Displaying items by tag: OCTET

There’s a rare kind of theatrical experience that transcends personal taste. Even if a genre is not typically your first choice, the sheer level of artistry on display is impossible to deny. That is exactly what director Keira Fromm’s production of Octet accomplishes: a vocally astonishing, emotionally resonant, and meticulously staged production that leaves you in complete awe of the performers.

Centered around a support group for people struggling with various forms of internet and technology addiction, Dave Malloy’s 2019 chamber choir musical somehow feels even more relevant now. Octet explores the strange, funny, isolating, and deeply human ways people use the internet to cope, connect, and self-destruct. Each member of the eight-person ensemble embodies a different facet of online dependency, from social media obsession to gaming to pornography to niche internet rabbit holes.

While the characters are intentionally heightened at times, what makes the show so effective – and a little scary – is how recognizable they still feel. The humor comes easily, but it is the moments of uncomfortable self-recognition you experience with each and every character that linger long after the show ends.

The production is, above all else, a staggering vocal achievement – made even more impressive by this marking Raven Theatre’s first musical production. Performed almost entirely through a cappella and chamber-style music, Octet demands an unbelievable level of precision, memorization, and endurance from its cast. The eight performers remain onstage for the full show, seamlessly moving between emotionally vulnerable monologues, intricate harmonies, comedic ensemble numbers, and soaring solo ballads without ever losing momentum. The result is one of the most impressive live vocal performances I have seen in quite some time.

What makes the cast especially remarkable is not just the technical perfection of the singing – though there genuinely was not a single noticeable missed cue, stumble, or musical lapse throughout the performance – but the way every performer remains completely locked into their character while executing extraordinarily difficult material. The ensemble operates like a perfectly synchronized machine, yet never sacrifices emotional authenticity for precision.

Two particular standouts were Teressa LaGamba (Paula), whose warmth and compassion radiated through every interaction and whose vocals carried extraordinary emotional clarity, and Sam Shankman (Henry), whose flamboyant humor and painfully relatable awkwardness made him both hilarious and unexpectedly touching. Shankman’s chemistry with the rest of the ensemble elevated nearly every scene he was part of, reinforcing the deeply interconnected energy that makes the show work so well.

Technically, Octet is relatively minimalist, but Raven Theatre’s production proves how impactful thoughtful simplicity can be. Utilizing the backstage area of the company’s black box theatre to create the atmosphere of a sparse church basement, scenic designers Milo Bue and Wynn Lee embrace an intentionally unpolished environment that perfectly suits the material. Every design choice feels purposeful.

The true technical standout, however, is Maximo Grano De Oro’s lighting design (with Ruby Lowe and Emmitt Socey as Master Electricians). Great lighting often goes unnoticed because of how seamlessly it integrates into a production, but the work here is impossible not to appreciate once you begin paying attention. Countless meticulously timed lighting cues transform otherwise ordinary fluorescent fixtures into an incredibly dynamic storytelling device, adding depth, tension, warmth, and unease in ways that subtly shape every moment of the show. The precision of the programming and cue choreography demonstrates an extraordinary level of care and intentionality, elevating the entire production without ever distracting from it.

With a newly announced film adaptation directed by Lin-Manuel Miranda and featuring an all-star cast already generating major excitement, Raven Theatre could not have picked a better time to stage Octet. Their production captures everything that makes the musical so singular: its humor, its humanity, its discomfort, and its breathtaking musicality. It is a deeply modern show presented with extraordinary care, and it sets an incredibly high bar for any future stagings.

Octet is running at Raven Theatre through June 7th. Tickets are available at https://www.raventheatre.com/stage/octet/.

This review is proudly shared with our friends at www.TheatreInChicago.com. 

Chicago's Raven Theatre Company today announced the cast and production team for Dave Malloy's OCTET, directed by Keira Fromm and running April 30 - June 7, 2026 (previews April 30 - May 3). Tickets ($30 - $45) on sale at www.raventheatre.com. 

