Dance in Review

Displaying items by tag: Simon Parfrement

Five years is an important milestone for any arts organization, but for a contemporary dance company it also marks an artistic coming of age. Identity Performing Arts celebrated its fifth anniversary at the Edlis Neeson Theater at the Museum of Contemporary Art with a program of three works - Enliven, Muted, and the premiere of Untitled Identity - that reflected both how far the Chicago-based company has come and where it is headed.

Founded as an organization dedicated to dance education, Identity Performing Arts transitioned into a full-season contemporary dance company in 2021, presenting its inaugural live concert that fall. This anniversary gala demonstrated how that evolution has expanded into a confident repertory of original work.

I had the privilege of sitting with Rehearsal Director Mollyanne Nunn during the performance, and her insights helped me better understand what I was seeing. Contemporary dance often communicates through gesture rather than narrative, and Nunn's perspective revealed how intention, relationships, and emotional shifts were woven into the choreography.

The afternoon opened with Enliven, choreographed by Founder and Artistic Director Ginny Ching-Yin Lo, a vibrant celebration of energy in motion that blends Eastern and Western artistic influences. Performed by a nine-member ensemble, the piece moved effortlessly through an eclectic musical landscape, from delicate instrumental passages to expansive contemporary compositions.

What stood out was the company's sense of connection. Rather than presenting individual showcases, the dancers created a shared momentum, with movement passing organically from one performer to another. It was easy to see why this work earned a place at the 2024 Seattle International Dance Festival.

Identity Performing Arts in Muted. Photo by Peter Hinsdale.

The mood shifted dramatically with Muted, Lo's deeply personal exploration of silence and communication. The work examines what it means to be muted, to silence another person, and to experience connections that exist beyond words.

The seven dancers gave physical form to emotions that are difficult to articulate. Gestures of distance, hesitation, and reconciliation suggested that our most significant conversations often happen without speech. The score, culminating in a reimagining of Samuel Barber's Adagio for Strings, reinforced the work's emotional weight without overwhelming it.

The evening concluded with Untitled Identity, the program's premiere and its most ambitious work. Featuring a twelve-member cast, the piece explores how identity continually shifts between our inner understanding of ourselves, and the perceptions imposed by others.

The expanded ensemble created striking visual patterns, while cinematography by Cem Koc, visual effects by Simon Parfrement, and Hannah Wien's expressive lighting design gave the performance an added theatrical dimension. The varied musical score carried the dancers through moments of tension, release, and transformation, suggesting that identity is never static but always evolving.

Seen together, the three works formed a thoughtful progression - from celebration to introspection to self-discovery. Lo's choreography provided a consistent artistic voice while allowing each piece to inhabit its own emotional landscape.

Anniversary galas often look backward, celebrating past accomplishments. Identity Performing Arts chose instead to use the occasion to look forward. By pairing established works with a compelling premiere, the company demonstrated that its greatest strength is not simply what it has already created, but its continued willingness to explore new ideas through movement.

Five years after becoming a full-season contemporary dance company, Identity Performing Arts has found a distinctive voice. This gala made one thing clear: like the identities it explores, the company remains beautifully in motion.

www.identityperformingarts.org/about

Published in Dance in Review

 

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