Displaying items by tag: KemiBo Jacobs
Shakespeare Is in Love Again in 'Hamnet' at Chicago Shakespeare Theater
“Hamnet,” a stage play adapted by Lolita Chakrabati (known for Life of PI and Red Velvet), and directed by Erica Whyman is in its U.S. debut at Chicago Shakespeare Theater on Navy Pier. This production originated and performed by the Royal Shakespeare Company for its U.S. tour, has generated a lot of excitement, heightened further by the many Oscar nominations for a film by the same title, though it is a very different adaptation of the same book.
Both were drawn from Maggie O’Farrell’s best-selling novel “Hamnet: A Novel of the Plague” speculating on the life of William Shakespeare and his wife and family. The story line delves into the family life of the couple, the first act devoted to William and Agne’s birth families and their love affair and eventual marriage.
The second half revolves around their children, and traces Shakespeare’s ascendancy into the upper echelons of English theater. He draws the attention of the queen, is celebrated on the stage in London for his prolific stage works and his published poetry.
We meet actors Burbage and Kempe. Bert Seymour and Nigel Barrett, who play other roles too, are excellent as the real historic actors who were the definitive contemporary interpreters of Shakespeare’s scripts on stage. (Chicagoans who saw “The Book of Will" had a thorough introduction in that rendering of the development of the First Folio in the years following Shakespeare’s death.)
At “Hamnet” on Navy Pier, though, there are a few problems with the production that detract from the interesting story. Like “Shakespeare in Love,” which generated a fictional hypothesis about a love affair that inspired the Bard to pen “Romeo and Juliet,” in “Hamnet” it is the death of Shakespeare’s son, Hamnet, that is posited to have fed the emotional plane of “Hamlet.” And that is an intriguing theory, drawn from the book.
Saffron Dey as Judith and Ajani Cabey as Hamnet
“Hamnet” dutifully recounts the marriage of Agnes (she is generally known to us as Anne but historically she was Agnes) and William, she 26 and pregnant, and he just 18. The first child Susanna (Ave Hinds-Jones) was born a few months later, and a few years hence twins—Judith (Saffron Day) and Hamnet (Ajani Cabey)— sprang forth. Historically Hamnet died in 1596; four years later “Hamlet” hits the stage.
The book and play adjust this time frame, to have Shakespeare at work on the debut of “Hamlet” as his son contracts an illness and dies. That’s reasonable creative license, especially in the interest of drama. (Harper's Magazine offers an excellent contrast of the history as it's adapted for "Hamnet.") And the performances are quite excellent. Agnes (Kemi-Bo Jacobs) gives us an intense performance of a character devised to explain her genius husband’s attraction, and perhaps his inspiration by her. William (Rory Alexander is excellent throughout), though the script forces an unlikely maturity at just 18 as he coaches and counsels Agnes toward their marital fate.
What was jarring was the fact that all the actors wear microphones, with a uniformity of volume set by the mixing board, presumably, that is unnatural, especially for Shakespeare. The unfortunate effect was an echo chamber, in Chicago Shakespeare's handsome The Yard which simulates the interior of the original Globe. Also two screens at either side of the stage provided subtitles, which are quickly explained by the diversity of English dialects used by the actors. Some would be unintelligible to American ears without them—but I found myself reading, at the expense of watching the action center stage. Perhaps supratitles as used in opera would have been better.
And it’s probably necessary to comment on the incidental and transitional music, composed by Oğuz Kaplangi. Some pieces were quite lovely, evocations of the late 16th century. But fast-paced scene change music, sometimes with a Latin beat, was overbearing, and the percussion especially excessive. Was it compensating for the slow pace of what was on stage?
And for a play about Shakespeare, why did we hear so little from the subject's original work? The excellence of “Shakespeare in Love” was the celebration and display of many slices from his actual writing that advanced the case for its explanation of the origins of “Romeo & Juliet.” In this Royal Shakespeare company’s “Hamnet,” we’re given just a tiny bit at the end, as Agnes witnesses the play for the first time, a scene meant to tie up and resolve all the loose ends. They loved this in London’s West End, but in Chicago it's just not enough. See if you agree. “Hamnet” runs through March 8 at Chicago Shakespeare Theater on Navy Pier.
This review is proudly shared with our friends at www.TheatreInChicago.com.
