Displaying items by tag: Andrea Ferro
Goodman's Dead Girl’s Quinceañera: When Fifteen Meets the Adult World
At fifteen, the world can feel like a television show you haven't quite figured out how to turn off.
For Salma (Jacqueline Guillen), it may be even more difficult. She watches too much television—especially detective shows—and has begun to see the world through the eyes of a detective. So when Maria (Andrea Ferro) disappears, Salma doesn't simply wonder where her friend is. She decides to investigate.
She recruits Este (Carmen Berkeley) and Phoebe (Ariana Burks) to help her find Maria, and Phanèsia Pharel's Dead Girl's Quinceañera takes off from there.
Produced by Goodman Theatre in association with Chicago Latino Theater Alliance, the production is a collective World Premiere with Barrington Stage Company and Hartford Stage. Directed by Melia Bensussen, the play has at times the quick-cut energy of the procedural television shows that inspired Pharel when she originally conceived the work.
And it moves fast.
Very fast.
Pharel understands the language of fifteen-year-old girls—the rapid-fire speech, the sudden shifts in thought, the jokes that arrive in the middle of serious conversations and the ability to move from one subject to another without warning. These girls don't simply talk; they process.
And Salma processes everything like a detective.
Television has given her a vocabulary for understanding crime, clues and suspects. She has watched enough procedural television shows to believe she knows how an investigation works. There is something funny about her confidence, but there is also something unsettling about it. For all the light-heartedness there’s an air that something isn’t right.
Pharel wisely doesn't allow that danger to become the only thing we see. The girls joke, argue, tease one another and behave like fifteen-year-olds. Their humor is genuine, but it also creates an increasingly uneasy contrast with what may be happening beyond their immediate world.
That contrast gives the play its darker edge.
The girls are dealing with situations that are far more adult than they are. Salma's television education has taught her that mysteries have clues and crimes have solutions. But real life doesn't necessarily follow the rules of a television show.
The four girls come from distinctly different cultural backgrounds. Salma is Cuban, Este is Salvadorian, Phoebe is Dominican/Haitian, and her cousin Maria is Dominican. Their different cultural experiences shape their ideas about family, friendship, behavior and what it means to grow up American, while their interactions allow Pharel to explore questions of identity, belonging and how young people see one another across economic and cultural lines. Yet they share something equally important: they are all approximately fifteen years old, and they are all American.
Pharel doesn't present Latino identity as one uniform experience. Instead, she allows the girls' differences to shape their relationships and their understanding of the world. They are negotiating family expectations, cultural identity and American teenage life simultaneously.
Dead Girl’s Quinceañera is ambitious, culturally layered and unapologetically youthful. Pharel gives us four girls who may come from different places, but who share the complicated experience of growing up American while carrying the histories, expectations and family secrets that shape who they are. As those secrets begin to surface, friendship is tested, identities are questioned, and the girls are forced to confront realities far beyond their years.
Ultimately, this is a play about friendship, identity and agency—and about young women discovering that sometimes the most important story is the one they have the courage to uncover for themselves.
RECOMMENDED
When: Through Nov. 1 (Extended through November 8th!)
Where: Goodman Theatre, 170 N. Dearborn St.
Tickets: $34-$79
Info: www.goodmantheatre.org
Box Office: 312-443-3800
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