Displaying items by tag: Surf’s Up

Tuesday, 07 July 2015 00:00

Brian Wilson Brings History to Ravina

It’s always nice to watch a legend perform, especially when that legend is considered a revolutionary force in the music industry as we now know it. This was the case last evening when Brian Wilson, co-founder of the surf rock band, The Beach Boys, took the stage at Ravinia. Complimented by original Beach Boys’ member Al Jardine and a large band that included more recent writing partner Scott Bennett on keyboards and even Blondie Chaplin on a handful of songs, Wilson’s sound was full and the peachy keen harmonies ever so familiar done to perfection.

Planted behind a large white grand piano, Wilson and friends immediately kicked it into high gear with “Heroes and Villains”. Though Wilson has long since abandoned the high voice synonymous with The Beach Boys sound, he was still able to carry a tune and did get a lot of help from band members when it came to harmonies and surrendered a handful of leads throughout the evening.

SAM 0382 One brilliant piece of music history was performed after another. “California Girls”, “Little Deuce Coupe”, “I Get Around”, “In My Room” – so simplistic, yet so genius. In all, over thirty songs were played, mostly Beach Boys’ songs but also a couple Wilson had comprised for his own solo career, including “One Kind of Love”. Wilson also admirably handled leads on a few songs done by former Beach Boys Carl Wilson and Mike Love.

Interestingly enough, just before playing “Surf’s Up”, a classic ballad about guess what – surfing, Wilson stated to the crowd that the song was his least favorite to play live, leaving us fans thinking, “Well, why are you playing the song then? You have a million to choose from.” Kind of a weird moment, but what would a Brian Wilson show be without one. Nonetheless, each song was played inspired and with vigor and that’s all you can really ask for when someone has been performing the same songs for nearly fifty years.

The set continued with greats like “Darlin’” (dedicated to the late Carl Wilson), “Sloop John B”, “Don’t Worry Baby” and a beautiful version of “God Only Knows”. “Since you loved that song so much, we’re going to give you some “Good Vibrations”, Wilson declared as they went into the song.

After a brief departure from the stage, the band returned to knock out five hits without pause – “All Summer Long”, Help Me, Rhonda”, “Barbara Ann”, Surfin’ U.S.A.” and “Fun, Fun, Fun”. The energy on stage was at its highest during the multitude of encore numbers, as Wilson raised his hands to simulate surfing and band members ran back and forth from one end to the other. It was certainly a high note to end the show with when Wilson opted to rather end the night with the much lower-keyed “Love and Mercy” in promotion of the latest film on Brian Wilson – Love and Mercy.

All in all, Brian Wilson and band played an enthusiastic set, each song as polished and youthful as ever. What is better than sitting back on a balmy summer night and listening to Beach Boys classics sung by Brian Wilson himself?

Even the opening act was inspiring as the night began with Rodriguez, the musician featured in the documentary Searching for Sugar Man. Rodriguez is an amazing musician who became huge in other parts of the country, particularly South Africa, and never even knew he had achieved any fame at all. In fact, most presumed he was dead. Rodriguez, aided by just his trusty guitar, warmed the crowd nicely, tapping into “Sugar Man”, “I Just Want to Make Love to You” and a peppy cover of “Fever”. With little words Rodriguez preached against violence towards women and reminded us that hate is too much of a powerful emotion to be wasted on those we do not like.

For upcoming events at Ravinia, visit www.Ravinia.org.

Published in In Concert

Spaceman: Into the Quiet Terror of the Void

22 May 2026 in Theatre in Review

Spaceman, presented by [producingbody], touches down at The Edge Off-Broadway with a quiet, unnerving force, pulling audiences into the fragile…

Inside a Real ‘Fire House’ You Are Immersed in Phantasmic Lives of Firefighters

22 May 2026 in Theatre in Review

Set in Chicago’s oldest fire station (now Firehouse Art Studio) the immersive play "Fire House” is only loosely tethered to…

Spamalot Is Every Monty Python Fan’s Dream Come to Life

21 May 2026 in Theatre in Review

Spamalot rides into the Windy City courtesy of Broadway In Chicago, inviting theatergoers to join King Arthur’s quest now through…