messenger), and Jennifer Mohr (u/s Ismene/Nurse/Eurydice/Page).

The ANTIGONE design team includes Trevor Dotson (Scenic Designer), Rachel M. Sypniewski (Costume Designer), Stefanie Senior (Sound Designer), RobbyMoe Reeves (Lighting Designer), Maureen Yasko (Violence and Intimacy Designer), and Tristan Brandon* (Props Designer). Also on the production team are Hayley Rice (Assistant Director), Alexa Berkowitz* (Production Manager), Esau Andaleon (Stage Manager), and Jeremiah Barr* (Technical Director).

  • Indicates Promethean Theatre Ensemble member.

ANTIGONE
Written by Jean Anouilh, Adapted by Lewis Galantiere
Directed by Elaine Carlson
May 31 – June 27, 2026
Previews Sunday May 31 at 7 pm and Monday, June 1 at 8 pm
Regular Run: Thursdays – Saturdays at 8 pm, Sundays at 3 pm. Additional matinees on Saturdays June 13 and 20 at 3 pm
The Den Theatre, 1331 N. Milwaukee Ave., Chicago 60622
Ticket Prices: $35 general, $25 students and seniors
For tickets, visit https://www.prometheantheatre.org/project/antigone/ or The Den Theatre Box Office, 773-697-3830.

Contemporary adaptation of Jean Anouilh's poetic drama of a woman forced to choose between following her moral compass and obedience to the laws of her rulers. First produced under Nazi censorship in 1944 Paris, Anouilh's ANTIGONE explores the conflict between individual conscience and political expediency. Then as now, "going along to get along" wasn't tragedy from ancient history - it was personal tragedy with real world consequences.
 
BIOS
 
Elaine Carlson (Director) Ensemble member Elaine Carlson will make her Promethean directorial debut with this production. Elaine is well-known to PTE audiences for her on-stage work including as Kitty Warren in MRS. WARREN'S PROFESSION, the madwoman in THE MADWOMAN OF CHAILLOT, and Eleanor of Aquitaine in The Lion in WINTER. She has appeared on many Chicago stages including City Lit, Eclipse, Citadel, Famous Door, and others.
 
Jean Anouilh (Playwright) became one of the strongest personalities of the French theatre and achieved an international reputation. His plays included RING AROUND THE MOON, THE WALTZ OF THE TOREADORS, THE LARK, and BECKET, OR, THE HONOUR OF GOD. , 
 
Lewis Galantiere (Adapter) was a writer, critic and authority on modern French literature. His own best‐known work was as a translator, of the works of Antoine de St.‐Exupéry, Jean Cocteau, Francois Mauriac, Sacha Guitry and Jean Anouilh. His adaptation of Anouilh's ANTIGONE was first performed by Katharine Cornell in 1946 and has remained a popular version of the classic Greek drama.
 
ABOUT PROMETHEAN THEATRE ENSEMBLE
 
Promethean Theatre Ensemble produces and develops ensemble-focused theatre with vibrant language in dynamic and purposeful storytelling. We select a service organization to support and promote with each production, bridging ideas within the play to real-world efforts to address challenges within our communities. Since its founding in 2005, Promethean has produced a body of work ranging from Shakespeare, 19th and 20th Century classics, and new work. The company was in the midst of its 14th season when the pandemic struck. ANTIGONE is Promethean's 36th production.

Chicago Tap Theatre (CTT) presents Saturn Returns, directed by Molly Smith and music directed by Anaiet Soul, June 11-14 at The Edge Theater, 5451 N. Broadway Ave. Performances are Thursday, June 11 and Friday, June 12 at 7 p.m., Saturday, June 13 at 5 p.m. and Sunday, June 14 at 2 p.m. Ticket prices are $35 - $75 and are on sale now at ChicagoTapTheatre.com

Directed by Molly Smith, Saturn Returns tells the universally human story of getting older through tap dance and live music with new choreography by Smith and the dancers of Chicago Tap Theatre. Based on the Saturn return process in astrology, this show, the last in CTT's '25-'26 season, is a heartwarming snapshot of our individual pasts, presents, and futures.

Director Molly Smith stated, "I've been interested in exploring the intersection of astrology and tap dance for a long time, and this opportunity created the perfect space to use the perspective of a Saturn return, when the planets align as they did at one's birth, to look at how we age, mature, and navigate life in ever-unsteady times. Tap dance is a natural vessel to portray the rhythm of life, how we grow and change as individuals and as a community, and how we celebrate our wins, and this show is full of excitement, challenges, and surprises for dancers and audience members alike."

The Program for Saturn Returns Includes:

Hope College Piece (pre-show opener), choreographed by Martin "Tre" Dumas III

Celestial Groove, choreographed by Molly Smith

Approach the Threshold, choreographed by Mark Yonally

The Shock of Aging, choreographed by Sterling Harris & Molly Smith

Accountability/Responsibility, choreographed by Sara Anderson

Hard Work & Discipline, choreographed by Molly Smith

Separation/Restriction, choreographed by Molly Smith

Slow & Steady, choreographed by Sara Anderson & Greta Sorensen

Solitude, choreographed by Molly Smith

Boundaries, choreographed by Heather Latakas & Molly Smith

Own your Choices & Create Your Path, choreographed by Molly Smith

Celestial Celebration & Bows, choreographed by Molly Smith

Chicago Tap Theatre Summer Show's dancers include Mark Yonally, Sterling Harris, Molly Smith, Sara Anderson, Heather Latakas, Chris Matthews, Greta Sorensen, Ellie Guzzano, Antonio Houston, and Kelsey Nickens. Accompanying the dancers will be local Chicago musicians, led by music director Anaiet Soul.

