Displaying items by tag: qui nguyen

Tuesday, 04 September 2018 21:51

Witty, Incisive Vietgone Tells True Tale of New Americans with Rap and Dance

Matthew Yee, and Aurora Adachi-Winter in Vietgone at the Writers Theatre

The story of the aftermath of the U.S. involvement in the Vietnam War has been told and retold, but never in such a lively and colorful manner as Vietgone, now playing at the Writers Theatre in Glencoe.

Written with the insight and perspective of a first-generation millennial, the play by Qui Nguyen gives us a fresh take not only on the story, but on storytelling and dramatic style and structure – a work that is part musical, part performance piece, all of it fitting for our era of Hamilton-style historical drama. Directed beautifully by Lavina Jadhwani, Vietgone features original music and music direction by Gabriel Ruiz, who has gained acclaim in Chicago’s venturesome Teatro Vista’s Ensemble. It features great choreography by Tommy Rapley.

If you feel the story of the Vietnam War has been covered ad nauseum already, you will be immensely surprised and entertained by this take from a group of people who were most directly affected the fallout of the event – Vietnamese who were hurriedly and even chaotically evacuated in April 1975, as South Vietnam’s capital, Saigon, fell to the North Vietnamese forces.

In Vietgone, we meet a series of character “types” – the author himself (who introduces the play as “possibly true”); also his father; and a young woman who plans to thrive on her new found freedom; her opportunistic middle-aged mother, who hopes to find romance, and to avoid learning English; U.S. soldier who falls for a Vietnamese girl; even a racist biker who stands in for the legions of Americans who had trouble laying down enmity against their Asian enemies after decades of war against the North Vietnamese Communist regime.

One character, a South Vietnamese army pilot, desperately wants to return to his wife and two young children. But if he does, he will likely be punished as a war criminal by the victors from Hanoi. Nguyen forthrightly addresses such stories of individual suffering and the culture clashes that ensued for these sudden transplants whose families and way of life were abruptly torn asunder.

But Nguyen also conveys the joy that was discovered in contemporary American rhythm and blues and rock and funk and dance as these individuals found their way. From this grounding springs an entrancing musical experience. Lyrics to the songs are rapped clear as a bell, with some songs “nearly sung” quite delightfully. This entrancing musical performance overlay may belie the darker aspects of the deeply powerful story that it also conveys. But the form brings us into the work so we can receive that story.

Vietgone centers its tale on the initial phase of evacuation, 130,000 South Vietnamese who were transported to via Guam into the United States, landing at resettlement camps at four military bases: Fort Chaffee in Arkansas, Camp Pendleton in California, Fort Indiantown Gap in Pennsylvania, and Eglin Air Force Base in Florida. Nearly two million more people followed them in separate exoduses, settling at points around the globe under U.N. auspices.

Along with telling the story of that first cohort, Qui Nguyen introduces us to numerous memorable characters, whose background and personalities stay with us following the show. To have established so many individuals so vividly and concretely is quite an impressive accomplishment - all to the credit of this sterling cast. Standouts are Aurora Adachi-Winter as Tong and Matthew C. Yee as Quang.

Vietgone is highly recommended. It runs through September 23 at Writers Theatre.

*Extended through September 29th

Published in Theatre in Review

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