Displaying items by tag: Thea Brooks
I Love Lucy Live On Stage - Period Perfect Hilarity with Real Star Turns from Thea Brooks and Euriamis Losada as Lucy and Ricky!
Oriental Theatre - From the opening of the show when Chicago actor Ed Kross comes out and explains in a perfect 50’s TV announcer voice that we are all at a live taping of the Lucy Show back in 1952, I was captivated.
Two real episodes of the show were purchased for this production, “The Benefit” and “Lucy has her eyes examined.” I thought both episodes were perfectly chosen not just for their comedic effect but because they showed clearly how far ahead of her time Lucille Ball and her husband Desi Arnaz were by creating the three camera filming process and Lucy being the first female studio owner, way, way ahead of their time! I adored the bright, honest yet sardonic tone of the antics of the ensemble who lovingly recreated the between scene period TV commercials for classic products Brylcreem and Alka Seltzer. Rick Sparks staging is spot on and is very fun and exciting to watch as the entire cast and crew move seamlessly from introducing the show to setting off the applause sign for us , the live studio audience. It really felt like we were transported back in time to 1950s Los Angeles and were waiting breathlessly to see these two huge iconic stars in the flesh for the first time.
Lori Hammel as Ethel and Kevin Remington as Fred Mertz were very funny, very well cast and true to their characters. It is interesting to note that the real Vivian Vance playing Ethel originally objected to the 20 year plus age difference between her and her TV husband Fred! I always wondered why her husband was so much older and less attractive than the handsome couple they were best friends with but that was pretty typical for the time period.
Thea Brooks did a fantastic job playing the most difficult role in this show. Brooks really captured the absolutely brilliant physical comedy and genuine dancers grace with which Lucille Ball (originally a Broadway quality dancer) was able to bestow upon female comedy timing in a world which had yet to enter fully in the women’s movement at all.
The wonderful, best friends forever interaction between Lucy and Ethel reminded us that Lucy was also ahead of her time not only by marrying interracially, but Lucille Ball was also the first champion of long lasting, devoted, female friendship, now referred to as “chicks before dicks!” at a time when both issues were severely frowned upon and questioned by society.
Euriamis Losada as Ricky blew audiences away with his eerily accurate portrayal of Ricky Ricardo’s movements and voice! Every single line of comedy and each line of his musical numbers were so like the original I occasionally squinted my eyes and felt I could see Lucy and Desi standing on the stage. These two performances were so difficult and required much attention to detail by Brooks and Losada, yet they pulled it off without bordering on caricature or parody regarding these two beloved superstars. Thea Brooks and Euriamis Losada displayed real STAR turns in this production and I can’t wait to see their future incarnations on Broadway in other productions.
I only have two notes for this delightful and thoroughly enjoyable production. It would have been nice if instead of the “game show break” utilizing an audience member and plant in the audience which separated the two episodes, Sparks had just allowed us, the studio audience, to take a ten minute intermission. Also, I would have loved to see a single behind the scenes scene between Lucy and Ricky AS Lucille Ball and Desi Arnaz, to peer into that break from the fantasy of the show to the reality of their rocky but ground breaking marriage. It would have been very special to witness indeed and have allowed Losada and Brooks to peel back and show yet another layer of these two magnificently complicated performers in their own time period.
I highly recommend seeing I Love Lucy Live on Stage at the Oriental Theatre with your whole family to bring back the love and simplicity and also the hysterical hypocrisy of the time period that many of us grew up watching and loving.
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