Displaying items by tag: Naperville

You don’t know what you’ve got until it’s gone and married someone else – that’s how Noel Coward’s Private Lives sees it. For those unfamiliar with Coward, his scripts have bite and humor that were ahead of its time when they first hit the stage in the 1930s. Today, the edge may not be as sharp or controversial, but the dialogue and situational comedy still lend itself to a riotous evening.

BrightSide Theatre presents this playful comedy all about exes who happen to honeymoon with their new spouses at the same hotel.

What starts as a horribly awkward coincidence for Amanda and Elyot takes a turn when their mutual annoyance for their new partners rekindles their old flame. In no time, she climbs over into his adjoining terrace, and they run off, leaving their actual spouses to sort it out. They were kind enough to leave a note though. But it doesn’t take long for old patterns to rear their ugly head, and Amanda and Elyot, despite their promise not to bicker (even coming up with a game of silence when a fight is about to start), call it quits again. That is, until their old (new?) lovers find them and remind the on-again-off-again pair why they just can’t quit each other. There’s no end to the comedy as love is portrayed as messy, fickle, and volatile – with a few humorously choreographed fights mixed in.

Directed by Jeffrey Cass, also the Artistic Director, this rendition makes the most of Coward’s razor‑sharp script. The actors deliver lines with a lead foot, only pausing long enough for the audience to laugh before it’s on to the next joke. It’s a good thing, too, because in lesser hands this wordy play could have been stretched into a dull affair. While most of the zingers pack a punch, the script isn’t perfect. In fact, Act 1’s second scene spins its wheels before finally taking the plot where the audience already knew it was going. But in the hands of these capable actors, we can forgive Coward for being verbose.

Jon Cunningham and Jamie Marie DePaolo play Elyot and Amanda respectively, and their chemistry is the driving force of the evening. Their banter sizzles. DePaolo steals the show though with the firecracker energy she brings. There were several moments where just her facial expression got a laugh. She so thoroughly embodied this magnetic, yet mercurial she charmed everyone from her first entrance.

Portraying their other love interests are Matt Hellyer and Emily Sherman, who play their respective roles very capably – as perfect saps. After getting dumped on the first day of their honeymoon, their characters secretly hope that they’ll take them back. So, while you empathize, their lack of personal self-worth makes them unappealing – helping justify our leads horrid behavior. The cast works very well together, matching each other’s energy and comedic chops. In fact, their synergy was even evidenced by a scene change. They worked so quickly and efficiently in the dim light to transition a hotel’s terrace to a flat’s interior that everyone applauded when they were finished.

Along with plenty of laughs, there is also a lesson on love. These selfish characters demonstrate a total incomprehension of the true meaning of that four-letter word, which is ironic since the final act takes place in Paris, a city known for romance. But that’s the problem. These couples thrive on passion, and when the dust settles, they want the next hit for their heart. But true love is sacrificial, putting another’s needs before your own, which is something they don’t understand. It’s illustrated perfectly by Amanda’s French maid. When she speaks to them, they only nod and smile, since they don’t know French. In the same way, they don’t know the language of love either and fumble around, pretending with each other that they do. But while it may cause trouble for these characters, it’s a treat for the audience.

Private Lives runs through April 29 at BrightSide Theatre at the Theater at Meiley-Swallow Hall North Central College, 31 S. Ellsworth St. in Naperville. For tickets and/or more show information, click here.

This review is proudly shared with our friends at www.TheatreInChicago.com. 

Brightside Theatre's latest production, Jekyll And Hyde In Concert is a truly mesmerizing experience. And if you are a Chicago resident like myself, this theatrical performance is well worth the not-so-long trek to the burbs. The musicians and the impressive array of talented singers delivered a performance that seized my attention from the very start and held me spellbound throughout. With cozy table seating on the floor and traditional theater seating in the rear, there isn't a bad spot in the house. The acoustics are superb, and the singers frequently stroll through the audience, creating an immersive and intimate experience.

Jekyll and Hyde In Concert rejuvenates the eerie narrative of The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. This musical retelling masterfully brings the enthralling story to life on stage, showcasing the complexity of human nature through riveting songs and dynamic performances. The plot centers on the esteemed Dr. Henry Jekyll, whose attempt to distinguish the good from the evil within himself results in the birth of the malevolent Edward Hyde. As Hyde's horrifying deeds escalate uncontrollably, Jekyll battles with the monster he has unleashed, culminating in a heart-wrenching and inevitable end. The concert format accentuates the stirring score, featuring unforgettable pieces that illuminate the internal and external struggles of the characters. With its powerful melodies and expressive lyrics, the audience is drawn into the mesmerizing and dark world of Jekyll and Hyde, promising an unforgettable theatrical journey.

