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Chicago Shakespeare Theater (CST) announces Fault, an exciting addition to the 2025/2026 season starring film and television star Enrico Colantoni (English Teacher, Galaxy Quest, Veronica Mars) and Golden Globe winner Teri Hatcher (Desperate Housewives), and directed by Emmy and Tony Award winner Jason Alexander, who returns to Chicago Shakespeare Theater after 2024's smash-hit Judgment Day. The cast also features Jack Ball (Broadway's The Book of Mormon, Falsettos, Dunsinane). Written by Scooter PietschFault is a wickedly dark comedy, full of blistering humor and searing revelations. All's fair in love and marital warfare as Lucy and Jerry Green go head-to-head after 30 years of marriage in a late-night tangle of lies, ambition, and betrayal. Fault makes the case that being honest with ourselves might just be the trickiest game we play in life and love... but whose fault is that anyways? This world-premiere production runs April 18-May 24, 2026 in The Yard.

Fault replaces the previously announced spring production of Ain't Misbehavin', which has been postponed to a later date.

"We're delighted to have Jason Alexander back at CST to helm this hilarious and thought-provoking new play by Scooter Pietsch, and thrilled to welcome Enrico Colantoni, Teri Hatcher, and Jack Ball to Chicago with a top-rate creative team," shared Artistic Director Edward Hall. "Chicago audiences love a smart comedy, and we're excited to give them the chance to enjoy this entertaining world premiere this spring."

"I remember very well the joys of debuting a brand-new work at CST," shared director Jason Alexander. "That's why I'm thrilled to debut this new play with a superb creative team and a glorious cast for the Chicago audience that made me feel so welcome and appreciated. I can't imagine launching it anywhere else."

"I'm honored to have the world premiere of my play Fault in Chicago," said playwright Scooter Pietsch. "I love to write about edgy and outrageous but relatable subjects, and we are definitely not going to disappoint with this one. Fault is about marriage. The love. The passion. The pitfalls. The booby traps. The fact that no one ever wins an argument. EVER. And to have the brilliant comedic mind of Jason Alexander directing our fabulous actors? On the stage at Chicago Shakespeare? I didn't think I could love Chicago any more than I already do, but yes, I do."

Enrico Colantoni is an actor and director known for portraying Principal Grant Moretti in English Teacher, Mathesar in Galaxy Quest, Elliot DiMauro in the sitcom Just Shoot Me!, Keith Mars on the television series Veronica Mars, Louis Utz on the sitcom Hope & Gloria, crime lord Carl Elias on Person of Interest, Vincent Brambilla on the CBC TV program Allegiance, and Sergeant Greg Parker on the television series Flashpoint. He has also had supporting roles in such series and films as WestworldStation ElevenSUITS LAThe Wrong GuyA.I. Artificial IntelligenceContagionFull FrontalOutstandingHumane and A Beautiful Day in the Neighborhood, and guest appearances on Monk, Numb3rs, Party Down, iZombie, Madame Secretary, Stargate SG-1, and Bones. Colantoni has an illustrious theatre background as well, after graduating from the Yale School of Drama, where he received their prestigious Carol Dye Award. He also won a Theatre World Award for his Broadway debut in the original drama Birthday Candles opposite Debra Messing. Colantoni's other notable theatre credits include the premiere of Neil LaBute's The Distance from Here at the Almeida in London, The Merry Wives of Windsor at the New York Shakespeare Festival's Delacorte Theater in Central Park, Arabian Nights at the Manhattan Theatre Club, The Triumph of Love at the Guthrie Theatre, and Dracula at San Diego's famed Old Globe Theatre. He also played the title role in Shakespeare's Macbeth at the Matrix Theater and Uncle Vanya at the Lillian Theatre in Los Angeles.