Standing Room Only Crowd for Chicago’s Leading Theater Artistic Directors
04 September 2026 in Theatre BuzzIt must have been heavenly for the creative leaders of Goodman, Steppenwolf, Chicago Shakespeare and Court, Chicago’s top regional theaters,…
The Best of Us: Marriott Theatre’s Come From Away
03 September 2026 in Theatre in ReviewCome From Away begins from a place of deep uncertainty, yet what emerges is a story grounded in the steady,…
Steppenwolf Theatre Presents Revival of TOPDOG/UNDERDOG September 17 – November 1 / Rehearsals Underway
02 September 2026 in Upcoming TheatreSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with Suzan-Lori Parks' Pulitzer Prize-winning drama Topdog/Underdog, helmed by Tony Award-winning…
Chicago Black Dance Legacy Project Gala: Radiant & Sumptuous at the Harris
01 September 2026 in Dance in ReviewThe first thing you notice about the meticulously curated Black dance performance held at the Harris Theater over the weekend…
Vape! The Grease Parody Is High-Energy Fluff
01 September 2026 in Theatre in ReviewVape! The Grease Parody, currently running at Chicago’s Apollo Theater through January, takes a satirical swing at the iconic 1978…
BrightSide Theatre Announces "Monte Carlo Night" 15th Anniversary Gala and Fundraiser on September 25
01 September 2026 in Theatre BuzzBrightSide Theatre will celebrate its 15th anniversary with "Monte Carlo Night," a gala and fundraiser, on Friday, September 25, 2026,…
GDC Hosts 19th Anniversary “Dancing With The Giordano Stars” Ballroom Dance Competition October 8th
01 September 2026 in Upcoming DanceGiordano Dance Chicago (GDC) hosts its highly anticipated 19th Anniversary "Dancing With The Giordano Stars" ballroom dance competition 7-11 p.m. Thursday, Oct. 8…
A Loving, Delight‑Packed Celebration: Joan Crawford Goes to Hell Marks 25 Years of Handbag
31 August 2026 in Theatre in ReviewHell in a Handbag Productions celebrates its 25th year with a revival of Joan Crawford Goes to Hell, a sharp,…
An Immersive Sunday in the Park with George at Kokandy Productions
31 August 2026 in Theatre in ReviewComposition, tension, balance, light, and harmony come together seamlessly in Kokandy Productions’ revival of Sondheim’s opus, ‘Sunday in the Park…
Robert Falls to Direct the World Premiere of FLYING MONKEYS, by L.C. Bernadine, at Redtwist Theatre, Dec 6 - Jan 17
31 August 2026 in Upcoming TheatreAward-winning Redtwist Theatre, launching its 22nd season with Prayer Circle, September 17 - November 8, by Erik Gernand and directed by Executive Artistic Director Dusty Brown, announces today…
Buffalo Theatre Ensemble Names Daniel Millhouse as New Managing Artistic Director
31 August 2026 in Theatre BuzzBuffalo Theatre Ensemble (BTE), the professional theater company in residence at the McAninch Arts Center (MAC), is pleased to announce that, in keeping…
Promethean Theatre Ensemble to offer talkbacks after selected performances BLOOD OF THE LAMB, opening September 5 and 6
31 August 2026 in Upcoming TheatrePromethean Theatre Ensemble announced today it will offer post-show audience talkbacks following two performances of their Chicago premiere of BLOOD OF…
City Lit’s Shane Saddles Up a Classic Western With Fresh Heart
30 August 2026 in Theatre in ReviewCity Lit Theatre’s world premiere of Shane, adapted for the stage and directed by Mark Pracht, brings a fresh, nostalgic…
In Sisters, Barrie Turns an AI Fable into an Impressive Character Study
29 August 2026 in Theatre in ReviewThe rise of artificial intelligence raises many questions about its effect on humanity. What does it mean if we become…
Buddy Holly’s Brilliance, Reawakened on the Drury Lane Stage
27 August 2026 in Theatre in ReviewDrury Lane Theatre opens its latest musical with a warm jolt of rock ’n’ roll energy as Buddy – The…
Kokandy's JEKYLL & HYDE Extended by Popular Demand
26 August 2026 in Upcoming TheatreBroadway In Chicago is pleased to announce a darkly delicious Halloween surprise: Kokandy Productions’ critically acclaimed revival of JEKYLL & HYDE will be extended…
Following Obama Center premiere, Manual Cinema's acclaimed productions return to Chicago's Studebaker Theater
26 August 2026 in Upcoming TheatreChicago-based Emmy Award-winning performance collective and film/video production company Manual Cinema premiered two new hand-animated films at the Obama Presidential Center Museum…
Playmakers Lab’s That’s Weird Grandma’s 25th Birthday is a fine place to giggle
25 August 2026 in Theatre in ReviewIf you need an energy boost, skip the can of Monster and get yourself, plus loved ones of any age,…
Victory Gardens Theater presents the World Premiere of Zayd Ayers Dohrn's The Humanities September 10 through October 4
