Displaying items by tag: Rick Elice

Thursday, 16 April 2026 15:23

WATER FOR ELEPHANTS, A New Musical arrives in Chicago for a limited engagement at the James M. Nederlander Theatre June 23–July 5, 2026

Broadway In Chicago is pleased to announce that individual tickets for the North American Tour of WATER FOR ELEPHANTS , A New Musical will go on sale Friday, April 17. The hit Broadway musical will make its Chicago premiere at the James M. Nederlander Theatre (24 W. Randolph St.) for a limited engagement June 23—July 5, 2026. Individual tickets range from $30.00 to $130.00, with a limited number of premium seats available. See below for additional ticket information and the performance schedule.

The tour will be led by Chicagoland native, born and raised in Lake Zurich, Zachary Keller (Jacob), Helen Krushinski (Marlena), Robert Tully (Mr. Jankowski), Connor Sullivan (August), Javier Garcia (Camel), Ruby Gibbs (Barbara), Chris Marth (Wade), and Tyler West (Walter).

Additional ensemble includes Fran Alvarez Jara, Yves Artieres, Chris Carsten, Adam Fullick, Meghane Poulet, Ella Huestis, Sam Kellar-Long, ZaKeyia Lacey, Andrew Meier, Marina Mendoza, John Neurohr, Bradley Parrish, Carl Robinett, Summer Severin, Serafina Walker, and Yemie Woo.

After losing what matters most, a young man jumps a moving train unsure of where the road will take him and finds a new home with the remarkable crew of a traveling circus, and a life—and love—beyond his wildest dreams. Seen through the eyes of his older self, his adventure becomes a poignant reminder that if you choose the ride, life can begin again at any age.

ABOUT WATER FOR ELEPHANTS
WATER FOR ELEPHANTS is based on the critically acclaimed and New York Times Bestselling novel by Sara Gruen. The Broadway musical has a book by four-time Tony Award® nominee Rick Elice (Jersey Boys, Peter and the Starcatcher), a soaring score by the acclaimed PigPen Theatre Co. (The Tale of Despereaux), with tour direction by Ryan Emmons, recreating the original direction by Tony Award nominee Jessica Stone (Kimberly Akimbo).

WATER FOR ELEPHANTS features circus design by Tony Award nominee Shana Carroll (The 7 Fingers), choreography by Tony Award nominees Jesse Robb (Miss Saigon) and Shana Carroll, scenic design by Drama Desk Award winner Takeshi Kata (Clyde’s), costume design by David I. Reynoso (Sleep No More), lighting design by two-time Tony Award winner Bradley King (Hadestown), sound design by Tony Award nominee Walter Trarbach (Spongebob Squarepants), projections by two-time Tony Award nominee David Bengali (Good Night, and Good Luck), hair & makeup design by Luc Verschueren/Campbell Young Associates (A Beautiful Noise), puppet design by Ray Wetmore & JR Goodman, Camille Labarre (Into the Woods), puppet direction by Joshua Holden, music supervision and arrangements by Drama Desk Award winner Mary-Mitchell Campbell (Some Like It Hot) and Benedict Braxton-Smith (Kristin Chenoweth: For the Girls), orchestrations by Tony Award winner Daryl Waters (New York, New York), Benedict Braxton-Smith and August Eriksmoen, fight direction by Cha Ramos ( Jagged Little Pill), associate circus designer by Antoine Boissereau, associate choreography by Paige Parkhill, and casting by The TRC Company, Claire Burke, CSA & Frankie Ramirez, CSA.

The WATER FOR ELEPHANTS tour stage management team is led by production stage manager Kathleen Carragee and is supported by Stage Manager Maris Keller and Circus Stage Manager Stan Barile. The company management team is led by company manager Heather Moss with associate company manager Taylor Parris. The tour music director/conductor is Sarah Wilhelm Pool. Mimi Intagliata serves as the Executive Producer for the production.

WATER FOR ELEPHANTS won Drama Desk Awards for Outstanding Direction of a Musical (Jessica Stone), Outstanding Sound Design of a Musical (Walter Trarbach), Outstanding Fight Choreography (Cha Ramos) and Outstanding Puppetry (Ray Wetmore, JR Goodman, & Camille Labarre), the Outer Critics Circle Award for Outstanding Director of a Musical (Jessica Stone), and the Chita Rivera Award for Outstanding Choreography (Jesse Robb & Shana Carroll).

GHOSTLIGHT RECORDS released the WATER FOR ELEPHANTS: Original Broadway Cast Recording, which preserves the show’s soaring score by the acclaimed PigPen Theatre Co., which is available on CD and all streaming and digital formats. The CD’s full-color booklet features production photography, complete lyrics, synopsis, and liner notes by book writer Rick Elice. The album is produced by Mary-Mitchell Campbell and Ian Kagey.

Broadway Licensing Global has secured worldwide licensing rights to the critically acclaimed Broadway musical WATER FOR ELEPHANTS. The flagship musical publisher for the world’s fastest growing theatrical licensing company, Broadway Licensing Global, includes Dramatists Play Service and Playscripts.

WATER FOR ELEPHANTS had its world premiere in Atlanta on The Coca-Cola Stage at Alliance Theatre, running from June 7, 2023, through July 9, 2023. The critically acclaimed production had The Atlanta Journal-Constitution raving, “WATER FOR ELEPHANTS is a triumph! Truly dazzles.” WATER FOR ELEPHANTS premiered on Broadway at the Imperial Theatre , running from March 20, 2024, through December 8, 2024. The production was a New York Times Critic’s Pick, with chief NYT theater critic Jesse Green describing the show as “Huge”, “Heart-filling”, and “Emotionally vivid.”