In an anonymous meeting room, a group of people —always eight—gather to sing. Best known for the Broadway hit NATASHA, PIERRE, & THE GREAT COMET OF 1812, Dave Malloy's  OCTET uses chamber-inspired a cappella music to explore the total impact of life online. Hailed by the New York Times as "the most original and topical musical of the year" for its 2019 Off-Broadway premiere, this inventive and acutely relevant piece reflects the perils of the digital age.

"OCTET is the perfect first musical for Raven," says Executive Artistic Director Sarah Slight. "It tackles the urgent topic of technology addiction in a way that feels right at home on our stage. With an entirely a capella score, OCTET offers something our audience has never experienced here before. It is an extraordinary show to bring to Chicago."

The cast features Joryhebel Ginorio (Velma), Neala Barron (Jessica), Grace Steckler (Karly), Teressa LaGamba (Paula), Elliot Esquivel (Toby), Jordan Golding (Marvin), Sam Shankman (Henry), and Jonah D. Winston (Ed). Understudies are Dani Pike (u/s Jessica), Collin Quinn Rice (u/s Henry), Diana Marilyn Alvarez (u/s Paula), Caitlyn Cerza (u/s Karly), Danny Bennett (u/s Ed), Jonah Cochin (u/s Toby), Joe Giovannetti (u/s Marvin), and Mizha Lee Overn (u/s Velma).

The production team, led by director Keira Fromm, includes JC Widman (Stage Manager),  Nick Sula (Music Director), Laura Savage (Choreographer), Milo Bue (Scenic Designer), Paloma Locsin (Props Coordinator), Maegan Pate (Costume Designer), Maximo Grano de Oro (Lighting Designer), Christopher Kriz (Sound Designer), Ruby Lowe (Master Electrician), Lucy Whipp (Production Manager), Mads Wren (Assistant Director), Faith Locke (Assistant Stage Manager), Hannah Kwak (Assistant Sound Designer), Emmitt Socey (Assistant Master Electrician), Wynn Lee (Associate Scenic Designer), and Catherine Miller (Dramaturg, Casting Director).

Raven Theatre's OCTET runs April 30 - June 7, 2026, with previews April 30 - May 3. Performances are held Thursdays, Fridays, and Saturdays at 7:30 p.m., and Sundays at 3 p.m. on the Johnson Stage at Raven Theatre, 6157 N. Clark St. Tickets are $45, with discounts available for students, military, and industry ($30 previews); to purchase tickets and for more information about Raven Theatre's 43rd season, visit www.raventheatre.com. 

OCTET

Written By: Dave Malloy

Directed By: Keira Fromm

Cast: Joryhebel Ginorio (Velma), Neala Barron (Jessica), Grace Steckler (Karly), Teressa LaGamba (Paula), Elliot Esquivel (Toby), Jordan Golding (Marvin), Sam Shankman (Henry), and Jonah D. Winston (Ed). Understudies are Dani Pike (u/s Jessica), Collin Quinn Rice (u/s Henry), Diana Marilyn Alvarez (u/s Paula), Caitlyn Cerza (u/s Karly), Danny Bennett (u/s Ed), Jonah Cochin (u/s Toby), Joe Giovannetti (u/s Marvin), and Mizha Lee Overn (u/s Velma).

Production Team: JC Widman (Stage Manager),  Nick Sula (Music Director), Laura Savage (Choreographer), Milo Bue (Scenic Designer), Paloma Locsin (Props Coordinator), Maegan Pate (Costume Designer), Maximo Grano de Oro (Lighting Designer), Christopher Kriz (Sound Designer), Ruby Lowe (Master Electrician), Lucy Whipp (Production Manager), Mads Wren (Assistant Director), Faith Locke (Assistant Stage Manager), Hannah Kwak (Assistant Sound Designer), Emmitt Socey (Assistant Master Electrician), Wynn Lee (Associate Scenic Designer), and Catherine Miller (Dramaturg, Casting Director).

Dates: April 30 - June 7, 2026 (Previews TBD)

Schedule: Thursdays, Fridays, and Saturdays at 7:30 p.m.; Sundays at 3 p.m.

Location: Raven Theatre (6157 N. Clark St.)

Tickets: General Admission: $45; Student, Military, and Industry tickets $20. Previews $30.

Box Office: www.raventheatre.com