ABOUT MOLLY SMITH, DIRECTOR & CHOREOGRAPHER

Molly Smith (they/them) [Rehearsal Director, Director of Operations & Community Engagement] is a performer, dance teacher and arts administrator and has been with Chicago Tap Theatre for 8 seasons. Smith is a co-founder of THEM queers band and is on faculty at Incite Dance Center & Activate Your Artistry dance convention as well as Chicago Tap Theatre's community youth classes. Smith has traveled to teach and perform tap dance internationally, touring with Martin Tre Dumas to China, teaching at the Artis Escola de Dansa in Reus, Spain, and they are a frequent teacher and choreographer throughout the United States, including at the Chicago Tap Summit, Chicago Tap Allstars' Tap Dance Day Workshop Weekend and guest teaching at Oklahoma City University.

 ABOUT CHICAGO TAP THEATRE

Founded in 2002, Chicago Tap Theatre is a growing and vibrant dance company dedicated to preserving the quintessentially American dance form of tap while taking it to the next level of creativity, innovation and quality. CTT performs exclusively with live music provided by some of Chicago's finest musicians playing everything from Duke Ellington to David Bowie and many artists in between. Under the dynamic direction of master teacher and performer Mark Yonally, CTT has gained a loyal and sizable following in Chicago and continues to tour both nationally and internationally. Having pioneered the "tap opera" format, which tells stories with compelling characters and intriguing plots, CTT has used the language of tap dance, live music and narration to move audiences for more than 20 years.

Chicago Tap Theatre (CTT) presents Saturn Returns, directed by Molly Smith and music directed by Anaiet Soul, June 11-14 at The Edge Theater, 5451 N. Broadway Ave. Performances are Thursday, June 11 and Friday, June 12 at 7 p.m., and Saturday, June 13 at 5 p.m., and Sunday, June 14 at 2 p.m. Ticket prices are $35 - $75. Tickets are now on sale and may be purchased by visiting ChicagoTapTheatre.com.

Your favorite kids show is back! The Second City is excited to welcome the return of its wildly popular summer hit for young audiences. No Grown-Ups Allowed is a high-energy, fast-paced sketch and improv comedy show delivering 60 minutes of non-stop laughter for the whole family. Tickets sell fast every year! For tickets and more information, visit secondcity.com or call The Second City box office at 312-337-3992.

The show features a mix of family-friendly songs and sketches from The Second City's iconic comedy archives, alongside fresh new material created just for young audiences. And of course, it's all brought to life with the ridiculous improv hijinks The Second City is known for.

Starring a hilarious cast, No Grown-Ups Allowed is a one-of-a-kind interactive theatrical experience, giving kids the chance to jump into the action, whether from their seats or by joining performers live onstage.

No Grown-Ups Allowed runs Saturdays at 11am and 1pm, June 6 through August 29, with one added Sunday performance on July 5 at 11am and 1pm. Tickets are $29. Perfect for ages 6-13.

About The Second City

The Second City opened its doors in 1959 as a small comedy cabaret and has since grown into the world's most influential name in improvisation and comedy, celebrating its 65th anniversary in 2024. The Second City's stages, Touring Companies, and Training Centers across North America have proudly been the launch pad and artistic home for many of the funniest performers, writers, directors, and comedic minds on the planet. As well, for decades The Second City's corporate education and entertainment arm, Second City Works, has supported global businesses using the same methods pioneered on its stages to drive individual growth and organizational improvement.

For more information on The Second City, visit www.secondcity.com and follow The Second City on TikTokInstagramFacebook and Twitter.

Drury Lane Theatre continues its 2026/2027 season with the divine extravaganza Nunsense, featuring book, music and lyrics by David Goggin, directed by E. Faye Butler. Enjoy some holy hilarity with the Little Sisters of Hoboken in Nunsense, running June 10 – August 2, at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace. 

Get ready to laugh the summer away with nuns from the Little Sisters of Hoboken. This beloved revue will have you in stitches as the five sisters stage a variety show fundraiser filled with outrageous musical numbers and zany comedy. 

The cast of Nunsense includes Aurora Boe (Sister Mary Leo), Rachel Carreras (Sister Robert Anne),  Kelly Felthous (Sister Mary Amnesia), Cory Goodrich (Reverend Mother), and Sharriese Hamilton (Sister Mary Hubert). Understudies include Marta Bady, Caron Buinis, and Kayla Shipman.

The creative team of Nunsense includes E. Faye Butler (Director), Kenny Ingram (Choreographer), Julia Schade (Music Director), Lauren Nichols (Scenic Design), Anna Finerty (Costume Coordinator) Lee Fiskness (Lighting Design), Stephanie Farina (Sound Design), Cassy Schillo (Properties Design), Casie Morell (Production Stage Manager).

Single tickets, priced $85-$150, are on sale now and are available by phone at (630) 530-0111 or online at www.drurylanetheatre.com. Groups of 10 or more can receive special group pricing.

About the Artists

Aurora Boe (Sister Mary Leo)  is thrilled to be back on the Drury Lane Stage! On-stage Credits Include: Drury Lane's "Sister Act" (Tina, Waitress, Ensemble, Mary Robert US), The Beautiful City Project's "Designer Run" (Choreographer, Dancer) & "We Will Rock You" (Ensemble), or Columbia College's "Sunday In The Park With George" (Dot/Marie). Aurora graduated with a BA in musical theatre from Columbia College Chicago in 2025, and recently received Chicago Cabaret Professionals 2025 Emerging Artists scholarship & 2026 New Vocalist Award. She gives special thanks to Gray Talent Group and her Family & friends that have supported her on this journey.