Teri Hatcher's acting career has spanned movies, television, and stage. She is known around the world for her starring roles in Lois & Clark and Desperate Housewives, for which she won a Golden Globe Award, a Screen Actors Guild Award, and an Emmy Award nomination for Outstanding Lead Actress in a Comedy. She starred most recently in the holiday movies, Christmas at the ChaletHow to Fall in Love by the Holidays and the true-life drama The Killer Inside: The Ruth Finley Story, and voiced Muthr in the Apple TV+ animated series WondLa. She showcased her comedic skills hosting a standout episode of Saturday Night Live in 1995 and making her stand-up comedy debut in Showtime's 2021 comedy special Even More Funny Women of a Certain Age. Her feature film credits include The Big Picture, Soapdish, Spy Kids, Tomorrow Never Dies, and the Oscar-nominated animated film Coraline. She starred as Sally Bowles in the 1999 touring company of Cabaret and starred as Morticia Addams in the regional premiere of the musical comedy The Addams Family in 2022. Her first book, a funny and inspiring look at a woman finding balance between family, career and self, entitled Burnt Toast and Other Philosophies of Life, was a New York Times Bestseller in 2006. She is a health advocate and an avid cook, having studied at the world-famous Le Cordon Bleu College of Culinary Arts, and won The Great Celebrity Bake Off for Stand Up To Cancer and Chopped. Her digital series, #Sandwiched, focuses on being "sandwiched" between caring for aging parents and your own children, and still prioritizing your own self-care. @OfficialTeriHatcher. In September, Hatcher launched Desperately Devoted, a podcast she hosts with her Desperate Housewives TV daughter Andrea Bowen and her real-life daughter Emerson Tenney, bringing fresh perspectives and personal insights to the iconic series. In addition to rewatching the series, the hosts use its themes as a springboard for broader conversations on women's issues, relationships, parenting, sex, identity, and more.

Jack Ball returns to Chicago Shakespeare after appearing in Dunsinane (with The Royal Shakespeare Company and National Theatre of Scotland). His other stage credits include The Book of Mormon on Broadway, Falsettos (Court Theatre/TimeLine Theatre), Little Shop of Horrors (Paramount), Hansel and Gretel (Broadway in Chicago), The Coast Starlight (Milwaukee Rep), and Hit the Wall (Inconvenience). His film and television credits include Chicago P.D., Chicago Fire, Chicago Justice, Somebody, Somewhere, Sirens, Henry Gamble's Birthday Party, An Acceptable Loss, Kill the Monsters, Room Six, and What Rhymes with Magdalena.

Over his acclaimed 50-year career as a Tony Award winning actor and entertainer, Jason Alexander has also maintained a noted career as a director across the multiple mediums of film, television, and theater. On Broadway, he made his directing debut with Sandy Rustin's The Cottage. He served as the Artistic Director of the Los Angeles based Reprise Theatre Company for five years and directed Sunday in the Park with George, The Fantasticks, and Damn Yankees for the companyHe also directed Sam Shephard's The God of Hell, starring Bryan Cranston for the Geffen Playhouse; Neil Simon's Broadway Bound, starring Gina Hecht for the Odyssey Theatre; Karen Zacarias' Native Gardens starring Bruce Davison and Francis Fisher at the Pasadena Playhouse; the world premiere of the musical comedy revue When You're in Love The Whole World is Jewish; the world premiere of The Joy Wheel at the Ruskin Theater;  the production of Steven Levenson's  If I Forget at the Fountain Theater; and the world premiere of Windfall by Scooter Pietsch at Arkansas Repertory Theater and Bay Street Theatre. Most recently, Jason directed the critically acclaimed new production of Stephen Sondheim's Sweeney Todd for La Mirada Theatre. On television, Alexander directed "The Good Samaritan" episode of the hit sitcom Seinfeld, and other series television episodes including Til Death, Campus Ladies, Franklin and Bash, Everybody Hates Chris, Mike and Molly, Criminal Minds and Young Sheldon. He has directed two feature-length films: For Better or Worse and Just Looking.  His upcoming directing projects include the feature film adaptation of The Cottage (2026). Alexander is a proud member of AEA, SAG, and DGA.

Scooter Pietsch is a playwright and Emmy-nominated composer/songwriter. His play, Windfall, was produced in London (directed by Mark Bell), Bay Street Theater in New York, and Arkansas Repertory Theatre (both directed by Jason Alexander). As a composer and songwriter, Pietsch has written music for over 200 TV shows and movies, some of which include Pretty Little Liars, Burn Notice, All Dogs Go To Heaven, Greek, American Idol, Sex And The City, Deal Or No Deal, Keeping Up with the Kardashians, So You Think You Can Dance, Divorce Court, Sanctuary (starring Margaret Qualley), Van Wilder, Urban Legends, Getting to Know You, Persons Unknown, Run, and The Marrying Man. He's also written hundreds of songs for various artists.