For more information please visit: www.waterforelephantsthemusical.com

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#W4EMusical #ChooseTheRide #WaterForElephantsMusical

TICKET INFORMATION (as of 4/17/26, based on availability and subject to change)
Individual ticket prices range from $39.00—$130.00 and may be purchased at www.BroadwayInChicago.com or any Broadway In Chicago box office beginning Friday, April 17. A select number of premium seats are available. Additional fees apply for online purchases. Tickets for groups of 10 or more are available now by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it. . Subscribers may add tickets to their subscription by clicking here or by calling (312) 977-1717. For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 26 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium.

For more information, visit www.BroadwayInChicago.com.
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Published in Upcoming Theatre

Paramount Theatre’s PETER AND THE STARCATCHER is Filled with Magic and Wonder

Kevin Kantor plays Lord Leonard Aster and Shelbi Voss plays his daughter, Molly Aster, in Peter and the Starcatcher, the wildly fun, all-ages prequel to J.M. Barrie's classic “Peter Pan,” packed with clever wordplay, magical stagecraft and swashbuckling escapades.

It’s dark on the Neverland ship, and Molly, Prentis, Ted, and Boy are hiding in a corner – waiting for the coast to clear. As they huddle and watch, the four begin talking about dreams. All have experienced their fair share of hardships, but for the briefest moment, they look to a world of what could be.

Boy has been fairly quiet to this point – only following Molly with the promise of better food. However, at this discussion, he perks up, and whispers his dream aloud:

“The world will be so beautiful that no one will ever have to say sorry again.”

Many of us know the story of Peter Pan. The story of a boy who never wanted to grow up. All he wants is to fly around Neverland with the Lost Boys – fighting Pirates and finding adventure after adventure. The heart of the story is full of magic, and all the wonderful possibilities that come with a youthful energy and imagination.

Being a prequel to the famous tale (and based on the novel by Dave Barry and Ridley Pearson), Peter and the Starcatcher carries much of the same wonder. As Boy whispers his dream to the audience, you might find yourself reminded of that original story. Perhaps if you, like myself, grew up a fan of Peter Pan, you will even find yourself smiling and leaning in upon hearing the sweet innocence of the fantasy. Even in a moment where everything feels dark and uncertain, Boy, dares to dream – exploring a childlike wonder that so many eventually lose, but to which can be so fun to return.

Peter and the Starcatcher follows Boy (or later named Peter – played by Terry Bell), who is held captive on the Neverland ship with two fellow orphans - Prentis (Michaela Shaprio) and Ted (Brandon Acosta). When they meet Stardust Apprentice Molly (Shelbi Voss), their whole world is turned upside down. A quest for better food turns into an unexpected adventure when Pirates come on board – attempting to steal back a trunk full of precious stardust, which Molly and her father are sworn to protect. Drawn to Molly’s heroism, Boy takes it upon himself to protect this stardust at all costs – even if it means going toe to toe with Pirates and a terrifying ocean.

Directed by Nate Cohen, Paramount Theatre’s intimate production is intensely theatrical. Rick Elice’s play carries a storybook charm, with various forms of narration throughout and actors playing multiple roles depending on the needs of the moment. Sometimes actors step out of the action to narrate the next event, while other characters have moments of speaking in third person. Cohen and his team lean into the storybook feel – particularly in the collaboration between Scenic Designer Myra G Reavis and Props Designer Ivy Treccani. The set is minimalistic, and primarily comprised of various objects one might find in a theater. Ladders, stools, sheets, and chairs are utilized in multiple ways to represent various locations – all moved by the actors themselves. The effect? The audience is witnessing the story unfold and reconfigure in front of them with each scene, creating the feel of being inside the storybook alongside the characters. We are invited to use our imagination alongside the performers to fill in the dots, and with the intimate feel of Paramount’s Copley Theatre space, you might find that this adds to the experience.

As many of us know, Peter Pan is full of magic, and Peter and the Starcatcher is much the same. Lighting Designer Jackie Fox utilizes gold fairy lights to create the illusion of stardust – creating stunning stage pictures throughout the production.

One such moment occurs towards the end of the first act. Boy asks Molly for proof of what stardust can do. If he is going to risk his life to save it, then he may as well know why. Begrudgingly, Molly takes out her stardust, and whispers the following:

“To have faith is to have wings.”

From there, the surrounding lights dim and the specks of gold brighten. Molly is lifted above by actors, and as we see her spread her arms, Boy looks up in pure awe. Voss and Bell play the moment wonderfully – particularly as Voss’ Molly enjoys the feel of proving Bell wrong when he doubts her abilities. Most impressive though, at least personally, is the way in which Cohen stages the magic. As we see Molly lifted above by her ensemble, we too are invited to use our imagination - to have faith. From there, Cohen once again invites the audience to return to their own childhoods and enjoy the magic of storytelling and believing in the impossible.

Full of stunning performances and remarkable stage magic, Peter and the Starcatcher will leave you on the edge of your seat – eager for what’s next and wishing there was more beyond the final lights down.

Peter and the Starcatcher runs at Paramount Theatre’s Copley Theatre – 8 E Galena Blvd in Aurora through September 1, 2024. See the Paramount Theatre Website for tickets and information.

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