Rachel Carreras (Sister Robert Anne) is thrilled to be back in the habit after playing Sister Mary Patrick in Sister Act at Drury Lane last season! Other recent credits include: Amélie (Kokandy Productions), Brighter Futures (Paramount Theatre), Mary Poppins and Cinderella (Metropolis PAC), Honky Tonk Angels (LTOTS) and Into the Woods (Summer Lyric). Rachel is a Naperville native and proud Neuqua Valley alum! She is also a member of the professional Chicago/Macomb choir withonevoice. Special thanks to her family and friends for their unending love and support! Represented by Talent X Alexander. Psalm 28:7. I'm always singing for you, Grandma! www.rachelcarreras.com

Kelly Felthous (Sister Mary Amnesia) is thrilled to be back at Drury Lane having previously performed in Elf and Jeff nominated roles in Chicago and Little Shop of Horrors. Favorite credits include: Violet in Violet, Sally Bowles in Cabaret , Lauren in Kinky Boots, Judy in White Christmas, Mrs. Wormwood in Matilda and Dawn in Waitress. She originated the roles of Caroline in Trip of Love, Ruby in Max and Ruby, Eva in Bring it On, and Gloria in Flashdance. National Tours: Marty in Grease and Galinda/Nessarose u/s in Wicked. Kelly has also appeared on Law and Order SVU, Night Sky, and numerous commercials. NYU/CAP21 grad and proud AEA/SAG member. Shout out to her agents at DDO, her mama and Jess! Couldn't do this without y'all.  Follow @KellyFelthous for more!

Cory Goodrich (Reverend Mother) is a Jeff Award-winning actress, singer/songwriter, and author. She began her professional career at Drury Lane playing another Nun - Maria in The Sound of Music, and received Jeff awards for her roles as Mother in Ragtime (Drury Lane) and June Carter Cash in Ring of Fire (Mercury Theater Chicago).  Most recently, she played Heidi in What the Constitution Means to Me at Paramount's Copley Theatre. Her many projects include five albums, Hush, Wiggly Toes, W.O.M.A.N, Wildwood Flower, and Long Way Around, and her memoir, Folksong: A Ballad of Death, Discovery, and DNA. Visit corygoodrich.com.

Sharriese Hamilton (Sister Mary Hubert) is excited to be back at Drury Lane. Tour credits include: Come from Away (Broadway National/Australian). Regional credits include: Ain't Misbehaving Rock of Ages, James and The Giant Peach (Drury Lane), The Color Purple, The Nacirema Society, Wonderful Town (Goodman Theatre), Falsettos, Big White Fog (Court Theatre) It Came from Outer Space, Pericles (Chicago Shakespeare Theatre) A Gentleman's Guide To Love and Murder, How To Succeed In Business Without Really Trying , Pal Joey, Ain't Misbehavin, A Class Act, (Porchlight Music Theatre) Thaddeus and Slocum (Lookingglass Theatre) Rock of Ages (Mercury Theatre) Emmet Otter's Jug-band Christmas (Studebaker Theater) Passing Strange, See What I Wanna See, The Wild Party, (Bailiwick Chicago)The 25th Annual Putnam County Spelling Bee, Monty Python's Spamalot, Working (Timberlake Playhouse).

Season and Membership Information

The 2026/2027 season includes the wedding of the season in Father of the Bride (April 8 – May 31, 2026); holy hilarity with the Little Sisters of Hoboken in Nunsense (June 10 – August 2, 2026); the toe-tapping tribute to a rock'n'roll pioneer Buddy – The Buddy Holly Story (August 19 - October 11, 2026); the heartwarming family classic Annie (November 4, 2026 – January 10, 2027); and the musical office rebellion in heels 9 to 5 (January 27 - March 21, 2027).

Drury Lane Theatre's performance schedule for the 2026/2027 season is as follows: Wednesdays at 1:30 p.m., Thursdays at 1:30 p.m. and 7:00 p.m., Fridays at 7:00 p.m., Saturdays at 3:00 p.m. and 8:00 p.m., and Sundays at 2:00 p.m. and 6:00 p.m.

Lock in your seats for a season of spectacular theatre with Drury Lane's Membership Program! Members have exclusive access to uniquely tailored benefits designed to enrich their Drury Lane experience, all at a cost savings of up to 50% off single ticket prices. Membership includes Tier One seating for all five Drury Lane Theatre productions, free ticket exchanges, dedicated dining credits at Lucille Restaurant, one complimentary Champagne Brunch, exclusive event invitations, Member pre-sales and unlimited single ticket discounts. Membership prices range from $254 - $285. For more information, Call Memberships at 630-570-7280 or email This email address is being protected from spambots. You need JavaScript enabled to view it..

Group tickets start at $45 and Student group tickets start at just $35. On-site dining is available at Lucille Restaurant with convenient pre-show or post-show prix fixe menus. To book a group of 10 people or more, call Group Services at 630-570-7272 or email This email address is being protected from spambots. You need JavaScript enabled to view it..

Gift certificates to Drury Lane can be purchased in any denomination, never expire, and can be used for performances, at Lucille Restaurant or for Drury Lane Events. Gift certificates can be purchased online at drurylanetheatre.com/gift-certificates or by calling the box office.

Dining and Special Events

Excellence isn't limited to the stage at Drury Lane! Before or after the show, theatergoers can indulge in delicious onsite dining at Lucille Restaurant featuring seasonal pre-fixe menus and an elevated atmosphere to complete their experience. Boasting over a century of collective expertise in hospitality, the dedicated team ensures that you will be cared for with freshly prepared meals, handcrafted cocktails, and exceptional service. At Drury Lane, everything is in one place, so you will never be late for your performance.

