Displaying items by tag: Whodunit

Ken Ludwig has adapted the beloved Agath Christie whodunit 'Murder on the Orient Express' in a rich and wonderful way. The play revolves around the murder of a wealthy businessman aboard a luxurious train. Detective Hurcule Poirot is on the case and there is no shortage of suspects aboard the Orient Express. 

I know a murder mystery by Christie is done really well when I can not remember how it ends even though I may have seen the play countless times, and that is exactly how Drury Lane's production had me - on the edge of my seat desperately trying to guess who the murderer was the entire time!

Going in, I had concerns about how the train and its movement would be represented, but all were dismissed the minute Andrew Boyce’s scenic design was revealed in a series of spectacularly luxurious and well lit projections by Anthony Churchill in train compartments that started revolving on the stage. The audience gasped and applauded for each one and the projections of snow and other movement in the windows of the train was really a fun and exciting way to recreate the movement and style of the sumptuous Orient Express for a live audience. 

This was a true ensemble cast with solid performances all around. 

Of course Larry Yando (Poirot), a mainstay of Chicago theater, was the heartbeat of this classic production and the audience hung on his every word. Yando's parting speech wherein he ponders the  philosophical correctness of his part in solving the mystery was Tony worthy, and though brief, really ended the play on a genuine note of sympathy with all of the depth and emotional honesty one would expect from such an accomplished actor. 

Janet Ulrich Brooks as Helen Hubbard was pure delight in this show as she plays a brassy American with such great physical comedy and impeccable comedic timing that every scene she appears in draws laughs and comparisons to great comedians like Lucille Ball and Phyllis Diller. 

I also thought Sean Blake as the young lover with a thick scottish brogue was very funny and got laughs out of lines that otherwise would have been throwaways to a less talented actor. 

Yes, there was a bit of a slow start in getting the action and dialogue moving but I think the actors were trying to wring every bit of humor out of each moment onstage and the whole flow of the show got going at a nice pace once the opening night jitters were quelled by the enthusiastic audience response.

I can highly recommend this exciting and suspenseful production to audiences of all ages to enjoy a real night at the theater with beautiful costumes, ingenius stage settings and the ensemble of mature and very gifted actors all giving their best performances at the lovely Drury Lane Theater.  

‘Murder on the Orient Express’ is being performed at Drury Lane Theater in Oakbrook through October 23rd. For tickets and/or more show information, click here.  

When we think of traditional whodunits, we think of a carefully plotted murder, a list of suspects, and an inquisitive detective who gradually pieces new clues together until the crime is solved. Marriott Theatre’s “Murder for Two” is just that, albeit a musical-comedy that stars just two actors taking on 13 roles. How is that done exactly? With a lot of precision, spot on timing and with a special actor named Jason Grimm who bravely takes on the roles the twelve party goers (all suspects) as well as the victim.

When a surprise birthday party goes bad and Great American Novelist Arthur Whitney is murdered, small town cop Marcus Moscowicz decides to use his sleuthing skills to find the killer since the nearest detective is an hour away. Everyone in attendance of Whitney’s birthday party are suspects including Arthur’s wife, Dahlia, who relishes in the thought of being a “murderess”, prima ballerina, Barrette Lewis, renowned psychiatrist, Dr. Griff, Whitney’s niece, Stef, who is studying criminology in college, an elderly couple that bickers every chance they get and a handful of other interesting characters. Moscowicz wants badly to make detective and the clock is ticking, giving him less than an hour to solve the crime before he must turn the case over.

Noel Carey stars as Marcus and does a bang-up job as the eager detective-wannabe, perfectly complimenting Grimm as he goes from suspect to suspect – and back again. Both Carey and Grimm take turns playing the piano whether it be for a musical number or just ambience music.

Directed by Jeff Award Winner Scott Weinstein, “Murder for Two” is a fast-moving, suspenseful ride that offers big laughs in rapid-fire succession.

“This production provides a fantastic evening of murder mystery, zany comedy, and true virtuoso performances. There are only two performers that take on 13 roles throughout the entire 90 minutes, “says Weinstein. “They not only remain on the stage for the entire show, but one or both of them are also playing the piano throughout. Whether you are a fan of comedy, mystery, or anything in between, this production will have you begging for more.”

Weinstein couldn’t be more correct. Grimm’s ability to go from personality to personality without pause is nothing less than astonishing. The script is rich with humor and holds the perfect amount of suspense. The set's impressive revolving stage keeps all the action moving - literally.

“It is 90 minutes of nothing but silly,” Grimm says. “One character accidentally incriminates himself. One character, for attention, loves the idea that she is a suspect and basks in it.”

Joe Kinosian and Kellen Blair are the writers behind this exciting comedy and Carey and Grimm couldn’t be better cast (Carey has starred as Marcus in the musical’s national tour).

Highly recommended.

“Murder for Two is being performed at Marriott Theatre in Lincolnshire through August 26th. For tickets and/or more information visit www.MarriottTheatre.com.