Displaying items by tag: mary jo bolduc

It’s 1997, and Beth Peterson, an aspiring 19-year-old musician, has journeyed from her home town in Michigan’s Upper Peninsula to Chicago. She is bearing a guitar, and a business card of a gentleman who heard her at an open mic near her home in Escanaba. He invited her to come make a demo record.

Now she has arrived at the address on the card – site of a small but very professional northside Chicago recording studio that does a mix of vanity recordings, and serious music.

When Beth arrives, the studio director Alex (Mary Jo Bolduc is in terrific form) at first puts Beth off, then hears her out at the behest of the sound engineer, Steve (Nick Freed is quite good in his role). It turns out the gentleman who invited her is Alex’s dad, or more precisely, her late dad. Though the originator of that invitation has passed on, Steve and Alex feel sorry for the wandering Beth (Allison Grischow is the picture of Escanaba innocence), and they invite her to sing a little, and try to imagine what the late owner might have seen in her. They decide to let her stay and record a sample.

We learn the late founder had declined to record another young woman from Michigan – Madonna – so he was probably trying to make up for his earlier error by inviting Beth. There are also some lively touches when Beth’s fantasies of success and cavorting with the stars come to life. We have a cameo by doppelgangers for Marilyn Manson and a caped Smashing Pumpkin. These are very nicely put together. The story line has some nice possibilities, but things get a bit too complicated, and take some unlikely turns.

The recording studio happens to have a dormitory, where prospective artists are housed while working on their music. Beth is invited to stay there, and ends up as a roommate with Monica, a poor little rich girl who is a candidate for a permanent slot of the recording artists at the studio’s parent firm.

Also on tap for the plot is Clive, a driven studio exec who is a competitor to Alex, played with remarkable panache by Tim Newell. And skulking around is Toby, a studio technician and eventual love interest for Beth, played as a smoldering Jim Morrison or Kurt Cobain type by Raj Bond. Oh yes, a blonde zoned out doofas drummer, Evan, played quite hysterically by Jake Szczepaniak, who also plays the flaming Beck.

For added seasoning, we switch to a bar, where we are regaled by the earthy wit of Mike (Blake Dalzin does a great job as a Chicago bar tender.) And oh yeh, it’s a coming of age story for Beth, who falls for a married man before finding the man of her dreams.

This is probably a little too much for one play, but it is the type of creative The Factory Theater likes to produce, and it gives the actors plenty of room to demonstrate their chops. The story also advances at a reasonable pace under the direction of Robyn Coffin - no small feat. But the script probably takes too man detours along the way. It’s fun, and a chance to see some great performances. The Next Big Thing runs through April 21 at The Factory Theater.