Displaying items by tag: Kid Charlemagne

Sunday, 26 July 2015 00:00

Reelin' in the Good Vibes of Steely Dan

Donald Fagen of Steely Dan at Ravinia Festival in Highland Park

With back-to-back sold out performances, Steely Dan triumphantly returned to Ravinia Festival in Highland Park where their smooth, jazzy and blues influenced rock echoed through the park, causing even the farthest picnickers from the stage to get up and sway to the music. Fronted now by just Donald Fagen (keys and vocals) and Walter Becker (guitar), the two co-founders who met at Bard College and put Steely Dan into action in 1972, the "the perfect musicalantiheroesfor the Seventies", as Rolling Stone Magazine once called them, rolled through each song with expected precision and the same good time feel that fans have become ever familiar with over the years.

Accompanied by what Becker proudly hailed as his “all-time favorite Steely Dan forever band”, the ensemble included a complete horn section, additional keys and guitar, a trio of background singers who impressed more and more with each number, drummer Keith Carlock and Freddie Washington (no, not the one from Welcome Back, Kotter) on bass. The highly talented Carlock and Washington kept the rhythm flowing at a perfect pace allowing the other members to effortlessly glide in and out over their rock-solid foundation. Becker and Fagen allowed band members to highlight their skills, not only during a full on introduction but also in many of the songs. For example, saxophonist Walt Weiskopf, amongst others, would occasionally walk from their designated area to front center stage and rip out some amazing riffs.

The band started the night out with the Oliver Nelson cover “Teenie’s Blues” before Becker and Fagen walked onto the stage to the loud cheers of the pavilion audience and joined in for their first crowd pleaser “Black Cow”. As the show progressed, Steely Dan went on to play many of their classics including “Hey Nineteen”, “Godwhacker” “Babylon Sisters”, the Joe Tex cover “I Want To (Do Everything for You)” and “Peg”. Fagen’s vocals and keys were as sharp as ever – even his occasional piano flute thingy playing was entertaining. The band also played a very inspired version of “Dirty Work” with backup singer Carolyn Leonhart taking over on leads vocals on the track made famous by former member David Palmer.

Trying to enhance the mood of the evening even more so, Becker interrupted the music to address the crowd for several minutes, rambling on about this and that and encouraging everyone to grab their partners on the way home and pull over in the woods for some after show romancing.

Closing out the set, Steely Dan went into what might be considered the band’s biggest hit “Reelin’ in the Years” where Carlock added to the song by going into a blazing drum solo. After a two minute absence the band returned to the stage to finish the night off with “Kid Charlemagne” with Fagen and Becker walking off immediately afterward, Fagen waving and Becker in an exaggerated strut, where the remainder of the musicians provided exit music to the tune of Nelson Riddle’s “The Untouchables”.

With the night was a clear and balmy seventy-eight or so degrees and the music sending fans on a mellow journey down memory lane, Steely Dan provided a night of memorable entertainment that fans can only hope will return next season.

For upcoming Ravinia show information, visit www.ravinia.org.

Published in In Concert

Spaceman: Into the Quiet Terror of the Void

22 May 2026 in Theatre in Review

Spaceman, presented by [producingbody], touches down at The Edge Off-Broadway with a quiet, unnerving force, pulling audiences into the fragile…

Inside a Real ‘Fire House’ You Are Immersed in Phantasmic Lives of Firefighters

22 May 2026 in Theatre in Review

Set in Chicago’s oldest fire station (now Firehouse Art Studio) the immersive play "Fire House” is only loosely tethered to…

Spamalot Is Every Monty Python Fan’s Dream Come to Life

21 May 2026 in Theatre in Review

Spamalot rides into the Windy City courtesy of Broadway In Chicago, inviting theatergoers to join King Arthur’s quest now through…