Fact Sheet / Nunsense

Title:                                                    Nunsense

Book, Music and Lyrics by:                 David Goggin

Directed by:                                         E Faye. Butler

Featuring:                                            Aurora Boe (Sister Mary Leo), Rachel Carreras (Sister Robert AnneKelly Felthous (Sister Mary Amnesia), Cory Goodrich (Reverend Mother), Sharriese Hamilton (Sister Mary Hubert), understudies include Marta Bady, Caron Buinis, Kayla Shipman

Creatives:                                               E. Faye Butler (Director), Kenny Ingram (Choreographer), Julia Schade (Music Director), Lauren Nichols (Scenic Design), Lee Fiskness (Lighting Design), Stephanie Farina (Sound Design), Cassy Schillo (Properties Design), Casie Morell (Production Stage Manager)

Dates:                                                  June 10 – August 2, 2026

Press Opening:                                   Wednesday, June 17 at 7pm

Schedule:                                             Wednesdays: 1:30 p.m.

                                                            Thursdays: 1:30 p.m. and 7:00 p.m.

                                                            Fridays: 7:00 p.m.

                                                            Saturdays: 3:00 p.m. and 8:00 p.m.

                                                            Sundays: 2:00 p.m. and 6:00 p.m.                                

Location:                                             Drury Lane Theatre at 100 Drury Lane in Oakbrook Terrace

Tickets:                                               Tickets range from $85-150

Group discounts available to groups of 10 or more

Dining and show packages available

Senior discounts available

Box Office:                                          100 Drury Lane in Oakbrook Terrace

                                                            (630) 530-0111

                                                            Monday through Sunday from 10am to 5pm or visit DruryLaneTheatre.com

About Drury Lane Theatre    

Built from scratch. Built in Oakbrook. Built for you. 

Founded by Anthony DeSantis over 70 years ago, Drury Lane remains a family-run organization under the leadership of President Kyle DeSantis. Drury Lane Theatre continues as a major force in the Chicagoland theatre scene, producing world-class theatre in collaboration with some of the nation's leading actors, directors, and creative minds. Drury Lane Theatre produces the highest quality theatrical experience that immerses and supports artists and audiences in the exploration of what it means to be human and to experience the transcending power of the performing and visual arts. Drury Lane strives to create an environment in which every individual or group is welcomed, respected, supported, valued and able to fully experience and participate in this transformative art form. 

The theatre has staged more than 2,000 productions and has been nominated for over 360 Joseph Jefferson Awards. Drury Lane proudly employs thousands of professional actors, musicians, designers, and crew members to entertain upwards of nine million audience members and counting.

Chicago Shakespeare Theater (CST) announces the cast and creative team for Brokeback Mountain, the North American premiere production of Ashley Robinson's adaptation of the captivating novella by Annie Proulx that inspired the Academy Award-winning film. The production is directed by Jonathan Butterell and plays May 28–June 28 in the Jentes Family Courtyard Theater. Brokeback Mountain stars Harrison Ball as Ennis Del Mar and Jack Cameron Kay as Jack Twist, leading an ensemble cast that also features Thomas Cox, Cordelia Dewdney, Kat Eggleston, and Alina Jenine Taber. 

Wyoming 1963: a wild landscape of extreme rural poverty and insular conservative communities. When Ennis and Jack take jobs on the isolated Brokeback Mountain, all their certainties of life change forever as they flounder in unexpected emotional waters of increasing depth. This intense tale of an irresistible and hidden love spans twenty years and is interwoven with soulful, original Country Western songs by Dan Gillespie Sells, performed live onstage.

"It's a huge pleasure to launch this beautiful love story in the Midwest, so close to its spiritual home," said Artistic Director Edward Hall. "Audiences will enjoy a truly immersive experience watching this in the intimacy of the Courtyard Theater, where every glance, every breath and every absence deepens what is unsaid and felt beneath the surface."

Harrison Ball (Ennis Del Mar, CST debut) is an actor, choreographer, writer, and producer with a dynamic career spanning ballet, film, and theatre. A former principal dancer with New York City Ballet, he spent 13 years performing a vast repertoire that included works by George Balanchine, Jerome Robbins, Justin Peck, and many others. In 2022, Ball starred alongside Debbie Harry in Catharsis, a short film that premiered at the Tribeca Film Festival.

Jack Cameron Kay (Jack Twist, CST debut) is an actor, songwriter, and Juilliard-trained classical singer. His breakout role came as Joshua "Jones" in Netflix's Boots (2025), a coming-of-age dramedy set in 1990s Marine boot camp. He also appeared in the short film Bird in Hand and the upcoming Club Kid, premiering at the 2026 Cannes Film Festival.

The cast also features Thomas Cox as Joe Aguirre/Bill/Jack's Father (CST debut; founding ensemble member of Lookingglass Theatre Company, many additional credits including at Goodman Theatre, Steppenwolf Theatre, and more), Cordelia Dewdney as Alma (Ashland Avenue at Goodman Theatre, Steel Magnolias at Drury Lane), Kat Eggleston as the Balladeer/Jack's Mother (CST debut; musical artist with multiple recordings, including her award-winning solo album Speak; credits at Briar Street Theatre, Steppenwolf Theatre, and Victory Gardens), and Alina Jenine Taber as Lureen (Arwen in The Lord of the Rings: A Musical Tale at CST, A Streetcar Named Desire at Paramount Theatre, Beautiful: The Carole King Musical at Marriott Theatre). Understudies include Meghan Maureen McDonough, Laura Nelson, Matt Rosin, and Andrew Shipman.

Ashley Robinson is a Brooklyn based writer/actor who grew up in rural Lockhart, South Carolina. In addition to Brokeback Mountain, he has also conceived and penned the books for musicals Fall of '945 & Dime, and Lockhart. As an actor, Robinson has performed in Floyd Collins (Wiltons Music Hall, London), A Clockwork Orange (New World Stages), Casa Valentina (Original London Cast), Truman Capote's A Christmas Memory (New York Premiere/ 2015 Outer Critics Award Nom), Merrily We Roll Along (Menier Chocolate Factory and West End), The Last Goodbye (Williamstown Theatre Festival), and Wicked (Original Chicago Company). He also originated the role of Jett Rink in the World Premiere of the musical Giant (Helen Hayes Award nomination, Best Actor).  