25 August 2026 in Upcoming TheatreVictory Gardens Theater (2433 N. Lincoln Avenue), an historic incubator for new play development, proudly announces the World Premiere staging of The…
Lookingglass Kowalski starring Johnny Galecki and Jacob Moskovitz September 15 through October 25
25 August 2026 in Upcoming TheatreJoining the previously announced stars of Kowalski Johnny Galecki ("The Big Bang Theory," "The Little Dog Laughed") as Tennessee Williams and Jacob Moskovitz ("Elle") as Marlon…
Shattered Globe Theatre Opens 36th Season with Midwest Premiere of VLADIMIR October 2 – November 14 at Theater Wit
25 August 2026 in Upcoming TheatreShattered Globe Theatre is pleased to open its 36th Season with the Midwest premiere of Erika Sheffer's Vladimir, an unflinching drama of resistance directed by Ensemble Member Lou Contey*,…
TICKETS FOR A 20 RETURNS WITH SPECIALLY PRICED $20 TICKETS FROM HOT TIX AUGUST 27-SEPTEMBER 14, 2026
24 August 2026 in Theatre BuzzThe League of Chicago Theatres announces the return of Tickets for a 20. From Thursday, August 27 through Monday, September 14, 2026, theatregoers can…
Babes With Blades's announces William Shakespeare's KING LEAR, October 15 - November 21
24 August 2026 in Upcoming TheatreBabes With Blades Theatre Company’s (BWBTC), now presenting the world premiere of yo ho. through August 29 at The Edge Off-Broadway, shares the…
BrightSide Theatre announces THE ADDAMS FAMILY MUSICAL, to play October 2 - 18
24 August 2026 in Upcoming TheatreBrightSide Theatre has announced cast and crew for THE ADDAMS FAMILY MUSICAL - the kickoff production of BrightSide's 15th Anniversary season.…
35th Annual Dance for Life Saturated with Excellence
23 August 2026 in Dance in ReviewFrom its beginning in 1992 on the tiny stage of a modest theater, Dance for Life (DFL) has grown and…
Chicago Shakespeare Theater announces Two Shakespeare Productions in Repertory beginning October 13 - January 3
21 August 2026 in Upcoming TheatreChicago Shakespeare Theater (CST) announces the cast and creative team for the company's fall Shakespeare Repertory productions, an unforgettable theatrical event at the heart…
Rising star Jacob Moskovitz to play Marlon Brando in the Chicago presentation of Kowalski at Lookingglass Theatre
20 August 2026 in Theatre in ReviewRising star Jacob Moskovitz ("Elle") has joined the cast of Kowalski as Marlon Brando, alongside previously announced Chicago theater veteran Johnny Galecki ("The Big Bang Theory," "The Little…
McHenry Outdoor Theater: Nostalgia With a Modern Heartbeat
20 August 2026 in Theatre BuzzThere was a particular kind of magic to seeing a movie outside when I was a kid in 1970s Chicago…
‘Anatomy of a Suicide’ Is Hard to Watch, But Not Because of the Subject
18 August 2026 in Theatre in ReviewPerhaps surprisingly, Anatomy of a Suicide is not an overwhelmingly emotionally gripping play, nor is it horrifying. Instead, it vividly…
Gwydion Theatre Company presents The Chicago Premiere of Por’ Knockers at the Greenhouse Theater’s Studio 44 September 10 - October 4
18 August 2026 in Upcoming TheatreThis narrative tracks five individuals within the "People’s Diasporatic Party"—outfitted in corporate attire—as they take refuge in a desolate East…
Latest Articles
-
Standing Room Only Crowd for Chicago’s Leading Theater Artistic Directors
Written by Bill EslerIt must have been heavenly for the creative leaders of Goodman, Steppenwolf, Chicago Shakespeare and Court, Chicago’s top regional theaters, to be greeted by a standing room only crowd. But there they were, on a panel moderated by the eminent… -
The Best of Us: Marriott Theatre’s Come From Away
Written by Kimberly KatzCome From Away begins from a place of deep uncertainty, yet what emerges is a story grounded in the steady, everyday kindness people offer when they have nothing else to give. Rather than revisiting the events of September 11 themselves,… -
Steppenwolf Theatre Presents Revival of TOPDOG/UNDERDOG September 17 – November 1 / Rehearsals Underway
Written by Buzz Center StageSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with Suzan-Lori Parks' Pulitzer Prize-winning drama Topdog/Underdog, helmed by Tony Award-winning director Kenny Leon, who returns to Steppenwolf following his hit production of King James. Ensemble members Glenn Davis (Windfall, Purpose–Chicago/Broadway, King James) and Namir Smallwood (Windfall, The Book of… -
Chicago Black Dance Legacy Project Gala: Radiant & Sumptuous at the Harris
Written by Mitchell OldhamThe first thing you notice about the meticulously curated Black dance performance held at the Harris Theater over the weekend is language. The eloquence and weight of the words used to explain why the Chicago Black Dance Legacy Project (CBDLP)…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.