Picture a theater abuzz with excitement as the audience prepares for an "on book" concert performance of Jekyll And Hyde. The performers, each clutching their scripts and scores, take their places at music stands arranged across the stage. Behind them, a full orchestra sits poised, instruments at the ready. Magical.

As the orchestra dives into the stirring opening notes, the performers join in, bringing to life characters such as Dr. Henry Jekyll, Lucy Harris, Emma Carew, and Sir Danvers Carew with their powerful vocals and deep emotion. The "on book" format adds an intimate, unpolished charm to the performance, allowing the audience to focus on the music and the performers' interpretations. Throughout the concert, the orchestra's lush harmonies and soaring crescendos amplify the drama and intensity of the story, creating a gripping and immersive experience. This fusion of live orchestration and on-book singing offers a distinct and unforgettable rendition of the cherished musical.

Gerald Kelel masterfully leads this concert, seamlessly transitioning between the roles of Dr. Henry Jekyll and Edward Hyde, executing each note with precision and authority. Rachel Carreras as Lucy Harris and Julie Ann Kornak as Emma Carew also deliver standout performances, showcasing their impressive vocal range. Veteran stage actor Stan Austin shines as Sir Danvers Carew, bringing intensity and robust vocals to the role. While the entire cast is brimming with talent, both Molly Bremer and Sean Rhead each have their moments to highlight their remarkable vocal prowess. This is just a brilliant piece of theatre in concert form that was such a pleasure to watch.

This particular performance of Jekyll And Hyde In Concert is a highlight of Brightside Theatre’s Concert Series, following the company’s spectacular run of Dracula. Artistic Director Jeffrey Cass has skillfully curated the upcoming season, featuring Beetlejuice Jr., Pippin, and A Midsummer Night’s Dream, promising an exhilarating 2025.

Brightside Theatre, nestled in the heart of Naperville's historic downtown district, is a professional non-profit theatre company dedicated to enlightening, educating, and entertaining audiences. Established in 2011, it holds the distinction of being the only professional non-profit theatre in Naperville. Brightside Theatre's diverse offerings include comedies, inspirational stories from around the globe, mainstage productions, a musical theatre concert series, and a free Summer in the Parks Series. They also provide educational programs and summer camps for young performers. Recognized with multiple awards, Brightside Theatre has been named the Best Entertainment Venue by Naperville Magazine for five consecutive years.

RECOMMENDED!

Jekyll And Hyde In Concert

About: Conceived for the stage by Frank Wildhorn and Steve Cuden

Music by Frank Wildhorn, Book and Lyrics by Leslie Bricusse

Directed by De Haddad

Musical Direction by Phil Videckis

2 hours 15 minutes including intermission

Where: Madden Theatre, North Central College, 171 Chicago Avenue, Naperville, IL

When: Fridays and Saturdays at 7:30 pm and Sundays at 2:00 pm from January 17 through 26, 2025.

Tickets: $37 for Adults and $32 for Seniors and Students

Show and Theatre Information: http://www.brightsidetheatre.com/ 

It was a dark and stormy night (yes, it really was!) – the perfect ambiance for taking in one of theatre’s classic comedic thrillers, Ira Levin’s Deathtrap, staged by BrightSide Theatre at North Central College’s Meiley-Swallow Hall, in Naperville.

For knowledgeable theatre buffs, Deathtrap holds the record for the longest-running comedic thriller on Broadway. It was nominated for four Tony Awards, including Best Play, and was later adapted for the screen, starring Michael Caine and Christopher Reeve.

It’s the story of world-famous playwright Sidney Bruhl, who for the past 11 years has been riding the fading fame of his one and only hit play, The Murder Game. Having to squeak by on his wife’s income and forego his once lavish lifestyle, Sidney is looking for a way to regain his fame – and fortune.

As the play opens, Sidney is reading a manuscript that arrived in the mail from one of his seminar students. Much to his chagrin, the script is brilliant, and in his estimation, bound to be a smash hit. Sidney shares his thoughts with his wife, Myra, and together the pair conspire to make the manuscript their own. While Myra promotes collaboration (with Bruhl’s name taking top billing, of course), Sidney has a more sinister solution to their dilemma in mind.

At Sidney’s invitation, the young playwright, Clifford Anderson, arrives at their secluded Connecticut farmhouse, to discuss the manuscript. What ensues is a series of twists and turns, unexpected and shocking events, that keeps the audience guessing as to what will happen next. Throw in a hilarious neighbor, Helga ten Dorp, who just happens to be a noted psychic whose suspicions are spiked by the strange goings-on at the Bruhl’s house, and you have all the ingredients for an entertaining and lively evening.