Jonathan Butterell is a director and choreographer who has worked in London, New York, and around the world. He directed the movie Everybody's Talking About Jamie, released globally on Amazon Prime in 2021. Prior to that he spent time developing and directing the award-winning stage musical Everybody's Talking About Jamie. Further directing credits include: Alone Together, Michael Ball's one man show (Donmar Warehouse and Theatre Royal Haymarket); Floyd Collins (Wilton's Music Hall); Peter Pan (Royal Festival Hall); How to Succeed in Business Without Really Trying (Royal Festival Hall); Second Chance (Signature Theatre and Public Theater); Whida Peru: Resurrection Tangle (Inner Voice for Premier Stages); and Tres Niñas (Zipper Theatre). Butterell created the musical staging for the Tony Award-winning shows The Light in the Piazza (Lincoln Center Theater) and Assassins (Broadway), as well as the revival of Fiddler on the Roof (Broadway) and the musical staging for the original workshop of Sondheim's musical Wise Guys at New York Theatre Workshop, directed by Sam Mendes. Butterell also choreographed the Tony award-winning Nine on Broadway, and further productions in London, Buenos Aires and Tokyo.

The creative team for Brokeback Mountain also includes Dan Gillespie Sells (Composer), Jacob Yates (Music Director), Tom Pye (Scenic and Costume Designer), David Finn (Lighting Designer), Christopher Shutt (Sound Designer), Stephanie Farina (Sound Recreation and Additional Content), Zev Steinrock (Fight and Intimacy Coordinator), Sammi Grant (Dialect Coach), Christopher Chase Carter (Associate Director), Emily Hayman (Associate Sound Designer), Brenden Marble (Assistant Lighting Designer), Ethan Smith (Assistant Intimacy Choreographer), Christine D. Freeburg (Production Stage Manager), Danny Fender (Assistant Stage Manager), and Bruno Diaz Miranda (Production Assistant).

Playwright Ashley Robinson said, "I'm thrilled that Chicago Shakespeare will host the US Premiere of Brokeback Mountain. Chicago is the perfect city in which to premiere this working-class story of star-crossed lovers. I'm looking forward to bringing the play home, at a time when this beloved story feels more resonant and needed than ever."

The novella's author Annie Proulx shared, "Brokeback Mountain has been recreated in several different forms, each with its own distinctive moods and impact. Ashley's script is fresh and deeply moving, opening sight lines not visible in the original nor successive treatments. The story has always projected a sense of the difficult fated solitudes that echo in Wyoming's tawny landscapes. The joinery of script, actors, director, theatre, audiences becomes a complex watershed of dozens of mountain streams finally merging into a river of sensibility."

Opening is set for 7:00 p.m. on Thursday, June 4.

Special events include:

  • PRIDE Night at Brokeback Mountain will take place Tuesday, June 2 at 7:00 p.m. with a pre-show party beginning at 5:30 p.m. Gather around the "CAMPfire" for a joyful celebration to kick-off Pride Month with Western music, dancing, community, and a splash of camp. Each ticket to the show includes one free drink, light bites, and special pre-show activities in the lobby.
  • On Wednesday, June 10 after the 1:00 p.m. performance, CST will host a post-show discussion on LGBTQIA+ experiences of health and history as part of the national Seven Days in June campaign to ensure "Health is Primary." Marking the 45th anniversary of the first known case of what became HIV/AIDS, the panel will be moderated by journalist and community leader Tracy Baim, co-founder of Windy City Times and executive director of Press Forward Chicago.
  • All Wednesday and Saturday evening performances will be perfectly timed to enjoy Navy Pier summer fireworks after the performance (beginning at 9:00 p.m. on Wednesdays, 10:00 p.m. on Saturdays). 

Brokeback Mountain

A Play by Ashley Robinson
Songs by Dan Gillespie Sells
Based on Annie Proulx's short story
Directed by Jonathan Butterell

May 28–June 28, 2026
The Jentes Family Courtyard Theater

PERFORMANCE LISTING

  • Tuesdays at 7:00 p.m. (no performance on June 16)
  • Wednesdays at 1:00 p.m. 7:00 p.m. (no matinee June 3)
  • Thursdays at 7:00 p.m. (plus 1:00 p.m. performance on June 18)
  • Fridays at 7:00 p.m.
  • Saturdays at 2:00 p.m. and 7:00 p.m. (no matinee April 4)
  • Sundays at 2:00 p.m.

Chicago Shakespeare strives to make its facility and performances accessible to all patrons. Accessible seating, assistive listening devices, large-print and Braille programs, and sensory tools are available at every performance. Enhanced performances include:

  • Audio-described performance – Sunday, June 21 22 at 2:00 p.m. 

A program that provides spoken narration of a play's key visual elements for patrons who are blind or have low vision.

  • Open captioned performance – Wednesday June 24 at 1:00 p.m. and 7:00 p.m.  
    A text display of the words and sounds heard during a play, synced live with the action onstage.
  • ASL interpreted performance – Friday, June 26 at 7:00 p.m. 
    All dialogue and lyrics are translated into American Sign Language by two certified interpreters

Brokeback Mountain is presented by special arrangement with Nica Burns and Adam Blanshay. Originally produced by Nica Burns, Adam Blanshay Productions, Lambert Jackson and Katy Lipson for Aria Entertainment, @sohoplace in 2023.

More information at www.chicagoshakes.com/brokeback or on social media at @chicagoshakes.

