Displaying items by tag: Sharif Atkins

Goodman Theatre’s aptly titled season, Homecoming, kicks off with a revival of August Wilson’s “Gem of the Ocean.” Written just a few years before his death, “Gem of the Ocean” is the first chapter of Wilson’s 10-play 20^th Century “Cycle”. This play was originally produced at Goodman Theatre in 2003. Goodman has produced each of Wilson’s ten plays at least once, with some making their world premiere.  

Despite being a native of Pittsburgh, where his plays are set, August Wilson had a unique relationship with Chicago. Revival director Chuck Smith served as the dramaturg on the original production of “Gem of the Ocean” but formed a working friendship long before then. Since 2005, Chuck Smith has produced two August Wilson festivals.

“Gem of the Ocean” captures the African American experience in the first decade of the 20^th Century. The play centers around mystic Aunt Esther (Lisa Gaye Dixon) and a mysterious drifter named Citizen (Sharif Atkins). Romantic tension blossoms between Citizen and Aunt Esther’s housemaid Black Mary (Sydney Charles).

Wilson follows Citizen’s journey from Reconstruction-era Alabama to Free North Pittsburgh. The play makes a direct parallel between the American immigrant experience and the post-slavery African American experience. Much like Upton Sinclair’s Jurgis, Citizen is tricked at every turn upon arrival in bustling Pittsburgh and he quickly becomes discouraged. He seeks refuge and soul cleansing with Aunt Esther and finds a loyal family.

Performances are humorous and complex. Lisa Gaye Dixon fills the space with her enchanting presence, but it’s Sydney Charles in the meeker role of Black Mary who is equally captivating. Charles has an impressive voice and an ageless sense of vulnerability and humor. The two share a contagious chemistry. It wouldn’t be an August Wilson play in Chicago without A.C. Smith though, his hulking appearance and effortless comedy help maintain August Wilson’s balance.

While “Gem of the Ocean” is about class warfare in the 1900s, its themes of injustice and police brutality are as relevant today. Wilson covers a lot of ground in three hours but the mood never feels overwhelming. In fact, there’s a great deal of whimsy. “Gem of the Ocean” begins this cycle with a deep understanding of the horrors of the slave trade. Wilson deeply felt the plight of free, but somewhat lost African Americans in the century after the civil war. He gets to the heart of the American caste system, and why some people choose to perpetuate it. Though there is darkness, there is so much lightness in the warm exchanges and theatrical staging of this ensemble play.

Through February 27^th at Goodman Theatre. 170 N Dearborn St. (312) 443-3800