Joining Alexander on the creative team is Scenic Designer Paul Tate dePoo III (The Great Gatsby, Spamalot, The Cottage on Broadway), Costume Designer Mara Blumenfeld (Metamorphoses on Broadway, King Charles III, Sunday in the Park with George, As You Like It, and many more at CST), Lighting Designer Greg Hofmann (Cats, Frozen, Billy Elliot at Paramount Theater, Nell Gwynn, Love's Labor's Lost, Road Show at CST), and Sound Designer Ray Nardelli (Lookingglass Alice at Lookingglass Theatre Company and Off-Broadway, Shakespeare in Love, Sense and Sensibility, The Tempest and more at CST).

CST thanks Principal Production Sponsor Old National Bank for supporting this production.

Tickets (starting at $64) are on sale now. More information at chicagoshakes.com/fault or on social media at @chicagoshakes.

Fault

By Scooter Pietsch
Directed by Jason Alexander
April 18-May 24, 2026
The Yard

PERFORMANCE LISTING

  • Tuesdays at 7:30 p.m.
  • Wednesdays at 1:00 p.m. 7:30 p.m. (no matinee April 22)
  • Thursdays at 7:30 p.m.
  • Fridays at 7:30 p.m.
  • Saturdays at 2:30 p.m. and 7:30 p.m. (no matinee April 18)
  • Sundays at 2:30 p.m.

Chicago Shakespeare strives to make its facility and performances accessible to all patrons. Accessible seating, assistive listening devices, large-print and Braille programs, and sensory tools are available at every performance. Enhanced performances include:

  • ASL interpreted performance – Friday, May 8 at 7:30 p.m. 
    All dialogue and lyrics are translated into American Sign Language by two certified interpreters
  • Audio-described performance – Sunday, May 10 at 2:30 p.m. 

A program that provides spoken narration of a play's key visual elements for patrons who are blind or have low vision.

  • Open captioned performance – Wednesday, May 13 at 1:00 p.m. and 7:30 p.m.  
    A text display of the words and sounds heard during a play, synced live with the action onstage.

CREATIVE TEAM

Scooter Pietsch - Writer 

Jason Alexander - Director 

Paul Tate dePoo III - Scenic Designer 

Mara Blumenfeld - Costume Designer 

Greg Hofmann - Lighting Designer

Ray Nardelli - Sound Designer

CAST

Enrico Colantoni - Jerry

Teri Hatcher - Lucy

Jack Ball - Shaun

CHICAGO SHAKESPEARE THEATER (CST)

CST is a leading international theater company and the nation's largest year-round theater dedicated to the works of Shakespeare. Under the visionary leadership of Artistic Director Edward Hall and Executive Director Kimberly Motes, the Regional Tony Award recipient is committed to creating vivid, entertaining theatrical experiences that invigorate and engage people of all ages and identities by illuminating the complexity, ambiguity, and wonder of our world. Each year, nearly a quarter of a million people experience CST's artistry through more than 12 productions. With Shakespeare at the heart of the artistic work, CST also produces compelling, contemporary stories from fresh voices of today. CST brings the world to Chicago and sends Chicago out into the world as Chicago's foremost presenter of international theater, and consistent producer of North American and world premieres. Serving more students and teachers than any theater in the city, CST annually welcomes more than 20,000 students to performances and programs like Chicago Shakespeare SLAM, alongside professional development opportunities for teachers. CST activates its campus with three venues: 700-seat The Yard; the 500-seat Jentes Family Courtyard Theater; and the 200-seat Carl and Marilynn Thoma Upstairs Studio. Free programs like Shakes in the City bring performances to parks and community spaces across Chicago's 77 neighborhoods. Shared humanity and unforgettable stories—now THIS is Chicago Shakespeare. www.chicagoshakes.com