CREATIVE TEAM

Ashley Robinson – Playwright

Jonathan Butterell – Director

Dan Gillespie Sells – Composer

Jacob Yates – Music Director

Tom Pye – Scenic and Costume Designer

David Finn – Lighting Designer

Christopher Shutt – Sound Designer

Stephanie Farina – Sound Recreation and Additional Content

Zev Steinrock – Fight and Intimacy Coordinator

Sammi Grant – Dialect Coach

Christopher Chase Carter – Associate Director

Emily Hayman – Associate Sound Designer

Brenden Marble – Assistant Lighting Designer

Ethan Smith – Assistant Intimacy Choreographer

Christine D. Freeburg – Production Stage Manager

Danny Fender – Assistant Stage Manager

Bruno Diaz Miranda – Production Assistant

CAST

Harrison Ball – Ennis Del Mar

Thomas Cox – Joe Aguirre / Bill / Jack's Father

Cordelia Dewdney – Alma

Kat Eggleston – Balladeer / Jack's Mother

Jack Cameron Kay – Jack Twist

Alina Jenine Taber – Lureen

Meghan Maureen McDonough – Understudy

Laura Nelson – Understudy

Matt Rosin – Understudy

Andrew Shipman – Understudy

BAND

Jacob Yates – Music Director / Piano / Conductor

Paul Mertens – Harmonicas

Tom McGettrick – Pedal Steel Guitar

Mary Halm – Bass

Ryan Blihovde – Copyist

Heather Boehm – Musicians Contractor

CHICAGO SHAKESPEARE THEATER (CST)

CST is a leading international theater company and the nation's largest year-round theater dedicated to the works of Shakespeare. Under the visionary leadership of Artistic Director Edward Hall and Executive Director Kimberly Motes, the Regional Tony Award recipient is committed to creating vivid, entertaining theatrical experiences that invigorate and engage people of all ages and identities by illuminating the complexity, ambiguity, and wonder of our world. Each year, nearly a quarter of a million people experience CST's artistry through more than 12 productions. With Shakespeare at the heart of the artistic work, CST also produces compelling, contemporary stories from fresh voices of today. CST brings the world to Chicago and sends Chicago out into the world as Chicago's foremost presenter of international theater, and consistent producer of North American and world premieres. Serving more students and teachers than any theater in the city, CST annually welcomes more than 20,000 students to performances and programs like Chicago Shakespeare SLAM, alongside professional development opportunities for teachers. CST activates its campus with three venues: 700-seat The Yard; the 500-seat Jentes Family Courtyard Theater; and the 200-seat Carl and Marilynn Thoma Upstairs Studio. Free programs like Shakes in the City bring performances to parks and community spaces across Chicago's 77 neighborhoods. Shared humanity and unforgettable stories—now THIS is Chicago Shakespeare. www.chicagoshakes.com

Producers Kevin McCollum and Kurt Deutsch, along with Broadway In Chicago are thrilled to announce that single tickets for THE NOTEBOOK, a new musical based on the best-selling novel that inspired the iconic film, will go on sale on Monday, May 4. THE NOTEBOOK will play Broadway In Chicago’s James M. Nederlander Theatre (24 W. Randolph St.) for a limited two-week engagement, August 4 - 16. Returning to Chicago following the world premiere in Summer 2022, audiences in Chicago are about to fall in love all over again with this beloved story.

THE NOTEBOOK is ultimately a celebration of life, love, and the power of memory,” said producers Kevin McCollum and Kurt Deutsch . “Audiences first fell in love with this timeless story as a novel, then as an iconic film, and now they can experience it anew as a moving musical event. With multi-platinum artist Ingrid Michaelson’s unforgettable score and Tony Award nominated Bekah Brunstetter’s beautifully crafted book, THE NOTEBOOK comes to life on stage in a way that will resonate deeply with audiences across North America.”

Allie and Noah, two people from different worlds, share a lifetime of love despite the forces that threaten to pull them apart. “Full of butterfly-inducing highs and beautiful songs” (Entertainment Weekly), THE NOTEBOOK a deeply moving portrait of the enduring power of love.

Based on the book that has sold millions of copies worldwide and a film that is one of the highest-grossing romantic dramas of all-time, the musical adaptation of THE NOTEBOOK played Broadway at the Schoenfeld Theatre from March 2024 to December 2024 following a critically acclaimed world premiere engagement at Chicago Shakespeare Theater in the fall of 2022.

“Absolutely gorgeous. Not to be missed.” – Chicago Tribune

THE NOTEBOOK features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson and a book by playwright Bekah Brunstetter (writer and producer on NBC's “This Is Us,” The Cake). The production is directed by Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, The Wiz), with choreography by Katie Spelman (Associate Choreographer on Moulin Rouge! The Musical).

“Romantic, life-affirming and ingeniously adapted.” – USA Today

The creative team for the tour includes scenic design by David Zinn and Brett J. Banakis, costume design by Paloma Young, lighting design by Ben Stanton, sound design by Nevin Steinberg, hair and wig design by Mia Neal, and projection design by Lucy Mackinnon. The production’s music supervisor is Carmel Dean, who also collaborated on arrangements with Ingrid Michaelson and on orchestrations with John Clancy, and the music director is Tina Faye. Casting by The Telsey OfficePatrick Goodwin , CSA.

The production was recently recognized with three 2024 Tony Award nominations (Best Book of a Musical, Best Performance by an Actress in a Leading Role in a Musical, Best Performance by an Actor in a Leading Role in a Musical), Drama League Award nominations for Outstanding Production of a Musical, two Distinguished Performance Awards and the Founders Award for Excellence in Directing, Drama Desk Award nominations for Outstanding Featured Performance in a Musical, and an Outer Critics Circle Award nomination for Outstanding Lead Performer in a Broadway Musical.

