
Neil Simon's "Barefoot in the Park" is one of my favorite comedies.
Simon so perfectly captures the dynamics of a new couple moving in together as newlyweds and the pressures that begin to erode or test their love as soon as they move in. Cory and Paul's lack of money for a proper New York apartment presents all sorts of great comedy as they end up in a sixth floor walk up with a hole in the skylight and no heat or bathtub in the dead of winter.
Alex Fisher, as the young bride has a great frenetic and appropriately sexy, horny energy as she is faced with challenge after challenge to please her new husband who is a temporarily broke new lawyer.
Colin Sphar, as her husband is funny in places but by the time he gets to his drunk scene, which has a lot of good physical comedy in it by him, we hear a full out lisp in his portrayal that distracts from his performance. The kissing and hugging chemistry between these two is not as white hot as you'd expect in roles that were originally played in the film by super sexy Jane Fonda and Robert Redford.
The scene-stealers in this production turn out to be in the two mature character actors Sarah Minton, as Cory's aging but game for anything single mother and their upstairs, crazy neighbor played by Michael Pascas.
Minton and Pascas are so good at their comic timing and so full of rich character and chemistry we ended up rooting for them to get together more than we were hoping for Cory and Paul, the leads, to STAY together.
Also, Randolph Johnson, as the ATT phone installer, has an adorable, compassionate, calming quality that helps ground the piece every time he enters the scene.
The set design is great, with each part of the aging apartment clearly visible and very realistic.
Overall the play, which is long and includes two ten minute intermissions, has a lot of good energy and fun, especially if you grew up back in the day when the new wife was supposed to make everything nice and happy at home while the new husband goes out into the world to have all the fun and challenge of a real job.
“Barefoot in the Park” is being performed at The Athenaeum through November 1st. For tickets, performance times and other show info, visit www.athenaeumtheatre.org.
With Jaws having just swam back into theaters for its fortieth anniversary and recent shark attacks in North Carolina, The Ruckus' world premiere of 'Matawan' comes at a perfect time. Playwright Dan Caffrey set out to write a play that captures the time period of the early 1900s, an era he always felt was glossed over in school. This new work tells the story of a small New England town dealing with a killer shark. Sound familiar? The 1916 great white shark attacks off the coast of New Jersey were the basis for Peter Benchly's novel Jaws. Until 1916 very little was known about sharks and most people believed they did not attack bathers.
At it's core 'Matawan' is less a play about a man-eating shark and more about fear. Even the shark has a fear-soaked narrative throughout the show. The large cast of characters and well-written vignettes all deal with anxieties concerning war, globalization, disease and life happiness. For the first time in history, Americans were economically comfortable enough to have the luxury to look outside themselves and Caffrey captures this ever-relevant sense of impending doom that seems to consume most people today too.
One might wonder how it's possible to depict a shark attack on stage. Director Allison Shoemaker makes really bold choices with her production. Instead of gruesome displays of blood and guts, Shoemaker's attacks are almost sexual in nature. In fact, the entire production is so very craftily done. Actors play instruments to simulate sound effects and the result is genuinly creepy.
Caffrey delivers a truly unique script. The subject matter poses some obvious logistical problems but the creative team at The Ruckus show they're more than capable of taking on this challenge. Not only was the production insightful but also exceedingly well acted. How often can a shark make you misty? (John J Accrocco)
Through July 26th at The Athenaeum Theatre. 2963 N Southport Ave. 773-935-6860
A musical, but it’s just the voices in your head. Sounds just crazy enough to win the 2020 Pulitzer for…
From a "Kung Fu rom-com" to a witchy new musical, The Goodman's popular New Stages Festival in its 22nd year continues…
TimeLine Theatre’s 30th Anniversary Season at its new home in Uptown rolls merrily along in November with the company’s 100th…
Under the leadership of Marilyn F. Vitale Artistic Director Avery Willis Hoffman and Executive Director Angel Ysaguirre, Court Theatre proudly…
Trap Door Theatre is thrilled to continue its 33rd season with a Chicago Premiere of Oh, Buddy, written by Hal…
Tis the season, in spite of today's unseasonable temps, as A Christmas Carol begins rehearsals for The Goodman's 49th annual…
Nova Entertainment is pleased to announce the upcoming performance schedule and updates for CIRCA Pintig, with a visual rebrand and…
The blurb is: hahahahahahahahahaha hahahahahahaha hihihi hahahahahahaha hoho hahahhahaha hehe hahahahahahahahahaha. Julia Masli's award-winning solo phenomenon ha ha ha ha…
Sanctuary Stories plumbs the line between theater and journalism, and the powerful human dramas both can depict. Funded by a Northwestern…
For its sixth Halloween season, Rough House Theater Co. has transformed Steppenwolf’s Merle Reskin Garage into a spectacular puppet haunted…
Thursdays – Saturdays at 7:00 pm, Sundays at 3 pm Additional Saturday matinees at 3:00 pm on November 28 and December…
Let he without sin cast the first stone, Lyric’s “Don Giovanni” seemingly says when they bring up the house lights…
Teatro Vista Productions (TVP), the Midwest's only Latine-led Equity theatre company, in collaboration with Audible, presents Cafecito & Loops: A…
They're creepy and they're kooky, Mysterious and spooky, They're altogether ooky, The Addams Family. Yes, ooky. BrightSide Theatre’s production of…
With Halloween creeping closer, there’s something fitting about revisiting one of opera’s earliest flirtations with macabre horror - especially in…
Avalanche Theatre announces the world premiere production of They Broke Up by Chicago playwright Skyler Tarnas, November 6–22, 2026. Opening…
Oil Lamp Theater is proud to announce the cast and creative team for its next production and the final production…
Christmas Day is in our grasp. Why the vodka? Glad you asked! Who's Holiday! brings R-rated Cindy-Lou Who back to…
The Sarah Siddons Society is pleased to present its 2026 Award to actress and director Victoria Clark, who recently starred…
At fifteen, the world can feel like a television show you haven't quite figured out how to turn off. For…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with the world premiere of…
Hell in a Handbag Productions is thrilled to announce its 25th Anniversary Season, featuring three "camptacular" shows guaranteed to delight lovers of…
Chicago’s Theater Wit is now offering new, state-of-the-art closed captioning service, marking a dramatic improvement in making live theater more…
“God bless us, everyone,” because there’s a fresh, new, reimagined version of Charles Dickens’ classic tale A Christmas Carol debuting…
Following last year's critically acclaimed, sell-out engagement, Steppenwolf Theatre Company is pleased to announce the return of John C. Reilly…
The Saint Sebastian Players open their 45th season of travels to different places with A Murder is Announced, a classic Miss Marple mystery…
Today, Goodman Theatre raises the curtain on its future as leadership and artists share a vision for its next century…
Two Edge Theater, a reincarnation of the Edge Theater Company that enjoyed eight successful seasons in the Denver, Colorado area,…
Chicago's historic Fine Arts Building and Studebaker Theater are thrilled to announce their Halloween co-production of Manual Cinema's acclaimed Frankenstein…
Trap Door Theatre is thrilled to continue its 33rd season with Any Rebellion of Will, written by S.L. Daniels and…
“A Strange Loop” Lets the Intrusive Thoughts Win at Raven Theatre in partnership with About Face Theatre
Announcing Goodman's 22nd New Stages 2026 Festival Line-Up
Chicago Danztheatre Ensemble Announces 2026-2027 Season
Eos Theatre Company Announces Second Production with The Thin Place
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.