Published in Now Playing
Thursday, 26 February 2026 12:18

Spamalot - CIBC Theatre - Through May 31st

Broadway In Chicago is is delighted to announce that tickets for SPAMALOT will go on sale on Friday, February 27. SPAMALOT will play Broadway In Chicago’s CIBC Theatre (18 W. Monroe St.) for a limited two-week engagement, May 19-31.SPAMALOT tour production photos here, rehearsal footage here, and B-roll hereSPAMALOT, which first galloped onto Broadway in 2005 after its 2004 world premiere in Chicago, features a book & lyrics by Eric Idle and music by John Du Prez and Eric Idle. The original Broadway production was nominated for fourteen Tony Awards and won three including Best Musical. Following its critically acclaimed 2023 Broadway revival at the St. James Theatre in NYC, SPAMALOT is now on an all-new North American tour. Under the direction and choreography of Josh Rhodes , the production was praised for its inventive staging, design, and exceptional performances, reaffirming the enduring appeal of Monty Python’s distinctly British wit and comedic brilliance. The Broadway revival now brings its celebrated production to audiences across the country. The tour will travel to more than 30 cities in its first year including Cleveland; Los Angeles; Washington, D.C.; Las Vegas; San Francisco; Seattle; Denver; Atlanta; Dallas; New Orleans; St. Louis; Houston; Ft. Worth; Charlotte; Schenectady; St. Paul, Greenville; Rochester; Milwaukee; Hartford and Costa Mesa. For more information, please visit www.spamalotthemusical.com. 

The cast includes Major Attaway (Aladdin) as King Arthur, Sean Bell (Harmony) as Sir Robin, Chris Collins-Pisano (Forbidden Broadway) as Sir Lancelot, Ellis CDawson III (Hamilton) as Sir Bedevere, Leo Roberts (Les Misérables) as Sir Galahad, Amanda Robles as The Lady of the Lake, Blake Segal (Mary Poppins) as Patsy and Steven Telsey (The Book Of Mormon) as The Historian/Prince Herbert.The cast also includes Lindsay Lee AlhadyDelaney BensonJack BrewerConnor CoughlinL'ogan J'onesGraham KeenClaire KennardBen LanhamNathaniel MahoneMaddie Mossner, Emilie RenierMark Tran Russ and Meridien Terrell.  The creative team includes scenic and projection design by Paul Tate dePoo III, costume design by Jen Caprio, lighting design by Cory Pattak, sound design by Kai Harada & Haley Parcher, wig design by Tom Watson and music supervision by John BellJonathan Gorst is the Musical Director/Conductor. The team also includes Matthew Brooks (Production Stage Manager), Anna K. Rains (Stage Manager) and Dani Berman (Asst. Stage Manager), James Neal (Company Manager) and Kat McIntyre (Asst. Company Manager). Derek Kolluri is the Associate Director, and Michael Fatica is the Associate Choreographer. Casting is by Geoff Josselson, CSA and RCI Theatricals serves as General Manager. SPAMALOT is produced by Jeffrey Finn.
 
Lovingly ripped off from the film classic, Monty Python and the Holy Grail, SPAMALOT has everything that makes a great knight at the theatre: from flying cows to killer rabbits, British royalty to French taunters, dancing girls, rubbery shrubbery, and of course, the Lady of the Lake. SPAMALOT features well-known songs including “Always Look on the Bright Side of Life,” “The Song That Goes Like This,” “Find Your Grail” and more that have become beloved classics in the musical theater canon.   
 

www.spamalotthemusical.com

CONNECT WITH SPAMALOT
spamalotthemusical.com
Instagram: @spamalotbway
X: @SpamalotBway
Facebook: @SpamalotBway
TikTok: @SpamalotBway


PERFORMANCE SCHEDULE
Tuesday, May 19 – 7:00 p.m.
Wednesday, May 20 – 7:00 p.m.
Thursday, May 21 – 7:00 p.m.
Friday, May 22 – 7:00 p.m.
Saturday, May 23 – 2:00 p.m. & 7:30 p.m.
Sunday, May 24 – 1:00 p.m. & 6:30 p.m.Tuesday, May 26 – 7:00 p.m.
Wednesday, May 27 – 1:00 p.m. & 7:00 p.m.
Thursday, May 28 – 7:00 p.m.
Friday, May 29 – 7:00 p.m.
Saturday, May 30 – 2:00 p.m. & 7:30 p.m.
Sunday, May 31 – 1:00 p.m.TICKET INFORMATION (as of February 26, based on availability and subject to change)


Individual tickets for SPAMALOT will go on sale Friday, February 27 and range from $35.00 - $125.00 with a select number of premium tickets available. Ticket price listed is when purchased in person at the box office. Additional fees apply for online purchases. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it.. For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 26 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the  Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, The Auditorium, and just off the Magnificent Mile, the Broadway  Playhouse at Water Tower Place.
 