“A love story for the ages.” – The New York Daily News

Atlantic Records officially released the Grammy-nominated THE NOTEBOOK (Original Broadway Cast Recording), with a score that Vanity Fair calls “strikingly beautiful” by multiplatinum singer-songwriter Ingrid Michaelson, available  HERE.

Following its release, THE NOTEBOOK (Original Broadway Cast Recording)debuted at #1 on the Top Broadway chart in Music Connect, with breakout single “My Days” now surpassing 9 million streams on Spotify alone.

www.NotebookMusical.com

Follow THE NOTEBOOK on XInstagramFacebook, and TikTok

PERFORMANCE SCHEDULE
Tuesday, August 4 – 7:00 p.m.
Wednesday, August 5 – 7:00 p.m.
Thursday, August 6 – 7:00 p.m.
Friday, August 7 – 7:00 p.m.
Saturday, August 8 – 2:00 p.m. & 7:30 p.m.
Sunday, August 9 – 1:00 p.m. & 6:30 p.m.

Tuesday, August 11 – 7:00 p.m.
Wednesday, August 12 – 1:00 p.m. & 7:00 p.m.
Thursday, August 13 – 7:00 p.m.
Friday, August 14 – 7:00 p.m.
Saturday, August 15 – 2:00 p.m. & 7:30 p.m.
Sunday, August 16 – 1:00 p.m.

TICKET INFORMATION (as of April 30, based on availability and subject to change)
Individual tickets for THE NOTEBOOK will go on sale on Monday, May 4 and range from $37.00 - $127.00 with a select number of premium tickets available. Ticket price listed is when purchased in person at the box office. Additional fees apply for online purchases. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it.. For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 26 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, The Auditorium, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place.
 

For more information and tickets, visit www.BroadwayInChicago.com.
Follow @BroadwayInChicago on
Facebook ● Instagram ● TikTok ● Bluesky ● YouTube
#broadwayinchicago

The South Florida based YI Love Jewish and Chicago-based Arts Judaica proudly join forces to present a limited engagement of the Chicago Premiere production of L. M. Feldman's acclaimed theatrical mosaic A PEOPLE, at Theater WitDirected by world renowned actor, director and Jewish Culture activist Avi Hoffman, A PEOPLE invites Chicago audiences on a magical, lyrical journey through 5,000 years of Jewish identity, heritage, and humanity, brought to life by a dynamic ensemble of performers. The ensemble portrays a range of old and new-world characters, weaving together vignettes that question, affirm, and reimagine what it means to be part of a people. Historical and fictional characters, separated by generations, meet in a surreal landscape to explore their peoples' rich history and traditions, much of which they fear will be forgotten entirely. The play will preview June 18 and 19, 2026, prior to opening on Saturday, June 20th at 7:30 pm,  and play through July 5th. Performances are Thursdays, Fridays, and Saturdays at 7:30 pm and Sundays at 2:00 pm. There will be a special matinee celebrating  'Jewish Pride and Independence Day', Saturday, July 4 at 2:00 pm, as part of an ongoing initiative to celebrate Jewish Pride through world-class theater. 

Feldman's script is sometimes hilarious, sometimes searingly honest, as it weaves together old and new-world  voices to explore how all individuals wrestle with, deny, or embrace their heritage. The result is a vivid collage of characters and moments that illuminate the way we see life, the way we want it, and the way it really is.

YI Love Jewish is a global cultural initiative that advocates for Jewish Pride, builds cultural bridges and challenges antisemitism through the arts, while celebrating and promoting Jewish history, life, and culture, and their far-reaching impact on the world.

Arts Judaica, a Chicago-based 501(c)(3), is the city's only producing organization dedicated exclusively to exploring and celebrating Jewish history, culture, and arts through live theater, music, and educational programming. Together these two Jewish cultural organizations are presenting this play at Theatre Wit, a vital Lakeview venue known for its smart, intimate 98–99-seat black box spaces; they will bring together local and national voices in an accessible, neighborhood setting.

Tickets for A PEOPLE at Theater Wit are now available, with regular weekly performances Thursday–Saturday at 7:30 pm and Sunday at 2:00 pm. Tickets can be reserved online at https://www.theaterwit.org/tickets/productions/572/performances#top or via Theatre Wit's box office (773) 975-8150, or in person at 1229 W. Belmont Avenue, Chicago, IL 60657. For press materials, including show logo, production photos, and artist headshots, or to schedule interviews and press comps, please contact John Olson. 

LISTING INFORMATION
 
A PEOPLE
By L M Feldman
Directed by Avi Hoffman
June 18 – July 5, 2026
Thursdays, Fridays and Saturdays at 7:30pm and Sundays at 2pm.
Tickets will be $36 with group rates of 10 or more at $32
Opening will be a VIP special for $100.
Tickets can be reserved online at https://www.theaterwit.org/tickets/productions/572/performances#top or via Theater Wit's box office (773) 975-8150, or in person at 1229 W. Belmont Avenue, Chicago, IL 60657
More information at www.artsjudaica.com
 
A PEOPLE is a magical, lyrical journey into heritage, tradition, religion and humanity. Through vignettes, music and monologues, L M Feldman holds up a mirror to 5000 years of Jewish history, reminding us that we're all descendants from somewhere, and we choose to embrace our lineage, deny it, or wrestle with it. Hilarious and terrifyingly honest.
 
BIOS
 
L M Feldman (Playwright) is a queer, feminist playwright (and circus artist) who pens plays that are wildly theatrical but deeply intimate. Formally ambitious plays that move and take up space. Plays that are questioning, wrestling, and asking. Plays without answers. Plays about women and queers, plays about outsiders and searchers. Plays grappling with voice and agency, opportunity and access, history and its wake. Plays about the human connection. Plays that seek to be a greater, communal, rare theatrical event in which something transcendent transpires - for those both onstage & off.

