Displaying items by tag: Symphony Center

It’s hard to believe that is was just fifty years ago, the United States of America successfully sent astronauts to the moon – a first in world history. Something that we now take for granted, we sometimes forget the incredible journey it took to get there. We sometimes forget about the trek in space itself and the bravery in each astronaut, but also the teams of engineers, the trials and errors and the importance that America be the first to put a man on the moon. To celebrate this amazing accomplishment, the Melbourne Symphony Orchestra (MSO) performed “The Greatest Hits of the Galaxy” at Symphony Hall. It was the first of, hopefully, many more performances in Chicago by this gifted orchestra.

Fiercely conducted by Benjamin Northey, the orchestra beautifully played several of our favorite space movie classics including a handful of John Williams’ Star Wars scores, the unforgettable theme from E.T. and even the opening song for Lost in Space. While the orchestra’s flawless music circulated throughout the venue, projections were displayed on the theater’s walls and ceiling that would, with the slightest bit of imagination, take us on a space journey of our own. At the same time, video was displayed on a large screen above the orchestra that would also match the music being played sometimes showing imagery of zooming through the universe, sometimes displaying video of the actual space travel of the historic plight to the moon and, towards the end, a tribute to all the teams that have participated in space travel.

Hosting this spectacular event was George Takei, best known for Hikaru Sulu, helmsman of the USS Enterprise in Star Trek. Takei came out to introduce each number, joke with the audience and relive some of his own fascinating stories. He also introduced special guests that included jazz legend (from Chicago) Kurt Elling, superstar trumpeter James Morrison and astronaut Charlie Duke. Elling, who has performed with MSO in Australia, wowed the crowd with his rendition “Come Fly with Me” before ending the evening with James Morrison and MSO with a touching version of “What a Wonderful World” that would have made Louis Armstrong very proud. (Elling will be performing at Symphony Center May 1s 2020).

The night was full of highlights. Each number was a highlight as was each appearance by George Takei, James Morrison and Kurt Elling. But perhaps the biggest moment was when Charlie Duke took the stage and the crowd took to their feet with a long, heartfelt ovation. Duke, the youngest astronaut to have walked on the moon, piloted the Apollo 16 in 1972 and has spent 265 hours in space. The banter between Takei and Duke was priceless and they talked about the influence that Star Trek had on future space travelers and, of course, what is was like to actually walk on the moon and other interesting tidbits of his 11-day space journey. “I didn’t want to come back,” Duke laughed. Duke also stated that he believes we are on the cusp of space tourism. “Well, I hope they hurry,” joked Takei. “I want to go there for real.”

After watching the painstaking details of getting a man to the moon and the time and dangers involved, Takei humored, "Wow. It seems like so much work. All we had to do was beam up and beam down."

“The Galaxy’s Greatest Hits” was truly an out-of-the-world experience and a one-of-a-kind production that will be etched in the memory of each attendee.

I am sitting here, at nearly midnight, trying to figure out how to describe the relationship between space and the symphony. I remember jokingly putting on my Instagram how the two made the perfect combination. Alas, here I am struggling with how to put the beauty of space combined with the symphony into words. Maestro Paul Freeman was a man who was able to see the connection between science and the arts. Even though maestro Freeman is no longer with us he has still left an impact on everything, as well as everyone, that he was apart of. 

In July of 2015 Maestro Freeman passed away leaving a lasting legacy with the Sinfonietta for years to come. This whole 2015-2016 season was dedicated to his memory as “Paul Freeman: Season of Celebration.” With this being their final performance of the season the Sinfonietta not only decided to honor Maestro Freeman, but to combine to subjects that not many would have thought of. This is where the Sinfonietta brought in Jose Fransisco Salgado to help blend science with the arts, a way to add a visual representation to the music that the audience is hearing. 

Jose Fransisco Salgado carries a PhD in Astronomy from the University of Michigan and is the executive director and co-founder of KV265, a foundation that prides itself on communicating science through art. This is where the Sinfonietta comes in. For ten years the Sinfonietta has been working with Dr. Salgado, which all started when he was at Adler Planetarium and debuted what became an award winning suite of seven short films set to Gustav Holst’s The Planets. This relationship between Dr. Salgado and the Sinfonietta has blossomed into the performance that was given on Monday night where Dr. Salgado presented new footage, as well as scientific visualizations, to the works by Holst, Estacio, and Mussorgsky. 

The performance of Chicago Sinfonietta's Cosmic Convergence at Symphony Center opened with Jupiter, the Bringer of Jollity set to The Planets by Gustav Holst. This work focused on the high resolution photos of Jupiter’s moons IO and Europa. From there the audience was given to see the majesty of the aurora borealis, which Dr. Salgado filmed over a span of days in the Canadian Rockies, set to the work of John Estacio aptly called Borealis. The audience was then treated to something that only few on planet could actually attest to seeing for themselves, a view of earth from the International Space Station. High resolution photos taken from the ISS span the entire globe in a matter of minutes. The audience is treated to majestic views that only a few are lucky enough to truly experience. This all culminated in what was simply coined as Mars, the Bringer of War. The audience is treated to amazing photos of the desolate landscape that is the Martian surface as well as the occasional dirt devil (dust tornado for the lay person). The photos and videos go hand and hand with the musical arrangements that Dr. Salgado selected to show both the raw emotion and beauty that space has. That was all before intermission.

The second half of the program took a bit of a turn as it was no longer really dealing with science, or space for that matter, but more on the focus and celebration of Maestro Freeman where members of the Sinfonietta spoke to the audience about their interactions with the Maestro and how he affected their lives. The work that stood out the most was the piece entitled: Global Warming by Michael Abels. The peace offers a more hopeful outlook on life itself and the thaw in international relations after the Cold War had ended. Hope is the driving force between everyone on this planet. Hope is what helped Maestro Freeman create the most diverse symphony in the country. Hope is what leads people to victory, which is the theme of final movement Victory Road also composed by Mr. Abels. Victory Road is the culmination of Maestro Freeman’s life as well as career. 

The performance on a positive note because at the end of the day it is about celebrating the lives that have the most impact on us. This show was more than the blending of the world of science and art, but it was the celebration of a man who had the foresight to see that the two subjects go hand and hand. A celebration that was handled so masterfully that people received an education, as well as an appreciation, for the world and space as a whole. A celebration of a man who has impacted all those around him to the point where not a single person has a disparaging comment to make about him. The Sinfonietta will continue to do what it does best, bringing two subjects together to help blend education with the arts.