Under the skillful direction of Jason Harrington, who directed BrightSide’s The Odd Couple last season, the cast turns in a well-paced and skilled performance. Even for those familiar with the plot, as I was, I found myself jumping and gasping at all the right places and thoroughly engaged throughout the evening.

Scott Kelley stars as Bruhl and turns in a convincing performance as the washed-up playwright looking for an easy way out of his writer’s block. Kelley has appeared in numerous other BrightSide productions, including the 2021 Miracle on 34^th Street, and is a veteran actor on the Chicago theatre scene. His hapless and anxiety-ridden wife, Myra, is excellently portrayed by Marianne Embree, who is appearing in her third BrightSide production.

Tyler Szarabajka, who plays the young playwright, Clifford Anderson, is making his professional debut in Deathtrap. He plays the role with just the right amount of cockiness and youthful assurance that makes him a great foil to his uptight, older mentor and hero. And Lisa Braatz absolutely shines as the quirky psychic, Helga ten Dorp, as she makes one outlandish prediction after another as she “senses” the pain and trauma in the room. The cast is rounded out by John Zimmerman as Porter Milgrim, the staid family friend and attorney for the couple, who brings a modicum of somberness to the proceedings – until the final scene!

Adding to the overall experience of the production is the theatre itself. Located on North Central College’s campus, just a few blocks off downtown, this gem of a theatre offers theatregoers an intimate and cozy interaction with the performers. There’s not a bad seat in the house, and you feel as if you are in on the action because of the proximity to the actors.

BrightSide Theatre, under Artistic Director Jeffrey Cass and Executive Director Julie Ann Kornak, is now in its 13^th season. Billed as Naperville’s only professional theatre performing in the historic downtown district, BrightSide has won “Best of Naperville” Live Entertainment Venue for the past six years. Even though I’ve lived in Naperville for years, this was my first introduction to BrightSide Theatre, and I was not disappointed.

For theatre-enthusiasts, or anyone looking for an entertaining night at the theatre, without the fuss and bother of going downtown Chicago, BrightSide’s Deathtrap production will more than satisfy. Add in its location right off the downtown with access to Naperville’s many and varied dining options, and you have the perfect combination for dinner and theatre.

You can catch Deathtrap at North Central’s Theatre at Meiley-Swallow Hall, 31 S. Ellsworth, Naperville, now through March 24^th. Ticket information can be found at www.BrightSidetheatre.com or by phone at 630-447-TIXS (8497). 

Naperville may be worth seeing just for its portrayal of T.C., a newly installed Caribou Coffee shop manager. When customers repeatedly ask after Nick, his popular predecessor, he replies by the book, “Nick no longer works here.”

We soon see that T.C. is desperate to succeed in his new job, hoping to avoid the fate of Nick, who was sacked for letting customers linger past closing time – the kind of thing that throws a monkey wrench into the central database to which the cash register, lights, locks and ever observant video monitors are linked. Welcome to 1984.

While T.C. is a parody, he is also a parable for our times. In their chain store incarnation, coffee shops are friendly places – within limits. As he warms to the customers, T.C. slips and reveals that “Nick will never work in this or any other Caribou Coffee again.” As closing time nears, these customers have no intention of moving on despite T.C.’s angst-ridden and frantic efforts.

The problem with the rest of Naperville is that the roles are more caricatures than characters. Overweening Howard (Mike Tapeli), home to care for his sight-impaired mother Candice (Laura T. Fisher), is put upon as she needles him to get married. Howard ’s popular high school classmate, Anne (Abby Pierce), sequestered in a corner, broods over her poorly lived life while cobbling together a vaguely worthy history of Captain Joseph Naper. 

Playwright Mat Smart delivers steady laughs and Naperville is somewhat engaging, but toward the midpoint we start hankering for. . .meaning, as do the characters. Instead we have something more like a Seinfeld episode (you know,” nothing happens”) only it’s a bit less edgy.

Not to fault this cast. Abby Pierce has movie star quality. Mike Tepeli projects the protagonist as “everyman.” Charlie Strater as Roy perfectly evokes that untethered born-again character you hope to avoid in social settings. (And he draws our sympathy when he reveals his pain in answer to Howard’s, “What’s your deal?”). Also, the set (Joe Shermoly), props (Amanda Hermann) and costumes (Christine Pascual) are pretty much perfect. Somewhat recommended, Naperville runs through October 16 at Theater Wit.