Her plays include THRIVE, OR WHAT YOU WILL (Page 73 Residency, New Georges Audrey Residency); ANOTHER KIND OF SILENCE (Magic Theatre Virgin Play Festival, PlayPenn Conference, Playwrights Realm Fellowship, FEWW Prize Honorable Mention); AMANUENSIS (Georgetown University); A PEOPLE (Orbiter 3, Jewish Plays Project); THE EGG-LAYERS (Jane Chambers Honorable Mention, New Georges/Barnard College commission); GRACE, OR THE ART OF CLIMBING (Denver Center, Art House Productions, Nice People Theatre, ATCA/Steinberg New Play Award Nomination, Barrymore Nomination); ensemble-devised works, including GUMSHOE (New Paradise Labs + Free Library of Philadelphia + Rosenbach Museum), WAR OF THE WORLDS: PHILADELPHIA (Swim Pony + Drexel University), AND IF YOU LOSE YOUR WAY, OR A FOOD ODYSSEY (The Invisible Dog, New York Innovative Theatre Award Nomination), and others; and a baker's dozen of short plays. She has been nominated for the Barrie and Bernice Stavis Playwright Award, Wendy Wasserstein Prize, Susan Smith Blackburn Prize, and the Doric Wilson Independent Playwright Award. She was awarded an artist grant through the Boomerang Fund and a creation grant from the State of Vermont, and she has been an artist-in-residence at Terra Firma, SPACE at Ryder Farm, the School of Making Thinking, Tofte Lake Center, Montana Artists Refuge, Montana Repertory Theatre, Sewanee University of the South, Cornell University, and Theater Emory/Brave New Works Festival. A graduate of the Yale School of Drama, L is also a New Georges Affiliated Artist, a devised-work collaborator, a teacher of playwriting (Bryn Mawr College, Lantern Theatre/Jefferson Medical School, PlayPenn), and a freelance dramaturg.
 
Avi Hoffman (Director) - Founder and CEO of Yiddishkayt Initiative, Avi Hoffman is a world-famous actor, who specializes in Jewish culture and Yiddish theater. His long-running "Too Jewish" trilogy has been seen by millions on PBS and in venues around the world. Based in Miami, Florida, he has produced and presented shows throughout North America, Europe and Israel. International Festivals include Romania, Poland, New York, Toronto, Montreal, Tel-Aviv and other European cities and countries. His connections in the theater, entertainment and film communities are extensive. He was awarded Congressional recognition, was invited to the Vatican to meet Pope Francis and was inducted into the Bronx Jewish Hall of Fame for his lifetime work advancing Jewish culture and was named a "Sage" by THE NEW YORK TIMES.      
 
ABOUT ARTS JUDAICA
Arts Judaica is dedicated exclusively to showcasing Jewish arts, culture, and history. As the only organization of its kind in the Chicago are, Arts Judaica serves as a vital platform for preserving and celebrating Jewish heritage through compelling performances, educational programs, and community outreach initiatives.

Our mission is to illuminate the richness of Jewish traditions and history, with a particular focus on educating audiences about pivotal events such as the Holocaust. Through thought-provoking productions, dynamic workshops, and meaningful collaborations, we aim to foster understanding, promote cultural dialogue, and inspire reflection among diverse audiences.

Arts Judaica, a tax exempt, 501c3 entity, is a unique and vibrant live theater/music/education organization based in Chicago, dedicated exclusively to showcasing Jewish arts, culture, and history. As the only organization of its kind in the city, Arts Judaica serves as a vital platform for preserving and celebrating Jewish heritage through compelling performances, educational programs, and community outreach initiatives. You can also see more about our work at https://www.artsjudaica.com.
 
ABOUT YI LOVE JEWISH
Performing arts, media, publishing, education, language, and literature, the mission of YI Love Jewish is to instill Jewish Pride and combat antisemitism by promoting Jewish history, life, and culture and their far-reaching impact on the contemporary world. Based in Miami-Dade County and in partnership with the University of Miami, YI Love Jewish builds engagement and forges multi-cultural and diverse connections through an immersive and varied range of programming for audiences around the globe. More information at YI Love Jewish https://yilovejewish.org

Page 3 of 14

 

         20 Years and counting!

Register

     

Latest Articles

  • Spaceman: Into the Quiet Terror of the Void
    Written by
    Spaceman, presented by [producingbody], touches down at The Edge Off-Broadway with a quiet, unnerving force, pulling audiences into the fragile headspace of an astronaut drifting far from home and even farther from certainty. Under Eric Slater’s beautifully calibrated direction, playwright…
  • Inside a Real ‘Fire House’ You Are Immersed in Phantasmic Lives of Firefighters
    Written by
    Set in Chicago’s oldest fire station (now Firehouse Art Studio) the immersive play "Fire House” is only loosely tethered to a realistic portrayal of what fire fighters do. What it conveys is an impressionistic vision of the experience that fire…
  • Spamalot Is Every Monty Python Fan’s Dream Come to Life
    Written by
    Spamalot rides into the Windy City courtesy of Broadway In Chicago, inviting theatergoers to join King Arthur’s quest now through May 31 at the CIBC Theatre. Fans of Monty Python and the Holy Grail - the 1975 cult classic -…
  • Raven Theatre announces the 2026-27 season
    Raven Theatre, under the director of Executive Artistic Director Jonathan Berry, announces its 44th season, to include Michael R. Jackson's Pulitzer Prize-winning musical A Strange Loop, directed by Mikael Burke in a co-production with About Face Theatre; Tennessee Williams' The Glass Menagerie, directed by Raven Executive Artistic Director Jonathan…

Guests Online

We have 6579 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter 

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.