For more information and tickets, visit www.BroadwayInChicago.com.
Follow @BroadwayInChicago on
Facebook ● Instagram ● TikTok ● Bluesky ● YouTube
#broadwayinchicago

Published in Now Playing

Goodman Theatre announced today that its highly-anticipated presentation of Theater of the Mind, by Academy, Grammy and Tony Award-winning artist David Byrne (Broadway’s Here Lies Love with Fatboy Slim, American Utopia and the renowned group Talking Heads) with writer Mala Gaonkar, will make its Chicago debut March 11 – May 31, 2026 (opening night is March 25, 2026) at the Reid Murdoch Building, 333 N. LaSalle. Tickets ($66-$96, subject to change) will be available for sale starting Friday, November 7 at 10 am, at the Goodman Theatre Box Office (170 N. Dearborn), by calling 312.443.3800 or by purchasing online at TheaterOfTheMindChicago.com. The Goodman is grateful for the support of the Alfred P. Sloan Foundation, Illinois Office of Tourism, Northern Trust, and Friedman Properties.

“The Goodman is thrilled to introduce Theater of the Mind to Chicago audiences and to showcase the singular creativity of David Byrne and Mala Gaonkar,” said Goodman Theatre Walter Artistic Director Susan V. Booth. “Our Centennial Season welcomes audiences to experience all of the ‘feels’ and Theater of the Mind engages all of the senses, making it a perfect addition to our landmark season. We hope for this production to be an ongoing attraction that sparks joy, conversation and community.”

A one-of-a-kind theatrical experience audiences will see, feel, taste, and hear, this intimate and immersive journey of how we perceive and create our worlds is inspired by both historical and current neuroscience research. Under Director Andrew Scoville and Technology Director Heidi Boisvert, PhDTheater of the Mind is a 15,000-square-foot immersive experience taking just sixteen audience members at a time through a 75-minute journey of self-reflection, discovery, and imagination, inspired by and grounded in neuroscience.

"Mala and I have long been fascinated by the science behind these experiences; though reading about the phenomena involved is exciting, it’s quite something else to actually experience it,” said co-creator David Byrne. “It’s a different level of understanding, a different kind of knowledge—visceral, immediate, and profound. The film and theater adage ‘show, don’t tell’ became a guiding principle in discovering a way to include these experiences in an entertaining and engaging show. A show in which the audience makes many of the inferences for themselves, without being told by us what it means. For me, the broader implications that these phenomena have in our lives, our sense of the world, and our sense of self is key.”

“For a few years, David and I partnered with several cognitive neuroscience labs to see how some of the most basic human intuitions determine how humans react," said co-creator Mala Gaonkar. "What we concluded was that the experiments and ideas of the labs we partnered with, several of which we embedded in our narrative, seemed as engaging as any piece of theater. We began referring to this project as a ‘Neuro Funhouse,’ but as we worked on it, we came to realize that it was evolving to be something more than that. It has made us rethink some of our own beliefs and assumptions, to see ourselves and the world in a different way. We hope that it might have a similar effect on our audience—and think of science and theater in a new way."

Led by a Guide whose stories are inspired from the creators' lives, audiences will explore how they perceive the world through sensory experiments that reveal the inner mysteries of the brain. Casting for the multiple roles of the Guide will be announced after the new year.

Caution: the brain may wander! Side effects may include a distrust of your own senses, a disorientation of self, and a mild to severely good time. You may not be who you think you are. But we're all in it together.

Theater of the Mind had its World Premiere on August 31, 2022, at the Denver Center for the Performing Arts.

PERFORMANCE SCHEDULE

Starting March 11, Theater of the Mind will be staged Tuesday evenings starting at 6 pm; Wednesday afternoons starting at 2 pm and evenings starting at 6 pm; Thursday evenings starting at 6 pm; Friday evenings starting at 5 pm; Saturday afternoons starting at noon and evenings at 6 pm; and Sunday afternoons starting at 12:30 pm. Performances begin every 15 minutes, and each includes 16 audience members. A complete schedule can be found at theaterofthemindchicago.com.

