Displaying items by tag: Bug

Thursday, 06 February 2020 13:03

Tracy Letts' 'Bug' at Steppenwolf a creepy thrill ride

Carrie Coon (left) and Namir Smallwood in 'Bug' at Steppenwolf Theatre

When Tracy Letts wrote ‘Bug’ in 1995, it was an age when, yes, though conspiracy theories existed, they haven’t yet run nearly as rampant as the have since the September 11th, 2001 takedown of the mighty World Trade Center buildings in New York. Today we live in a world where conspiracies take form on a daily basis - and certainly the advances of information availability via the Internet over the past couple decades has played a big part in it. ‘Bug’ reminds us that paranoia is nothing new and that going down rabbit holes can lead to ultimate disaster for some. But who’s to say one’s paranoia isn’t warranted – that there is some truth behind it? Perhaps partial truths lead to more truths or perhaps they become exaggerated. Or perhaps there was never any truth at all.

In Steppenwolf’s ‘Bug’ there are certainly leading moments of volleying back and forth on whether a truth exists or if paranoia-fed delusions have created a personal horror movie.

Set in Oklahoma, we find a waitress, Agnes White (Carrie Coon) living in a roadside motel. She uses hard drugs and alcohol to get through most days and fears the return of her ex-husband, Jerry Goss, who was recently paroled from prison where he was incarcerated for armed robbery charges. While more and more paranoid with every silent phone call she receives that Jerry is near, she opens her door to a low-key drifter, Peter Evans (Namir Smallwood). He seems gentle enough. The two indulge in small talk and smoking crack and his company becomes a comfort to her. They are both lonely and she takes him in, hardly knowing him at all. Not long after a love affair begins, and then…he sees bugs…and more bugs…and then come the bites. The story quickly becomes a creepy thrill-ride filled with suspicion and government conspiracies, even touching on Bilderberg meetings, population control and the Oklahoma bombing, a tragedy that struck a particular chord with the playwright who was born and raised in the same state. It is a story about fear and trust. It is also, as Lett’s himself describes it, “a love story.”

Written to be staged in smaller theaters for a more intimate audience, Steppenwolf takes on the challenge of creating a larger production and, thanks to brilliant direction from David Cromer, who Letts calls the “greatest living director,” the theatre company pulls it off without a hitch. The play is up close and personal enough to really resonate while giving us a grand set that still puts every audience member inside the seedy motel room. Letts, a Pulitzer Prize for Drama winner, also shares his excitement of a larger venue. “’Bug’ has primarily been done in really small spaces, normally in theaters of 100 seats or fewer, so to see it in our theater with the caliber of our actors and David Cromer directing…I can’t wait,” says Letts.

Ensemble member Carrie Coon, who previously tore it up in Steppenwolf’s ‘Who’s Afraid of Virginia Wolf?’ and was nominated for a Tony for the same role on Broadway, shows us once again why she is considered a top-caliber stage actor. Her portrayal of Agnes is nothing short of breathtaking. Coon courageously navigates this bold role with harsh demands and leaves us with a performance that is haunting and memorable but most of all real. Fellow ensemble member Namir Smallwood is also superb is his take of Peter Evans and watching him is as compelling as is gets in this thriller. So convincing is Smallwood, I could have sworn I was getting bug bites just watching him. Together, the two are a force. In addition to the dynamism of the play’s two leads, the show gets strong support from Jennifer Engstrom as R.C., Steve Key as Jerry Goss and Randall Arney as Dr. Sweet.

Though a psychological thriller, the play is not without well-placed humor. It’s got a little of everything. ‘Bug’ is just a damn good show from its suspenseful opening scene to its climactic ending. The tension throughout builds at a steady pace, keeping us in the dark just enough to continually thirst for its next moment.

Highly recommended.

‘Bug’ is being performed at Steppenwolf Theatre through March 15th. For tickets and/or more information, visit www.steppenwolf.org.

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