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Displaying items by tag: Kelli Walker

Buffalo Theatre Ensemble’s latest offering, Native Gardens by Karen Zacarias, is a riotous comedy that delves into the quirky world of suburban gardening and neighborly tiffs. The plot blossoms around two neighboring couples in Washington D.C. On one side, there's Pablo, a high-powered lawyer from Chile with a wealthy background, and his very pregnant wife, Tania, a doctoral candidate and avid gardener. They're ecstatic about transforming their new backyard into a vibrant native garden that attracts the right kind of insects that add to a healthy ecosystem. They are a younger couple, new to the neighborhood, with a bright future ahead.

On the other side, there's Frank and Virginia, a well-established couple with a perfectly manicured, non-native garden. Frank is laser-focused on winning the neighborhood's annual gardening competition. At first, the two couples get along swimmingly, but things take a thorny turn when Pablo and Tania discover that their property line extends two feet into Frank's cherished garden. This revelation ignites a full-blown border dispute, with both couples revealing their true colors as they clash over race, class, privilege, and taste.

As the conflict heats up, the play explores themes of cultural differences, environmentalism, and the challenges of living harmoniously with others. Despite the tension, Native Gardens ultimately offers a hopeful message about finding common ground. While there are plenty of profound moments that point out the short-comings and hypocrisies on both sides of the fence (pun intended), there are also many moments that share joint interests between the two couples, giving audience members the feeling that compromise, and even friendship, can be reached with a little effort once the egos are left at the door and true respect and understanding for each other is realized. 

The sparring couples are wonderfully cast - and are a hoot to watch! Richard Gomez and Sofia Tew are convincing as Pablo and Tania De Valle, each executing rapid fire line delivery with just the right amount of finesse and humor. Frank and Virginia Buckley are played by Bryan Burke and Kelli Walker and are fantastic together as the long-term residents who look to fend off the newcomers - despite the official survey findings. With no shortage of hilarious moments, this play has a lot of fun with generation gaps, culture clashes and of course the various things neighbors might squabble about. One won’t be able to help but get into the characters within the first few minutes and, like a freight train, the momentum of this play just keeps building as it goes.     

Keenly directed by Steve Scott, Native Garden’s delightful blend of humor and social commentary will have you laughing and reflecting long after the final curtain call. 

Nestled in the backyards of two Georgetown homes, each with contrasting landscaping visions that irk their new neighbors, you can only imagine the craziness that will ensue. Fortunately, there’s nothing for you to do but sit back and enjoy the garden wars!

Where: The Playhouse Theatre at the McAninch Arts Center (The MAC) in Glen Ellyn, Illinois. Additionally, the theatre is thoughtfully designed with increased accessibility features, such as elevators, wheelchair ramps, accessible seating, and assistive listening devices, making it a comfortable and inclusive venue for all attendees, including those with disabilities. Pro tip when selecting tickets - if stairs are challenging for you or your companion(s), the first row does not require any steps at all and the second row just a couple.

When: Native Gardens is running through March 2nd. 

Tickets: $44 and $42 for seniors. 

Theatre/Play Information: For tickets and/or more show information, visit http://atthemac.org/events/native-gardens/.

Published in Theatre in Review

The Buffalo Theatre Ensemble brings a very thought provoking play to the stage. David Lindsay-Abaire penned this two-act performance and the small theatre was perfect for the story.

 

Finely directed by Connie Canaday Howard, Good People highlights a strong ensemble that exhibits a magical chemistry onstage. The story line was very well thought out and while I don’t want to give too much away about the plot, the theme, as one might guess from the title, was really about people. We are reminded in this story set mostly in the south end of Boston, that some are not as good as they appear and some are good without the appearance. 

 

The lead character Margaret is played by Amelia Barrett. She is a working class single mother with a child who lives in a cheap apartment, living paycheck to paycheck. Margaret and her friends love to play Bingo. They help each other out. That’s what friends are for. Her friends include her landlady Dottie, played by Annie Slavinski. Benedict L. Slabik II plays her former boss, who is also a friend. Jean played by Kelli Walker rounds out the Bingo crew.

 

They call themselves “Southies”, referring to the south end of Boston. Their accents are much different than the stereotypical Boston accent you might think of when thinking of that area. It is almost like comparing different English accents. They also call the upper-class people “Lace Curtains”, which I thought was funny.

 

Margaret runs into an old flame, Mike, played by Bryan Burke. He has done rather well for himself. Now an endocrinologist, he lives in a nicer area. He has joined the “Lace Curtains”, but he, like most people, never escapes his roots. His wife Kate is played by Raina Lynn. There is some controversy over the color of her skin. The play isn’t about racial tension but the topic exists in a sub-plot. In some ways, this underlying theme drives the story as much as its main plot.

 

The first act is light-hearted and funny. It is served more as an introduction to the characters, all of which appear in the first few minutes apart from Mike’s wife Kate. You see the world they live in and how they think.

 

Act II is another story, mostly set in the house of Mike and Kate. Good People shows us that things are not always as they appear and that class to which one is associated has nothing to do with that of being a good person. That’s the moral of the story and the message is there without looking too hard. 

 

The play is well-acted and thought out. The audience is never bored waiting for the plot to grow. It takes off from the start. Each acting performance is highly enjoyable as is the story and the message meaningful. I know a few “Good People” who could benefit from watching this performance. Art is a great teaching tool, even if the audience doesn’t always realize when it is happening. If you feel like you need a well-conceived night’s entertainment, this could be just the ticket. There are a few foul words in there, but clearly not meant to be offensive. This is a production that might just open your eyes a bit, while at the same time providing a few good laughs.

 

Good People is being performed at Playhouse Theatre in the McIninch Art Center in Glen Ellyn, IL through March 5th. For more show information click here. 

 

Published in Theatre in Review

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