ABOUT THE CREATORS

David Byrne (Co-Creator) is a musician, performer, writer, and multidisciplinary artist whose creative ventures have captivated audiences since 1975, when he co-founded the renowned group Talking Heads. In addition to Theater of the Mind, recent works include Here Lies Love, a musical with music by Byrne and Fatboy Slim (2023), SOCIAL! at The Park Avenue Armory, the Broadway production of Byrne’s American Utopia (2019) as well as the Spike Lee-directed film version (2020), the launch of his Reasons to be Cheerful online magazine (2019), and the solo album American Utopia (2018). To date, Byrne has published five books including How Music Works (2012).

Mala Gaonkar (Co-Creator) has more than 20 years of experience investing behind technology trends. She was a founding partner of the investment management firm Lone Pine Capital in 1998. In 2022, Gaonkar launched her own firm, SurgoCap Partners, focused on the disruptive effects of technology within broad industry categories. Gaonkar’s focus is on multi-disciplinary thinking, including using the tools of data science, artificial intelligence, and behavioral science to solve problems.  She has embraced this approach both through her investing career as well as through Surgo Ventures, a foundation that she co-founded in 2015. Gaonkar is a graduate of Harvard University and Harvard Business School.

ABOUT THE DIRECTORS

Andrew Scoville (Director), a native of west suburban Elmhurst, is a New York-based theater director specializing in immersive layouts, technological landscapes, and hybrid-genre theater-making with an emphasis on integrating science ideas into theatrical experiences. Credits include The Brobot Johnson Experience (Bushwick Starr, The New York Times Critics' Pick), Escape the Planet (NY Hall of Science commission with astronomer Moiya McTier),  People Doing Math podcast and, as Associate director: Here Lies Love (dir. Alex Timbers, Public Theater, National Theater UK, Seattle Rep), Sweeney Todd (dir Bill Buckhurst, Barrow Street Theater), Bloody Bloody Andrew Jackson (dir Alex Timbers, Broadway).

Heidi Boisvert, PhD (Technology Director) is an interdisciplinary artist, experience designer, creative technologist, and researcher investigating the neurobiological and socio-cultural impacts of media and technology. Her work focuses on how the body, senses, and emotions influence perception and social change. She is currently mapping the world’s first media genome with careful attention to its ethical implications. She founded future Perfect lab, a creative agency and think tank that works with social justice organizations to design playful emerging media campaigns to transform the public imagination. She also co-founded XTH, a company developing novel forms of expression through biotechnology and the human body.

ABOUT GOODMAN THEATRE

As previously announced, Theater of the Mind makes its Midwest debut during The Goodman’s Centennial 25/26 Season. Since 1925, The Goodman has been a theatrical home for artists and a gathering space for community. It’s where stories come to life—bold in artistry and rich in history, deeply rooted in the city it serves. Led by Walter Artistic Director Susan V. Booth and Executive Director John Collins, The Goodman sparks conversation, connection, and change through new plays, reimagined classics, and large-scale musicals. With distinctions including world and American premieres, Pulitzer Prizes, Tony Awards, and Joseph Jefferson Awards, The Goodman is proud to be the first theater to produce all 10 plays of August Wilson’s “American Century Cycle.” But The Goodman believes a more empathetic, more connected Chicago is created one story at a time and counts as its greatest legacy the community it’s built. The Goodman was founded by William O. Goodman and his family to honor the memory of Kenneth Sawyer Goodman—a visionary playwright whose bold ideas helped shape Chicago’s early cultural renaissance. That spirit of creativity and generosity endures today.

Published in Now Playing
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Timeline Theatre unveils their chic, new Uptown home with its inaugural production–Henrik Ibsen’s ever-relevant “An Enemy of the People”. A…

Chicago Shakespeare Theater announces 40th Anniversary Season

15 May 2026 in Theatre Buzz

Chicago Shakespeare Theater (CST) Artistic Director Edward Hall and Executive Director Kimberly Motes announce today the company's 40th Anniversary Season. America's leading Shakespeare Theater curates…

Chicago Dance Crash presents expo/sd — a genre-bending, world-premiere repertory performance!

15 May 2026 in Upcoming Dance

On July 24th and 25th at 7:00 pm, Chicago Dance Crash will present expo/sd, a world premiere concert at the Ruth…

Steppenwolf Presents LAURA BENANTI: NOBODY CARES - August 6 – 9, 2026

14 May 2026 in Upcoming Theatre

Direct from an acclaimed run at Edinburgh Fringe and two sold-out Off-Broadway engagements, Steppenwolf Theatre is pleased to present Laura Benanti: Nobody Cares, a…

BrightSide Theatre announces 2026-27 season - THE ADDAMS FAMILY, THE SECRET GARDEN: IN CONCERT, KEN LUDWIG'S BASKERVILLE: A SHERLOCK HOLMES MYSTERY, and AVENUE Q

13 May 2026 in Upcoming Theatre

BrightSide Theatre has announced its 15th season of presenting professional theatre in Naperville. Its 2026-27 mainstage slate of four productions will…

Chicago City Opera presents Strauss Masterpiece Der Rosenkavalier

13 May 2026 in Upcoming Theatre

Chicago City Opera (CCO) presents one of late-Romantic composer Richard Strauss' most beloved works, Der Rosenkavalier. Composed by Strauss to…

The Magic Parlour Extends Through December 31! Plus Special Guest Eric Jones Joins This Summer

13 May 2026 in Now Playing

A special guest star, a new block of tickets, and more magic comes to The Magic Parlour this summer. Acclaimed third-generation Magician Dennis…

OAK PARK FESTIVAL THEATRE ANNOUNCES 51ST SEASON "HAMLET" AND "THE IMPORTANCE OF BEING EARNEST"

12 May 2026 in Upcoming Theatre

The Oak Park Festival Theatre, Oak Park's premiere Equity theatre and the oldest professional classical theatre in the Midwest, today announced…

METROPOLIS PERFORMING ARTS CENTRE ANNOUNCES ITS UPCOMING 2026-27 SEASON INCLUDING RIDE THE CYCLONE, THE CHRISTMAS SCHOONER, DISNEY'S THE LITTLE MERMAID, THE MATCH GAME AND RODGERS AND HAMMERSTEIN'S OKLAHOMA!

12 May 2026 in Upcoming Theatre

Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights at 111 W. Campbell St., is proud to announce its…

Everybody Got a Secret: York Walker’s Covenant Haunts The Goodman

12 May 2026 in Theatre in Review

The Goodman Theatre’s Covenant announces York Walker as a playwright ascending rapidly into the highest tier of American theater. This…

The Real Crime Would Be To Miss This: Crime and Punishment at TUTA Theatre

11 May 2026 in Theatre in Review

Real Chicagoans don’t gatekeep hidden gems. Whether it’s hidden bars behind laundromats, the best Billy Goat location (under Mag Mile),…

 

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Latest Articles

  • Spaceman: Into the Quiet Terror of the Void
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    Spaceman, presented by [producingbody], touches down at The Edge Off-Broadway with a quiet, unnerving force, pulling audiences into the fragile headspace of an astronaut drifting far from home and even farther from certainty. Under Eric Slater’s beautifully calibrated direction, playwright…
  • Inside a Real ‘Fire House’ You Are Immersed in Phantasmic Lives of Firefighters
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    Set in Chicago’s oldest fire station (now Firehouse Art Studio) the immersive play "Fire House” is only loosely tethered to a realistic portrayal of what fire fighters do. What it conveys is an impressionistic vision of the experience that fire…
  • Spamalot Is Every Monty Python Fan’s Dream Come to Life
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    Spamalot rides into the Windy City courtesy of Broadway In Chicago, inviting theatergoers to join King Arthur’s quest now through May 31 at the CIBC Theatre. Fans of Monty Python and the Holy Grail - the 1975 cult classic -…
  • Raven Theatre announces the 2026-27 season
    Raven Theatre, under the director of Executive Artistic Director Jonathan Berry, announces its 44th season, to include Michael R. Jackson's Pulitzer Prize-winning musical A Strange Loop, directed by Mikael Burke in a co-production with About Face Theatre; Tennessee Williams' The Glass Menagerie, directed by Raven Executive Artistic Director Jonathan…

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